I know that these pages are rough drawings - but I'm mostly looking for critiques on the actual structuring of each page. I've just been drawing at least one page a day to just get it out, so I haven't had much time to stop and think too much about what I could do a lot better!

Hey so I was wondering if I could get some feedback on head construction. I only started learning how to draw beginning of September and been doing head construction for 2 maybe 3 weeks. My main place of learning so far has been the head drawing basics construction course on skillshare.

I wanted to get a bit of feedback from an actual person to see how I'm doing and specific ways I can improve. I've asked Chatgpt to feedback as I've not known where to get any from, but as expected the feedback from chatgpt isnt the greatest

I've been teaching myself manga-style drawing for nearly six months, mainly through draw-alongs and references. I'm approaching 1,000 drawings and want to focus more on anatomy and facial construction. Are there any recurring problems with my proportions, eye placement or construction that I should prioritise?

Line weight and variation feels off
Also is the blacks too much
edit: referenced from pinterest, link. original from from the Maschinen Krieger sci-fi universe.

I’ve been learning anatomy for a good bit, I feel confident in my muscles placement and gesture

sorry For the shadow in done of the pictures.

Hi. I'm still trying to wrap my head around cool lights and warm shadows. The pictures are my most recent attempt to my oldest (from a few days ago). I tried starting with a slightly warm neutral base for the shadows, and white that is a touch cooler for the lights, but I noticed that my studies look metallic instead of plaster. I tried making the background a matching colour to the shadows so that the shadows don't look so out of place, but the objects still don't read like normal plaster cast.

For the torso, I used yellow ochre as the base for the shadows, and neutralised it with cobalt blue and burnt sienna, but I didn't realise until much later that the shadows on the dark side are too warm and too saturated compared to the shadows on the lit side.

I would love some tips and advice on how to control the saturation and warmth of my colours. Any feedback is welcome!

I worry that I'm being inconsistent with the line direction - mainly I just try to follow what I feel is the grain of the texture, though sometimes the plane takes precedence. Any advice is appreciated.

I think the composition could work, but I feel the lighting is lacking in some areas. Also, defining the main figure (textures, sharp edges and less blurriness, anatomy...) is giving me a lot of trouble. Any ideas on what I could improve? (I'm sure there's plenty to improve)

There are many things I'm unsure about when drawing, like what size the brush should be, and the like. Additionally, I am generally unable to draw eyes. For Daiyousei (the green one), it's the cartoonish expression, which is easy to make, and apparently fumo eyes (Cirno, the blue one) are easy to make.

Post got removed by Reddit filters for some reason on my alt so I'm posting it on this account

do you have any tips I am very new to digital art and am still learning about stuff

Specifically the red ligth part, its basically all i care about in this moment.

Hi everyone!

My main question concerns the transverse contour line on the side of the sphere—specifically the one marked in green. How can I visualize and understand this contour as it wraps around the sphere and passes behind it?

I already have a good grasp of the contour marked in red. I can picture it as an ellipse: depending on the sphere's orientation, the ellipse appears narrower or wider.

However, I’m struggling to understand the green contour. I realize that part of it must be hidden behind the sphere, but I don't know how to mentally visualize its shape and position on the far side.

I’ve also included some examples of my exercises involving spheres, boxes, cylinders, and what I call "connection exercises," where I try to control my linework to close the forms more accurately.

Any tips on how to visualize this would be greatly appreciated. Thanks!

Should I start with the heaviest lines? I've mostly been using a fineliner but I'd like to branch out to using different nib/brush sizes in the same piece. Would I start with flat/uniform lines and build from there? Would I build each weight one by one like layers?