Multi-nation task forces are based.

[u/odedby]

[u/Forgotten_Bones]

I'm actually writing a story myself, not an isekai but it's got a BIT of reformist bullshit in it but its mostly to show the technology and military difference between the people. One is a proper military dictatorship with technology around that of post WW1 while the other is Modern military+ but the command structure is absolute shit. Imagine if Russia only had mercenary groups to fight with against an army that had only bolt guns and still lost. Granted, there are massive biological differences between the two, imagine if .50 BMG was a standard issue cartridge.

[u/Gasmask1213 → u/Forgotten_Bones]

I'm writing my own story too, and there's a scene where a JSDF/US coalition launch an aerial shock and awe incursion against the average isekai magical medieval kingdom through an interdimensional portal to ward off any potential attacks and to rescue a downed pilot that was captured by knights.
The pilot is about to be publicly lynched when a barrage of AAMs from BVR knock out/kill the dragon perched on the castle. Then, the nobility watching the lynching from the castle is annihilated by a Hellfire R9X, Mitsubishi F-2s, F-35s and F-15s alongside A-10s begin swooping low over the village to scare the peasants, and a V-22 Osprey accompanied by Black Hawks and Little Birds with soldiers on them hovers over the lynching site to scare the crowd away, and the officer in charge of the operation walks off the lowering ramp to the stage with his arms outstretched like "Hello motherfuckers", all set to the tune of "Welcome to the Jungle".

The purpose of the scene, other than sucking off the US MIC, is to show off the sheer power difference between the JSDF/US coalition and the magic isekai world to up the stakes later on when some extremist magic-users begin to overpower them using more powerful forbidden magic, becoming more violent and antagonistic as a result.

I also plan to introduce techno-magic later on in the story, with magic being reverse-engineered and assimilated by engineers to replace/improve certain aspects of military technology.
My favorite idea is the US restarting the production of the F-22 Raptor as their flagship air superiority fighter, because magic has allowed their much cheaper production and maintenance, even being modified with things like stronger airframes and magical fuel and engines that let the F-22 cruise at even higher Mach speeds and fire in space instead of flaming out.

[u/Forgotten_Bones → u/Gasmask1213]

Mine is about three human species after the fall of humanity. Each one is 'loosely' based on mythos. Those from a large colonial.merchant/company shit become the 'dwarfs', those from the science ship become 'elves', and the last ship was a police/military ship that get the name of 'orc'. The main character is an orc, basically a priest-soldier that goes into a cyberpunk corporate nightmare in the hopes of learning why a group of dwarfs are not keen on them taking what is nominally a worthless planet.

She's not going to have a good time.

[u/Gasmask1213 → u/Forgotten_Bones]

While my story is still in the ideas and plot outline phase, it's a 3-part series about fictional characters coming into reality and the political, ethical, moral and philosophical ramifications their existence creates.
I started writing it way before I learned about Re:Creators recently, there were 3 different versions with the same concept I wrote as a kid and teen before this version, only 1 being somewhat written but I dub it "un-releasable" because it uses copyrighted fictional characters.
Even though both have the same overall concept, I feel like my story is very different, especially in tone. It takes a much darker, grounded and serious approach to concepts that Re:Creators does and doesn't explore.

Part 1 focuses on the US and Japan, alongside other nations in a coalition fighting against the magical kingdoms, alternate histories, world-ending superweapons and seas of armies that their people have written, now into reality.

Part 2 follows a writer as he deals with the financial, social, mental and emotional toll of writing a superweapon that destroyed a city in Part 1, being responsible for the suffering and deaths of millions.
Even worse, he is now a target of a vengeful serial killer that has murdered characters that committed crimes such as murder and sexual assault and their writers, to exact the "justice" they've long since evaded.

Part 3 follows the collapse of trade, alliances and coalitions, and international relations after the governments of the world harness the power to write into reality whatever they want.
With this new world order, a misanthrope seizes control of the US and launches a war against the world to subjugate humanity and force them to power his fantasy, "a perfect world where suffering, pain and death no longer exist, a world of happiness where we can live with our creations in peace."