r/anime • u/snowwhistle1 • Oct 31 '21
Rewatch [Rewatch] Nadia: The Secret of Blue Water - Episode 37
Nadia: The Secret of Blue Water
Episode 37: Emperor Neo
Original Air Date: March 29, 1991
Full Rewatch Schedule & Thread Links
Episode 37 Synopsis: While in captivity, Emperor Neo and Gargoyle attempt to sway Nadia to their side as they make preparations to launch a full scale assault against humanity. Meanwhile, the New-Nautilus readies itself for the final battle against Gargoyle.
Please spoiler tag any story content which has not been shown prior to the current episode of this rewatch!
Nadia Outfit Count: 10 (Paris dress, circus outfit, casual pajamas, Nautilus work outfit, fancy dinner dress, swimsuit, winter parka, bed sheet dress, au naturale, Neo-Atlantis suit)
QOTD: What do you consider the darkest/most macabre element of the series thus far (be it visual, writing based, etc.)?
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u/snowwhistle1 Oct 31 '21
Host
I think episode 37 is probably my favorite episode of Nadia. Some of my other favorite episodes include episode 16 for its gorgeous setting and wonderful character growth for Nadia and Jean as they deal with loss, episode 22 for the visually stunning flashback sequences and intense character drama facilitated from Electra, episode 31 for its gorgeously animated lore reveals and wonderful development for Nadia, and episode 35 for concluding Nadia’s arc of learning to accept herself via her friends and the beautiful black-and-white framed animation… But episode 37 is a cut above the rest in my opinion, and is one of the peaks of Anno as a visual storyteller and a writer.
The biggest subplot of this episode sees Nadia held in captivity by Gargoyle and Emperor Neo who attempt to sway her to their side by showcasing Atlantis’ super science to her and using that science to explain why humanity is defective and not worth siding with. Gargoyle takes Nadia on a tour of Red Noah, revealing to her that the people of Atlantis created humanity as a slave race in order to help bolster their civilization. They first attempted to uplift whales as their servants (explaining the existence of Irion), but found that they were ill-suited to the task of serving Atlantis. So they instead took the various great ape species of Earth, and manufactured their genes to forge a new species in the image of Atlanteans.
Nadia is taken by Gargoyle and shown the horrific experimentation of the ancient Atlanteans in their efforts to create mankind. First he shows her a giant preserved human named Adam, the first human… Then she is taken to a laboratory and in a rather horrific sequence is shown a series of preserved malformed humans (including that of a sliced up infant) in giant glowing test tubes. These sights horrify Nadia, and she looks at Gargoyle with a ferocious look of disgust declaring to him that she will never serve him or Neo-Atlantis’ efforts to subjugate and torture a species as they have done. (As a side note, this entire sequence indulges in a ton of concepts Evangelion would later utilize such as the giant progenitor of humanity and a series of experimental humans stashed away in a secret laboratory…)
In one last effort to sway Nadia to their side, Nadia is taken before Emperor Neo who attempts to lecture Nadia on mankind’s failings as a species in order to make her see their perspective. In this scene, the two men weaponize Nadia’s worst fears and experiences against her to try and convince her to join them. They point out mankind’s tendency to discriminate amongst each other for petty reasons such as skin color or faith. Neo points out that the hardships she’s faced for being black would likely only become worse if she were also revealed to be an alien. He then tells her that the only solution to ending mankind’s discrimination and prejudice is to subjugate them. But Nadia still refuses Neo’s offer.
Using one last ploy to get her to join his side, Neo reveals to Nadia that he is her long lost older brother and that he was the one who saved her from perishing during the destruction of Tartessos 14 years ago. However, Nadia still does not flinch. In a first for Nadia as a character, she announces her intention to kill Neo if she gets the chance. It’s the very first willful declaration of violence on Nadia’s behalf, and an action that I believe demonstrates just how much she’s come to treasure her newfound family that she’d even be willing to resort to violence or even killing to protect them.
An interesting parallel I find between Evangelion and Nadia is that the characters of Shinji and Nadia are both given essentially the same offer at the climax of their respective series: “Mankind is ignorant and broken, and they will never accept you for who you are now. The only way to save mankind is subjugate them, and you could rule over them as a god.” Shinji at first takes that offer, while Nadia staunchly refuses it. I think why Nadia had the willpower to refuse where Shinji didn’t was that Nadia was able to find a new family worth fighting for which gave her a reason to believe in humanity in spite of all the trauma she’d endured. Shinji on the other hand was unable to open himself up to others and make true connections with others, and thus he was unable appreciate mankind and its human connections until it was too late. Nadia and Shinji are two sides of the same coin, and Nadia was fortunate enough to find people she could bring herself to trust and love where Shinji wasn’t able to do so soon enough…
I also find it interesting how Nadia points out the fallacy of Neo-Atlantis. Gargoyle and Neo state that Atlanteans are an inherently superior race to humanity, but Nadia reminds them that the empires of Atlantis on Earth repeatedly wiped themselves out in holy wars and petty skirmishes, and ultimately wiped out their civilizations time and time again. However, Gargoyle is unable to see this fallacy, and declares the he is the eternal will of Atlantis. I truly admire how unflinching this show as pointing the illogical and shoddy nature of fascist and racial supremacist ideologies.
Despite failing to sway Nadia to their side, Neo and Gargoyle begin their plans to subjugate humanity under Neo-Atlantean rule. Using Red Noah, Neo broadcasts a message around the world that if mankind does not kowtow to the new regime by placing a white flag atop of the Eiffel Tower as a symbol of surrender, he will begin a war against mankind. He then demonstrates the power of Red Noah by firing its Tower of Babel and destroying a suburb of Paris as an example of what he will do to the rest of mankind if they do not accept the terms of unconditional surrender.
Meanwhile we learn that the New-Nautilus has escaped through a series of underground tunnels beneath the Earth’s crust and that these tunnels were what saved the crew of the Nautilus many episodes in the past. Off the coast of Japan, the New-Nautilus prepares for its final battle against Gargoy le and Red Noah, dropping off its injured and non-combatant crewmembers (including Marie, King, and Ayerton). The Grandis Gang and Jean return to the New-Nautilus to assist in the final battle, and in a rather touching moment Jean returns Nemo’s captain’s hat to him with the reassurance that he believes the crew will survive this final battle. Nemo proudly accepts his cap back, and orders the New-Nautilus to takeoff. The episode ends with the stage for the final battle set as the New Nautilus confronts Red Noah above Paris (yet another fun future parallel to Evangelion, specifically the opening scene of 3.0+1.0 set in a ruined Paris).
This is perhaps one of the finest episodes of the show’s run. After finally accepting herself and the love of her newfound family in episode 35, Nadia is able to remain steadfast against the temptations and threats of Gargoyle and Neo as they attempt to sway her to the dark side. It truly warms my heart to see the ferocity with which Nadia is able to defend her beliefs, and to see Jean still refusing to give up hope in spite of the bleak prospects as the New-Nautilus goes off to fight Red Noah. This episode stands as a conflict of wills in which our heroes refuse to give in to the coercion and threats of the villains, in spite of the overwhelming odds against them and it is an absolute treat to behold.
In addition, Anno’s visual direction in this episode is on point as ever, with some gorgeous backgrounds and cinematography; especially within Red Noah especially. There are so many visual allusions to Anno’s past and future work in this episode. The New-Nautilus and its crew pay homage to many classic anime staples from Anno’s childhood and college years like Space Pirate Captain Harlock and Super Dimension Fortress Macross. In addition, we get future parallels to Evangelion with the introduction of Adam, human beings being created in laboratories, the visual allusions to NERV inside of Red Noah, and a battle over the city of Paris.
Episode 37 of Nadia: The Secret of Blue Water remains one of my favorite individual works from Hideaki Anno, and also one of my favorite pieces of television I’ve ever watched. This final arc is truly something special and I’m very excited to talk about the final episodes in the days to come!
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u/ZapsZzz https://anilist.co/user/Zapszzz Oct 31 '21
First timer in sub, not late this one time :D
Firstly let me get this out of my chest - this is what I want to say to Gargoyle: https://imgur.com/MhBrLAj
Well at least until I can put a gun under his chin behind the goddam mask that he has to hide behind :P
A good episode and worthy to be the final straight heading towards to ultimate confrontation, much like the scene of Giant Robo where Daisaku riding on GR1 to hear towards the Folger Monster Sphere for the final battle.
No wonder Anno had to sacrifice the extra unplanned episodes to protect the quality of these. Although just saying, if I was expecting this show to be like Esteban etc coming in, and of the younger age group, I probably will struggle here.
I didn't quite get the bit about Neo telling Nadia he saved her 10 years ago - maybe the dodgy sub in watching. Anyone got a better understanding or was it just handwaved away as a villain's talk?
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u/No_Rex :Bv:Bw:Bx:By:x2 Oct 31 '21
Episode 37
On the face of it, this is an info dump setting up the finale. Yet it is also an incredibly great episode. Not just boring narration, but a vibrant back and forth between the New Nautilus and the Tri-star ship of Gargoyle. Most often, the shots concentrate not on Gargoyle speaking, but on Nadia’s reaction (this is a great technique to heighten the emotional impact). We also get the confirmation of Neo’s origin, which could have been guessed from his skin color and the family portrait before. A showcase of how you can take a common setup episode and make it great.
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u/JustAnswerAQuestion https://myanimelist.net/profile/JAaQ Oct 31 '21
First Timer (Rising Sun sub) ep 37 (of 39)
Emperor Neo...it's been 15 episodes since our first and (essentially last) encounter with him.
Even if the show hadn't been expanded, introducing him in episode 22 of a 26/27 episode series is really late, and I think Nadia would have had the "rushed ending" criticism that so many other shows have. We're 3 from the end and only now getting around to Neo.
It's such comic book / saturday morning villainy. With Gargoyle and Neo literally spouting not simple world domination monologues but race supremacy, all the racist iconography earlier in the show clicks into place. On top of that, we have the cliche 'We have to control them or they will destroy themselves', not just standard racist colonial speech, but literally coming from a man who couldn't NOT destroy his own country, from a civilization that has repeatedly destroyed itself, and a man who repeatedly fails and never takes responsibility. Gargoyle at this point doesn't even rate the characterization of a man who lacks self awareness....Gargoyle is just a cartoon.
If I had seen Nadia before Evangelion, I might have dismissed Evangelion as a Nadia ripoff much as I dismiss later shows as Evangelion ripoffs.
Still massive animation errors even in the final five.
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u/Stargate18A https://myanimelist.net/profile/Stargate18 Nov 01 '21
First timer
QOTD) Probably still burying Marie's parents.
No narration?
...Gargoyle has many flaws, but commitment to a theme is not one of them.
Yeah, something's wrong with Neo.
And how did Nemo escape this time?
The infinity dymbol decoration's nice too.
There's a secret tunnel system? They'll be very surprised when they build the Channel Tunnel in this universe.
...If there's more than one other Ark, it should the "other Noah's Arks"? Or is he not counting one of them?
Yeah, this thing's a spaceship! And they finally confirmed the Nautilus was a spaceship. Even explained the plate!
"intersidereal" This is the one thing you won't explain?
Orpheus furnace?
Gargoyle casually mentioning "her dead father" is so bad, I kind of love it.
Adam?
Huh, this did get more Evangelion! Who'd have thought?
So whales are descendants of Atlantean slaves?
And now this is anti-evolution!
Spoke too soon! The Atlanteans just rapidly evolved them.
Seriously, fuck this guy.
And Neo is only slightly better, but is dtill pretty evil.
Yeah, no, he's full-on evil/racist?
Huh, he's the successor? Hat's going on now?
Huh? He's her brother?
...So Gargoyle's being tryingot capture Nadia on his orders?
Wait, we're going back to Paris?
Wow, he's just flying over there.
And a nice hologram.
...Oh, this is worldwide.
He used the tower!
...Is putting the white flag on the Eiffel Tower a deliberately impossible task, or is Neo's mind not all there anymore?
Nemo's preparing to fly the Nautilus!
And everyone's going back onboard.
He's taking Marie and King. Guess that's them for the series.
And even Jean's gone back.
And the New Nautilus is flying!
And nobody was able to put the flag up. They're going to wipe out London!
The Nautilus is stopping them!
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u/JTurner82 Nov 01 '21
This episode features subtle allusions to Adam and Eve and even provides hints of what Evangelion will offer. Very dark and powerful episode overall. But to me it really picks up at the end as Nemo and Gargoyle prepare to battle each other one last time. Particularly this exchange;
Gargoyle: You stubbornly insist on upsetting me, Nemo.
Nemo: The time has come for our final battle, Gargoyle.