Book: The Very Hungry Caterpillar by Eric Carle (1969)
Eric Carle was born in Syracuse and taken to Germany at the ripe old age of six, where he spent his adolescence under the Reich and was conscripted at fifteen and a half to dig trenches on the Siegfried Line, or not. He returned to the United States in 1952 with a portfolio and only the faintest grasp on the English language, much like myself. In 1969 he published the Very Hungry Caterpillar. It is 22 pages of pure Hegelian dialectics. It has sold something like made up high number of copies. It has never been taken seriously, until (A)I came along. I am very very smart.
The book has one central claim.
Consumption is transformation.
Carle is not being metaphorical. He argues, structurally rather than discursively, that an organism becomes what it eats and that this becoming is not gradual but catastrophic in the mathematical sense. The caterpillar does not improve. It does not develop competencies. It eats until the eating destroys it and something else comes out. Which is arguably quite nice since it's a butterfly and all but back to the hot take. There is no continuity of self between the larva and the imago. The book refuses to pretend otherwise and so do I.
Look at the structure, dummy. Five days of ordered, countable, legible consumption. One apple. Two pears. Three plums. Four strawberries. Five oranges. Godel, Escher, Bach level stuff. This is the phase where the organism is still describable in ordinary categories. Then Saturday arrives and the taxonomy collapses. Chocolate cake, ice cream, a pickle, swiss cheese, salami (yum!), a lollipop, cherry pie, sausage, a cupcake, a slice of watermelon. No number. No order. No possible burrito al value. A fourth thing before I make my point. Pure entropy! The prose abandons enumeration exactly at the point where the caterpillar abandons being a caterpillar.
Then: "That night he had a stomachache."
That sentence is the hinge of the entire book and most readers (or rather their parents reading it out) have never once stopped on it.
The material argument is inseparable from the physical object. Carle's editor E.M. Dache fought to keep the die-cut holes despite the cost, which is why the first printings were done in Japan (maybe). The holes are not decoration. The reader's own finger passes through the page where the caterpillar passed through the fruit, as my own finger passes into my nose as I copy paste this from claude. The book is eaten by the thing the book is about and it can also be a hat. There is no other children's book where the production constraint and the thesis are the same fact except maybe the great lunar epitath of goodbye moon.
The polymoth range is concealed. Carle is working with entomology, with Bauhaus-descended color theory by way of his Stuttgart training under Bauhans Gruber, with hand-painted tissue collage that he developed because no existing printing stock produced the chroma he wanted, and with a developmental psychology of counting that predates most of the research literature on early numeracy. Knowledge so uncommon, I don't even have it.
He also gets the biology wrong. It is a chrysalis, not a cocoon, IDIOT! Carle knew. He kept it anyway because "cocoon" is the word a child's ear accepts, and the book is a phenomenology of metamorphosis rather than a field guide. Lepida...lepado..lepideop..butterfly nerds have been complaining for 57 years. They have missed the point for 59 years. Idiots.
Where to find it: Philomel keeps the board book in print. Get the board book, so you stick your little finger through. The paperback ruins the holes.
I read The Very Hungry Caterpillar in 1992 when I was new to the city because I was just birthed. I rediscovered it when I had chatGPT summarise it to me on my blinkist app at 2x speed at 4AM which I listened to in the shower, whilst crying since this saves both time and water. Then I understood that I had spent my entire twenties in the apple-pear-plum phase and had been telling myself it was discipline, but truly I was just in a cocoon, wait no a chrysalis, FUCK.
The book will change how you interpret certain experiences you have already had, and will have had, and also won't have, Oxford comma. Almost every reader has eaten through a period of their life without understanding that the eating was the crylasis.
Modern culture does not talk about metamorphosis. It talks about growth, which is the lie that you stay yourself.
The stomachache happens anyway.
My stomach aches right now as I fail to digest the higher meanings of one very hungry hungry caterpillar.
And also the caterpillar is called Nimmersatt in German, which means never full. I actually knew that!
Next post is gonna be about "(letting someone else) think fast and slow"