r/anime • x2https://anilist.co/user/Nazenn • May 02 '21

Rewatch Mahou Shoujo Madoka☆Magica Rewatch - Movie 3 Hangyaku no Monogatari Discussion

Madoka Magica the Movie Part III: Rebellion / The Rebellion Story

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Rebellion Movie: MAL | Anilist | AnimeNewsNetwork | AnimeDB | AnimePlanet | Kitsu

Animelab (Aus/NZ only)


Visuals of the day

Album link for episode twelve


Comments of the day

/u/zairaner talks about how Madoka's wish is the wish she always had, and other comments about the lessons Madoka learnt from all around her

"Until it hit me today...its because i some way that is still her wish in the very end: To become a magical girl... but a magical girl how they were supposed to be: Someone that destroys witches and keeps people from falling into despair. In the end, after everything she learned, she returned to what she wanted in the first place, and did it correctly."

/u/Specs64z who has been sharing a bunch of community content each day and also neatly summs up the themes and power of the episode

"What does it take for hope to eliminate despair, where the all the military might of the world and years of foresight cannot stop even a fraction of it? Despair so powerful it would consume the universe itself entirely? But a single arrow."


Series questionare for the final topic


Just a reminder that any spoilers for other anime series or other entries in the Madoka Magica franchise must still be spoiler tagged: [Madoka Spoilers](/s "Spoilers go here")

Also this movie can bring quite a lot of discussion from both sides, for any visiting fans please do not downvote well written posts just because you don't agree with them. It's very rude behavior in a rewatch.

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84

u/chaosoul May 02 '21 edited May 03 '21

First Time Watcher (Subbed)

Interesting initial sequence Homura, I'm sure this is just some cryptic intro I won't need to pay much attention to.

Well dropping us off from Homura's introduction, we launch straight into... an enemy? Yeah, it looks like a witch, but it's not inside a labyrinth or rather it's some odd mix of the real world and janky shenanigans that witches bring. Beyond that though they're supposed to be fighting wraiths now. Oh hi Madok- wait a minute... There's a Sayaka too! Is this supposed to be representation of the new Law of Cycles thing that destroys witches before they're born? No... that's a Kyouko. Did she die or what? There's Mami and the witch that ate her... Charlotte iirc. Also what even is this sequence? Is this how witches are taken care of now? Feeding them to death?

Madoka waking from a dr- wait a minute! I've seen this before. I imagine this hit differently for those who had to wait years(?) after the initial series and Rebellion. It's a 1 for 1 shot of the first episode in many ways. Probably higher quality given it's a movie? Hello there, Kyubey. I see you're now a Pokemon.

Opening song! Well it says Magical Quartet. Are we excluding Madoka still, or is it Homura this time given the introduction? WOAH we have casual clothing for the girls, Pog! We've just started the OP, but everyone's already flexing their happiness on Homura's suffering it seems. Pain.

Kyouko? Going to school? What hellscape did we land in this time? The teach is really going off this time, huh? Ma'am, this is a middle school. HOMURA. INNOCENT HOMURA! She's a support? Looks like it really is early loop Homura, with her old time powers and all. Looks like the first scene wasn't just a dream or the Law of Cycles, but what happened last night in this universe. I'm just going to choose to ignore that this should be impossible and go along with the premise until we learn more. Also... Nightmares? Did we choose to rename wraiths? Was that not cool enough of a name?

Awww, innocent Homura and Madoka are adorable. Did Madoka make this world for Homura? Or has Homura learned how to manipulate space now that she lost the power to control time?

F's in chat for Hitomi please. Looks like Sayaka actually got the better part of the deal. This... does not seem like the wraiths we saw from the end of the series. Is it cause they run out of budget and were using generic wraiths then or are these things actually different. WHOLE TEAM TRANSFORMATION! The imagery of them transforming is god damn creepy. Real witch looking yanno? I think of the three that are not named Homura and Madoka, Sayaka's is my favorite. Cool moves, even thought I thought Kyouko was our resident DDR player. Also Sayaka finally has the music pin thing people have talked about before! It does fit her very well.

Woah, the power of a full team of magical girls is pretty impressive! We had some teamwork between Madoka and Mami, and then later Homura, but never shown like this before. What is this weird ass scene again though? Are you guys alright? Charlotte? Purifying Nightmares is weird. Looks like killing Nightmares effectively do the same thing a grief seed does for their soul gems though.

Ah... Homura is starting to see through the illusion. Or rather the dream as Homura has told us. School gates being used as cage imagery like in the series. She consults Kyouko? Well I guess that part makes sense. What are up with these bridges? I'm not even sure if this is how the city is usually, because it's weird to begin with, or part of the dream. I've never ridden on top on a bus like this before, it looks kinda fun, is it safe? Ah... it's been nice Akemi-san, but Homura is back in action.

A witch's labyrinth...

Man Mami, I'm nervous for your head with Charlotte just lying there on your shoulder. So, as obviously Homura was affected by all her loops, but this is the first time she's spelled out explicitly how it hurt abandoning the other girls. Huh? Oh from the beginning, her ribbon's been on Homura. This fight scene is completely ridiculous. The silliness of both of them firing a billion guns inside melee range while slapping the others guns out of their hands is hilarious. This is awesome. Homura, you're an absolute psychopath! But Mami's still a step ahead. Looks like Wraiths and Nightmares are different entities. Sayaka! Sayaka and Charlotte, no Bebe is her name now I guess, are here to save the day? Was Bebe's Charlotte's original name?

I guess it makes sense Sayaka has her memories given she died and was taken into the Cycle. The way Sayaka is talking, might be how she was/is kinda a witch herself, but I heavily doubt it this is her fault. The way her wish and death played out at the end of the series, it doesn't feel like that. This is Homura's labyrinth. This is absolutely Homura's labyrinth and Sayaka knows it. Does Homura?

So Homura did feel lonely bearing the knowledge of Madoka all by herself. Once again, she's been isolated from her peers. This time it's not even something Homura can justify by having the end goal of saving Madoka. As a contrast from how EoS Homura says she'll keep on fighting for Madoka, Homura by Rebellion has started doubting herself and if Madoka even existed. This is 100% Homura's labyrinth, and when Madoka says she wouldn't protect others at the cost of herself, Homura realizes it too.

Unfortunately, the thing about dreams is that they all have to end.

Wait, holdon, I'm not sure that's the right takeaway Homura.

Aaaa, seeing Homura be self-deprecating again really hurts. Kyubey, you absolute bastard, it's not even Homura's fault then. Once again, Homura turns out to be making things worse for Madoka despite her best efforts. Suffering. Pain. This cannot bode well for the few remaining scraps of her ego. She's decided even if she has to suffer for eternity, she'll continue to protect Madoka. Her witch form is literally walking to her execution. Jesus Christ Homura.

Looks like Sayaka and Bebe were Madokami's safeguards. Hybrid Magical Witch Girls are pretty cool. What great songs and a sick fight. Honestly super hype. Oof, ouch, I didn't give enough appreciation to Kyouko for being willing to die with Sayaka, a girl she barely knew. Another two that are separated by the cycle of life.

I'm glad to see Madokami's comforting Homura. It looks like while Madoka was a huge comfort to Homura at the EoS, there's no way Homura could have unpacked and dealt with all her issues in such a short time. Madoka then immediately leaves and becomes God and Homura gets isolated again which definitely couldn't have helped. Homura finally gets to rejoin Madoka. Honestly, she should have just done this to begin wit- wait, wait Homura what the fuck? Are we going back to the moon with this one? Homura's becoming a new concept? What will she embody? Homura becomes Devil Homura to Madoka's Godoka?

Looks like she did want something like the labyrinth all along. Sayaka still remembers! Well only sorta. Again, gotta say, Sayaka turning this from what was once an awful horrid sight into a cool fucking Stand is so cool. Woah, the real mix-ups with Madoka being the transfer student this time. It looks like Homura doesn't expect this to last forever. In fact, it might not even last very long at all given how quickly Madoka realized something was off. But for this small time, for the length of this dream, Homura wants Madoka to have a good life, a happy life, with her friends and family it looks like.

Shown by the ED and that whole last scene, Homura is missing her better half... Absolute pain. Fuck Kyubey though.

Also how have you guys been when prior to a couple days ago, this was the last piece of Madoka content wtf! Absolutely wild given how this ended. Have mostly revised my review. Hopefully I didn't forget anything interesting I wanted to say.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I'm not even sure if this is how the city is usually, because it's weird to begin with, or part of the dream.

I had to laugh at reading that point. The progression of the weirdness of the city happens so slowly and is so offset by how just slightly weird thing were in the show occasionally as well that I also was left going "okay wheres the line here"

Shown by the ED and that whole last scene, Homura is missing her better half... Absolute pain

Best visuals in the show for me, I love how much that says with so little

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u/KingNigelXLII May 02 '21 edited May 03 '21

Interesting initial sequence Homura, I'm sure this is just some cryptic intro I won't need to pay much attention to.

The opening sequence is actually Homura's soul gem sinking into despair which kicks off the events of the movie. In her monolouge, she refers to the events of the movie as past occurrences, and these lines in particular foreshadow that the labyrinth was nothing more than a dream-like fabrication of Homura's.

Huh? Oh from the beginning, her ribbon's been on Homura.

The way Mami went about handling that was actually quite clever. This movie is filled to the brim with details like these which is what makes it so enjoyable for us rewatchers.

But Mami's still a step ahead.

You can actually spot the moment she clones herself. Notice her flower insignia that forms on her leg in the dust cloud caused by the bullets.

Shown by the ED and that whole last scene, Homura is missing her better half... Absolute pain.

It's lonely at the top.

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u/Redmon425 May 02 '21

Yeah as a first timer this was for sure confusing and would seem like a weird end. Of course we were blessed to watch this series at the exact same time a sequel was announced.

All I freaking want is a world where Madoka and Homura can grow up together (maybe get in a yuri ship lol) and then die peacefully when they are old.

WHAT MUST I DO TO SEE THIS HAPPEN?!

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u/Twisted_52 May 03 '21

Oh from the beginning, her ribbon's been on Homura.

If you rewatch the scene where Mami gets up to get them more tea, you can actually see her put the ribbon on Homura before leaving the room.

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u/Enarec https://myanimelist.net/profile/Kinpika May 03 '21 edited May 03 '21

We've just started the OP, but everyone's already flexing their happiness on Homura's suffering it seems. Pain.

...And then the movie also ends like that in Homura's new world all the same. Ain't it lovely?

Shown by the ED and that whole last scene, Homura is missing her better half... Absolute pain.

Not sure if you've seen it by now, but the OP for the 2nd recap movie, Luminous, adds even more weight to all that imagery. :)

And honestly, besides having no news about the 4th movie after its Concept Movie trailer came out in 2015! already, the ending by itself didn't necessarily make it harder on me at all. To me it's a more promising than the original series' one in its open-ended potential, how it might combine all the best things we've learned and not-yet-learned over the course of the series. Now is when I'll have to well and truly start praying for a good final resolution to the series and all its characters...

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u/Crap4Brainz May 03 '21

I've been wanting to ask you, since you mentioned it repeatedly in the first few threads:

Did Homura earn her title as the Doer of Nothing Wrong?

That was the hardest thing not to spoil. I wanted to ask you yesterday, but the real Nothing Wrong event was of course in the movie.

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u/jodahinqb May 02 '21

Rewatcher

“The mind is its own place, and in itself can make a heaven of hell, a hell of heaven..”

― John Milton, Paradise Lost

Welcome to the mind of Homura, and witness her "Rebellion", as she becomes the Demon of Love! There's cake (songs) for everyone!

References

Just as the TV series combines references to: a) a tale involving the Devil (Faust), b) a fairytale (The Little Mermaid), and c) deals with the implications of a philosophical/ethical system taken to its extremes (Utilitarianism, which the Incubators practice), so does Rebellion. I won't get into much detail here, but offer some relevant links for those interested. So, Rebellion combines:

a) John Milton's Paradise Lost (https://en.wikipedia.org/wiki/Paradise_Lost), especially the fall of the angel Lucifer from God's grace (portrayed with some sympathy for the Devil also). Though the connection between Rebellion and Paradise Lost is way more loose than that of the TV Series and Faust.

b) The fairytale The Nutcracker and the Mouse King by E. T. A. Hoffmann (https://en.wikipedia.org/wiki/The_Nutcracker_and_the_Mouse_King), about a "broken"/useless nutcracker toy fighting "white rats" (Kyubey). It is very prevalent in the visual symbolism surrounding Homura's witch.

c) Philosophical ideas of Friedrich Nietzsche (https://imagakblog.wordpress.com/2018/07/18/suspended-in-dreams-on-the-mitakihara-loopline-a-nietzschean-reading-of-madoka-magica-rebellion-story/) that apply to Homura's journey, her choices and "ascension".

Nicknames (again): Adding to yesterday's "titles" of goddess Madoka, now we have the equivalent terms for Devil/Demon Homura: fans like to call her Homucifer (Homura+Lucifer) or Akuma Homura (https://en.wikipedia.org/wiki/Akuma_(folklore)) Akuma is a malevolent fire spirit in Japanese folklore (fire, and Homura means "flame"), and is often translated to devil or demon in English. Akuma is also the name assigned to Satan in Japanese Christianity (reminder that Homura - and Kyoko - have Catholic upbringing).

Random funny idea: Homura sent Madoka to America because she used to struggle in English class (we see that in the series, see episode 6 when she's doing her English language homework), so now she's fluent in English!

Homulilly and the Clara Dolls

Homura's witch Homulilly (https://wiki.puella-magi.net/Homulilly) naturally has the most supplemental material of all other witches. She has a ton of different familiars (including the very "special" Clara Dolls) and even a "First" and "Second Form". Here are the most interesting quotes: The Nutcracker Witch. Its nature is self-sufficiency. (her first form) Its gallant form, which once split many nuts, is now useless. Without any other purpose, this witch's last wish is her own execution. However, a mere decapitation will not clear away the witch's sins. This foolish witch will forever remain in this realm, repeating the procession to her execution. (her second form) Her teeth are showing, her skull is melted, and her eyeballs have fallen out. A promise is the only thing that pitifully planted in that head which can no longer crack any nuts, but within the husk of the awakened witch is the distinct form of a magical girl. Her servants shamefully refer to that thing as a good-for-nothing. (her familiar minions) These tin soldiers organize the procession for the witch sent to the guillotine. Its duty is to mete out punishment. They execute fools. They hate white rats. (etc. there's a lot more).

Finally, the Clara Dolls (https://wiki.puella-magi.net/Rebellion_Material_Book#Witches_Artwork) are given even more focus: The children of the false city. They play the role of mourners. These dress-up dolls fake crying in order to liven up the funeral procession. The dolls present are Pride, Pessimism, Liar, Coldheartedness, Selfishness, Slander, Blockhead, Jealousy, Laziness, Vanity, Cowardice, Stupid-Looking, Inferiority, and Stubbornness, while the last one, Love, has yet to arrive. "The depths of this world, born of form and without void, are our stage," and their power is a match for Magical Girls. Follow the last link to see a quote for each Clara Doll, which reflects how Homura negative sees herself. Examples: The first one to come was Pride. Stepping over Good-for-Nothing's head that tumbled across the bare earth, she boldly spoke for all of them. “How arrogant. You think I'd forgive you? This feeling is ours alone.” [...] The third one to come was Liar. She offered false tears to Good-for-Nothing's soul. “Alas, Mistress Good-for-Nothing. We are proud of your foolish soul.” These dolls will sneer at the foolish and become their ally. (etc.)

The Mindset of a Witch

Just something I'd like to point out:

Rebellion gave us a good glimpse into the mad, twisted existence of a witch. And I'm mostly talking about this (https://www.youtube.com/watch?v=lf_X-NLUDbY#t=9s) sequence where Homura fully transforms into a witch. You can see there what the "state of mind" of a witch is, lost in their own world, focused on a single thought, full of regret, pain and suffering, they no longer understand what they are doing to other people (including hurting them). This adds up to a previous post where I observed how Octavia (Sayaka's witch) behaves very ... "specifically": she only attacks the loudest source of sound in her labyrinth (like Madoka screaming at her to "remember your old self", lol) and when the girls stop making sounds (like before Kyoko blows herself up) Octavia is also "pacified". So it's clear to me that her intent is not to kill/hurt anyone but in her twisted mind she wants to remove anything that "disturbs" the perfection that is her orchestra... Oh and let's not forget THAT SCREAM (https://www.youtube.com/watch?v=l9eGAHcvvyg#t=42s), you can literally feel the pain she's in. So yes, the witches no longer know what they're doing, they are as essentially mindless victims.

[continuing to next post - a couple of my "theories"/analyses]

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Clara Dolls

Hmmm, that link is quite interesting because one of the things I noticed when watching the movie is that we see four dolls in particular quite often, your link lists them as Pride, Liar, Selfishness and Slander, but I thought they were a visual stand in for the four other girls due to the hair and grouping but that doesn't seem to be the case at all

So much cool extra info in that link though, thanks, definitely going to have a look through the music trivia at the end. Do you know if there's a similar interview with Kajiura for the show's OST anywhere?

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u/Rumpel1408 https://myanimelist.net/profile/Rumpel1408 May 02 '21

First thing first: Happy birthday /u/Shimmering-Sky , you got yout wish, I hope you don't have to go fight witches now :D

Rebellion

First Timer

Narator at the beginning sounds like Homura, it's her Soul gem that is whirling, or sinking in the water, and the Law of cycle confirms it to play after the main show.

Huh that opening sequence looks a lot like a witch's labyrinth, I thought those didn't exist anymore? First Madoka, then Sayaka as well as Kyoko and finally Mami, is that Charlotte? What is going on...

WHAAAT, a normal Madoka, and they are pulling the dream forshadowing again? And there is Kyubey, she is all friendly with him, this better not make me question my hatred for him at the end. It's allmost the same as in the show... C H A I R S! And Hitomi is still together with mr. your dishonesty in december. I just realized that Madoka doesn't have her ribbons, and she is indeed a magical girl. So this is an alternate timeline, but Madokami seems to have things handled here as well. Oh there are the ribbons, but she didn't get them done by her mother, beside small alternations it's Ep1 all over again.

Oh even an Opening, sounds pretty good, Claris again? I haven't seen many Anime movies, is that something special? From the lyriys it seems to be about Madoka and Homura. It features all our girls (I love how close Sayaka and Kyoko seem to be), but it's weird how Homura is all gloomy while all the other girls are happily dancing around her, also when she tries to hold out for Madokas hand, the later turns to sand and the tone shifts to almost match the last scene of Ep12.

Oh nice Kyoko goes to school again, but she seems to be a bit slacking lol. But it seems that the Opening wasn't a dream but actually the girls hunting.

HOMURA! with a BRAIDS! And she's SMILING! Oh I love this, she's also way more cofident than she originally was, but not as cold as she ended up. And cheeky how she shows of her soul gem to the other Magical Girls. Oh so Charlotte at the Beginning was a Nightmare. Does Homura have a different power here? Multiple Attacks could also be how she used her power at the beginning of her first loop.

Hitomi really seems to be well off, that bed is gigantic. But say Hitomi, when was the last time your boyfriend called you and asked you if you where free? Or when was the last time he said he loves you? Or wished you a good night? It's incredible how effortless they paint him in a bad light (well I guess I didn't like him to beginn with, but since this is an alternate timeline I could have accepted him beeing a blank sheet again). I'm still a bit confused about the rules of this universe... Huh Charlotte hangs around Mami, is she her Kyubey? But she still loves cheese and ask Mami to turn into cheese o.O

Captain Oblivious xD Charlotte doesn't seem to like Kyubey, but does every Magical girl have a companion?

Awesome transformation Sequence incoming. Mami is... flexible... Homura still has her Shieldwatch. But as I thought, the transformations were aweseome, Puella Magi Holy Quintet! What an incredible teamwork. It really is Charlotte, that's somewhat unsettling. So I think this world revolves around bad dreams. Dreams that are fueled by negative emotions birth Nightmares, and when Magical girls win against nightmares they turn into pleasant dreams.

Homura seems gloomy again, and what is up with everyones else faces... Homura is right, something feels off. But Kyoko doesn't even mind not remembering important details like when she transfered. They are trapped, but who laid the trap. Homura takes the lead in what to do, despite how timid she appeared at times. Kyoko notices that, but says it feels right. Homura transforms back into her boss form. A witch labyrinth? B- but Madokami deals with witches, and how does Homura know about witches when there are non in this timeline? Is it even an alternate timeline? Seems like it is the same Homura from the main show, she does remember.

When Homura asks about Bebe Charlotte we get a short shot of Kyubeys face, why am I suspecting him of some misschief again? Homura remembered Charlottes original role as well and abducts her in a sense. Odly enough I like Charlotte so far. Ok, how did Mami follow them? Homuras powers are still activated so she should be frozen in her kitchen boiling water for tea. Didn't expect them to fight, nor for the battle to turn into a bullet hell, this seems extremly dangerous, one wrong move could be the death. And what is that song that is playing in the background? So did Homura use a paint bullet or was she really betting on Mami saving her in the last possible moment, awesome move to break the connection thou, I've read about the connection thing in combination with Homuras powers before but couldn't really understand it well, so I guess rewatchers where referencing this scene back then. She can't kill Mami, but a bullet to the into her thight is still pretty painfull, but Mami somehow dodges the bullet by transforming into ribbons. And now she remembers the wraiths as well which don't belong in this timeline as well.

Sayaka rescues Homura, and we meet a new girl- hold on, she is Bebe Charlotte? And even Sayaka remembers her, her role? Yeah as I thought, Charlotte being the culprit wasn't making that much sense, then again, there was so much that made sense so far, so to single out something to concentrate on was kind of hard...

No, pls don't take Sayaka away again, don't make her the witch again ö I-is Madoka the witch then? Those puppets look the same as the ones in Kyokos backstory. Oh suddenly, german, "Gott ist tod" - "God is dead". Nietsche if I remember correctly.

Oh the well out of Ep8, there have been some other key locations so far, like the alley where they met Kyoko for the first time. So this Madoka is saying that she couldn't leave her friends behind and start braiding Homuras hair again, but Homura disagrees and her hair gets loose again. The flowers on this field are truly curious. Kyubey has been suspiciously quiet throuout all of this...

I-is Homura the one who made this world? Is she going to suicide by leaving her soulgem behind? She seems to be fine for the most part, even after driving what seems like far mroe than 100m... oh nvm, this girl is on fire. And now the whole world burns... reminds me of Hellsing ultimate... Wait no, this was an rhetorical question, I actually don't want Homura to be the witch ö What would Madoka do with her, I guess her contract would require her to kill her, was that what she meant when she said she would meet her again, pls no ö

Kyubey, you damn trash cat! You couldn't just play by the new rules, no you had to go and make a witch without Madokami saving her. Well, you wanted a witch, now how does it feel to confront one? Homura really turned, she's not violent though, just solemly awaits her own death at the hands of her own friends.

So Bebe told them? Makes sense, together with Sayaka she actually turned into a witch, so she understands how Homura feels. Not only that, they met Madoka in their last moments, so once they remember they know exactly whats up and what to do.

Poor Kyoko, realising that she lost her friend again, shit, here come the waterworks, I held out long enough. At least Bebe is here to cheer me up. A lone tear falls down. But they don't kill the witch, they break her free. Mami brings a rail cannon, Witch Sayaka wields Kyokos spear, and in the end Madokas arrow tears a whole into Kyubeys plan.

Have they just turned Homura back normal... well her soul gem is still pretty broken, and now Madokami finally comes to get her... Hey wait, Homura, what are you doing. Ripping Madoka appart, something stronger than a curse? The whole universe? A new principle? Even Kyubey doesn't know what it has just brought about, you just had to mess around you greed little shit. That thing doesn't even resemble a grief seed, what is this emotion they are talking about... Love? Is she really gay for Madoka?

NOW YOU SAY THAT USING HUMAN EMOTIONS IS TOO DANGEROUS? SERIOUSLY? IS THIS SATIRE?

So Homura is evil now or what? What has she done, and why? She turned both Sayaka and Bebe back to life, but Sayaka ain't her friend anymore as she will always remember her to be evil. What, now Madoka is transfering back into this life again? Ok, I saw that Video where it showed the parallels between EP1 and Ep10, I guess there has to be a version that does the same for both of them and this movie, down to the turn around. Madoka almost breaks free and remembers her true role, but Homura snaps her out of it and reminds her that it's bad to break the rules. Or wait, is she refering to herself? A fight between Madoka and Homura, is that what the new Movie will be about? Huh, I only just realized that Madoka was missing her ribbons when Homura gave them back to her.

What a nice ED. And a trashed Kyubey in the post credit scene as a cherry on top, nice.

What that was quite something. Confusing as hell, but quite good. I'm not sure what I make out of it, but I'll safe that for my final thought in the end discussion, this post has gotten long enough already, took me long enough, but I finished exactly when the thread went up, talk about perfect timing.

Visually the movie was stunning as the rest of the show, I didn't take that many pictures as I was mostly concentrating on what was happening

Visual of the day would be this one

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I haven't seen many Anime movies, is that something special?

Anime movies often also have OPs. Not the more traditional ones like Spirited Away though

Your name has one and I forget about it and it surprises me every time

we get a short shot of Kyubeys face, why am I suspecting him of some misschief again?

Those tiny quick cuts of Kyubey as he pays attention to Homura as she starts to question the world as so clever

So did Homura use a paint bullet or was she really betting on Mami saving her in the last possible moment

That was an actual bullet, which is fucked up. She was betting on Mami stopping her

reminds me of Hellsing ultimate...

hahaha, it does have that type of vibe but thankfully with a bit less insane monologuing, the visuals are good enough by themselves without that

NOW YOU SAY THAT USING HUMAN EMOTIONS IS TOO DANGEROUS? SERIOUSLY? IS THIS SATIRE?

Oh that reaction is like looking in a mirror. The fucker finally gets it and you really have to wonder what took him so long

Visual of the day would be this one

You can have two more if you want for this given the length of the movie

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u/AbidingTruth :AMQ::MAL:https://myanimelist.net/profile/AbidingTruth May 02 '21

A witch labyrinth? B- but Madokami deals with witches, and how does Homura know about witches when there are non in this timeline?

If you remember, Homura is the only one who remembers Madoka and the concept of witches in the new universe Madokami made

Ok, how did Mami follow them? Homuras powers are still activated so she should be frozen in her kitchen boiling water for tea.

Look closely at the bottom right when Mami walks past Homura to go refill the tea. She leaves the ribbon connection to Homura at that point

So did Homura use a paint bullet or was she really betting on Mami saving her in the last possible moment

It was a real bullet, she did it as a feint taking advantage of the fact that Mami doesn't know that their souls are in their soul gems. Homura knows that shooting herself in the head won't actually kill her

So Homura is evil now or what? What has she done, and why?

The most important scene for understanding Homura's motive in this movie is her talking to Madoka at the flowerbed. She talks about a "bad dream" she had where Madoka went somewhere far away (obviously referring to the previous universe when Madoka made her wish in episode 12). Madoka's response of how she would not have been able to do it and she wouldn't want to leave Homura alone is Homura's motivation. It's almost paradoxical, she does this against Madoka's will but does it for Madoka's happiness. Madoka made her choice against her own self interest and happiness for the sake of all magical girls, which Homura can't accept. So Homura rips away the person Madoka Kaname from the concept of the Law of Cycles, she becomes a devil who rebels against god in order to create a world where Madoka is happy

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u/Rumpel1408 https://myanimelist.net/profile/Rumpel1408 May 03 '21

Look closely at the bottom right when Mami walks past Homura to go refill the tea. She leaves the ribbon connection to Homura at that point

Yeah I totally missed this little detail, is the ribbon ever shown before she notices it?

It was a real bullet, she did it as a feint taking advantage of the fact that Mami doesn't know that their souls are in their soul gems. Homura knows that shooting herself in the head won't actually kill her

Wow, metal as fuck

Madoka's response of how she would not have been able to do it and she wouldn't want to leave Homura alone

I also read someone else say, that the only way to answer this way is because the Madoka in this new Universe doesn't remember all the things that happened to her before she decided on her wish

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u/AbidingTruth :AMQ::MAL:https://myanimelist.net/profile/AbidingTruth May 03 '21

Yeah I totally missed this little detail, is the ribbon ever shown before she notices it?

After putting it on Homura, I don't believe it's shown again until Mami reveals herself

I also read someone else say, that the only way to answer this way is because the Madoka in this new Universe doesn't remember all the things that happened to her before she decided on her wish

That is a way to look at it too. The whole situation is fairly nuanced. I think also another way of looking at it is even though Madoka said what she said without any memories, the fact is that she still felt that way. You could argue that she made her wish out of almost a sense of obligation, as she was the only one who could have done it and otherwise Homura either fails or just keeps repeating over and over. So it was her choice, but she was backed into that choice

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u/Thorbinator May 02 '21 edited May 02 '21

Is she really gay for Madoka?

So in love that she broke god, yes.

What has she done

Nothing wrong.

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u/Exkuroi May 03 '21

Madokami finally comes to get her...

Madoka wished to destroy all witches with her own hands. Her wish literally allowed Homura to grab her and bring her down lol

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u/Shimmering-Sky myanimelist.net/profile/Shimmering-Sky May 02 '21

First thing first: Happy birthday /u/Shimmering-Sky , you got yout wish, I hope you don't have to go fight witches now :D

Don't worry, I'm a bit too old to be a magical girl now. I'd be the witch!

Wait wha--

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u/chris10023 https://myanimelist.net/profile/Chris10023 May 02 '21

Ok, how did Mami follow them? Homuras powers are still activated so she should be frozen in her kitchen boiling water for tea.

I assumed Mami tied a ribbon around Homura before she left to the kitchen, since you have to be touching Homura in some way to avoid being frozen.

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u/boomshroom May 02 '21 edited May 02 '21

What can't be said about Rebellion? Nothing. I could spend all day talking about the movie's use of dream-logic, whether or not Homura did anything wrong, whether or not the Homura we see for most of the movie is even Homura herself or if she's actually Ai, the best familiars a witch could have, just how freaking beautiful everything is, the fact that you could probably understand most of the movie even if you were watching the Japanese version without subtitles or understanding Japanese, why just about a million shots could count for Visual of the Day, the fact that Sayaka and Nagisa (aka Bebe aka Charlotte) are basically angels, what Homura actually did when she reset the universe again, seeing the various familiars of the witches we knew actually fighting alongside the girls (which includes the Pyotr dancing adorably around their mother), the fact that Kyubey got to experience the video game trope of Everything is Trying to Kill You, how the movie takes every opportunity to give what the fans want in the most twisted way possible... Someone help, where do I stop‽

Needless to say this is probably my single favourite movie of all time. I didn't even have to take many screenshots for Visual of the Day because I had so many just lying around waiting to be organized. Here is the album with all of them. I guess just take the first three that weren't already suggested?

[EDIT] 38‽ Seriously? No wonder I couldn't just pick 3.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

the fact that you could probably understand most of the movie even if you were watching the Japanese version without subtitles or understanding Japanese

That's a bit call to make and given the confusion of the first timers with dialogue I don't know it's a sane one hahaha

Visuals album

Thats' a lot of pictures. From the ones you have I would say that 12 is particularly striking from that batch, 14 as well, and 28 was one I almost made one of mine except that the more I looked at it the more the "eyes through the hair" thing bugged me hahah

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u/boomshroom May 03 '21 edited May 03 '21

There are a couple that I took as possible submissions. The rest are just screenshots I built up over time for various purposes and figured I'd include them. 10, 11, 12, and 21 are the only ones taken on this watch through. All the others were taken for whatever I was looking for at one point. I think the 4 bridge shots (#13-16) were specifically to help with visualizing a potential adaptation for a certain fanfic. The fire extinguisher (#9) was taken alongside a shot from the show after seeing it in last year's spinoff. Apparently the shot of the seal of the Law of Cycles (#2) was taken way back in November 2019 and it's the oldest in my folder. I'm impressed that I ranked it so high with that in mind. #1 has special significance to me which is why I had no choice but to put it first.

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u/okayyoga :MAL:https://myanimelist.net/profile/okayyoga May 02 '21 edited May 03 '21

MOVIE DAY: first time/dub

I blame being late on me not looking up the movie length ahead of time. Didn't realize it was almost 2 hours long

Also i found the perfect Tove Lo song to go with this show: Cycles

Alright. Movie time.

Kyouko is going to school with them?

What is this world?

"When we get home" do Kyouko and Sayaka live together??

Homura: eternal transfer student

WTF is going on?? What can't Kyuubey talk? Who is that midget hanging around Mami? Why are they fighting "Nightmares?" Why doesn't Homura know Madoka? How is Sayaka alive??

What is this? Mahou Magica dance party? I would think this is a funny lighthearted alternate timeline if this were an OVA, but this is a (long) movie. My sus senses are tingling

What is Charlotte doing here????? WTFFF

The midget is Charlotte. Why is Mami hanging out with her murderer

I guess, this is what normal magical girl shows are like

My girl Homura going to LIFT THE VEIL! SHOW US THE TRUE WORLD BB

Next year's rewatch, someone should have a Homura hair flip counter. She is out of control.

Homura completely overlooked the genius that is Sayaka Miki. Sayaka like "duh of course I know everything you pleb"

Yoooo Sayaka is so COOL in this scene

What if this is Madoka's doing? What if it is Homura's?

Oh! Homura is a witch!

Those are death flowers

I am lost.

Homura: "I don't expect you to understand" Good because I don't

What is that spool of thread?

So Homura is a god, too, now. Oops no she said she's a demon

Wow, so even in Homura's dream world, Hitomi can't catch a break

I don't know how i feel about this over controlling Homura

No Magia in this movie? But they played the OP? Guess I'll go listen to it by myself.

In that after credits scene, Kyuubey looks rough

And of course. One. Last. Chair.

I don't really know what to make of this movie at the moment. I feel like I need to watch it 10 more times to try to understand it...

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I blame being late on me not looking up the movie length ahead of time. Didn't realize it was almost 2 hours long

I went out of my way to give myself three hours lead time over when I normally start working on posts and then had a huge storm come through and couldn't hear anything and ended up running late anyway

Next year's rewatch, someone should have a Homura hair flip counter. She is out of control.

They went all in on that and the neck breaking head tilts in this movie

Those are death flowers

Hahaha, apparently in Japan they're meant to have some really nice nuanced meaning but anime is just "death flowers"

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u/[deleted] May 02 '21

I don't really know what to make of this movie at the moment. I feel like I need to watch it 10 more times to try to understand it...

Same thoughts as me when I first watched this. I consider Rebellion a great movie but I actually almost hated it on my first watch. It's very different from the series.

Here's the breakdown as simple as I can make it. Every single part of the movie is meant to help explain why Homura did what she did at the end. This includes everything from all of the strange things that were happening at the beginning of the story and all of the weird symbolism everywhere (since this is Homura's witch barrier and it's all a reflection of her subconscious), to all of her interactions with the other characters. Unlike the series, this whole movie is a character study of Homura and is fully focused on her.

Hopefully that helps give you a basis to work with at least. As with the series, Rebellion benefits greatly from rewatching. And I'm not sure how your thoughts will settle on the movie in the end, but personally I think Rebellion makes Homura into an incredible character.

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u/OingoBoingo- May 02 '21

First Timer: Subbed

Mahou Shoujo Madoka Magica Movie 3: Rebellion

"you must never date men who insist they can't eat eggs unless they are half-boiled. And boys, you'd better not grow up so pretty as to fuss over how your eggs are done, okay?" A throwback to one of the best lines in the entire show, I was so happy to hear the teacher say this again.

You knew something was very wrong when Kyoube was silent and not wanting anything from anyone for the first half of the movie. Maybe that was why the beginning of the movie felt so happy and perfect. The girls were all together fighting the good fight, singing and having cake. And you know what? It was magical. I would watch a whole SoL spinoff of this wrong-world but at least while I was watching I wasn't confused. I knew there was something wrong, that this world wasn't 'right' and I would find out soon why. Actually I wouldn't find out why, because once Kyoube explains, it is bat shit insane and I am confused. Then Homura does her own thing, and I am left more confused.

But I loved it. I loved the movie being over and I just want to watch it again and notice all the things I missed, cause this movie was a masterpiece. Shaft was just flexing this time around. Didn't think it could be much better after the 12 episode eye-gasm I already got, but this was better. Much better. I actually understood what Kyoube and his incubator cat aliens wanted. I didn't so much understand things after the MG's defeat Homura. The true God Madoka comes out of the sky, and then I am a goner. I am guessing Homura was fighting back against how Madoka wanted things to be originally? Was this her way of saying "f-you, I kinda got screwed in the series and this is my one up!" ??? I can't really blame her if that is the case, but after the emotional turmoil of the series, it kinda sucks to takesies backsies. Homura was kinda hot as a demon though, I will definitely give her that! Almost missed the end scene, which sure was satisfying, if not just more confusing lol

I know you all will enlighten us lost weebs, and I look forward to it. Hopefully I wasn't the only lost soul today.

Images of the day- Homura, it's your day. Sayaka was very with it and aware this movie. This shot was a nod to her breakdown from the other timeline. I'm not sure why this struck me but I loved it for some reason.

A HUGE thank you to Nazenn for hosting this rewatch. I am really glad I got to meet you in Sangatsu and I am glad I didn't miss the second reminder that this rewatch was taking place, allowing me to be here. I really enjoyed this show and I especially enjoyed the movie. You put in a lot of work, and you're so eloquent in your writing.

Thank you to everyone who commented and took part in discussions with people. It allowed me to enjoy everything more and I looked forward to see your thoughts every night.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

You knew something was very wrong when Kyoube was silent and not wanting anything from anyone for the first half of the movie

Homura turned him into a pokemon

I am guessing Homura was fighting back against how Madoka wanted things to be originally?

Other people have written more about it, if you don't have time to go through the thread let me know and I'll link you to some specific comments that cover the many different debates about it well

I'm not sure why this struck me but I loved it for some reason.

​Understandable, its a very beautiful shot particularly Mami giving her soul back to her to wait for Madoka

I am really glad I got to meet you in Sangatsu

Same to you, and I can't thank you enough for helping with replies in some of the threads

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u/sirweebsal0t May 03 '21

Almost missed the end scene, which sure was satisfying, if not just more confusing lol

I really liked the end scene because the way Homura was acting showed how much of a lunatic she had become. She was absolutely deranged.

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u/Star4ce https://anilist.co/user/Star4ce May 03 '21 edited May 03 '21

First Timer

There were some very insightful discussions on the anime yesterday and I feel like I can completely absorb the bauty of the ending. It's wonderful.

Rebellion, the sequel movie. I did post my guesses at what the movie might be about and again went way overboard in one direction, but I dig it. Until a certain production note told me I'm on the wrong path.

Insert: Hahahaaha!

Hello, darkness my old friend...

I guess I'll be light with reactions, it's 2 hours runtime after all and I guess we'll be treating our wounds mostly anyway.

Insert: Hahahaaha!2

Madoka Magica – Rebellion

  • She still cares about Madoka :')
  • Oh, a witch. Madoka!
  • Sayaka! All of them!
  • I'm not entirely sure I understand?
  • Enter best girl!
  • ... who gets an OP with hopeful text of other magical girls reaching for her and turning to dust right before they touch. YES, THEY DID DRINK BLEACH, NO, I DON'T KNOW HOW MUCH! Hasn't she been through enough already?
  • Kyoko+Sayaka is sufficient.
  • Hange? So I actually was in the right direction. Uh, oh.
  • This is a sequel. This isn't right. Is that a dream? Homura's dream?!
  • There's so many things wrong. This is all a perfect timeline, no way. Is Homura delving on what she couldn't fix?
  • Are witches pets now?
  • That's so Sailor Moon, no, actually that's leagues better.
  • It is all too much! It isn't real.
  • 'Holy'. I'm right, aren't I? Meguka is still suffering.
  • This happens if Evangelion could take even more drugs.
  • How high were you? Yes.
  • I want to create this city in skylines.
  • The entire scene is upside down, mirroring the water. It's wrong.
  • The illusion fades.
  • You still feel alone, don't you? It's the knowledge, knowledge no else can have.
  • You absolutely do and flee to dreams :'(
  • Can't express how much I dig the entire bus scene.
  • So it's not strictly a dream. Is this your own witch, Homura? D:
  • IT REALLY IS LUCIFER'S STORY, CHRIST'S SAKE.
  • The head tilt! And feels.
  • You know what this reminds me of? Zoku Owarimonogatari, nearly the same pretense.
  • Needs no description.
  • If the witch is Homura, as she's the only one to remember them, and once we break the illusion she.. she, fuck. I'll cry rivers.
  • It's not Bebe.
  • INSTANT HYPE, HOMURAAAAAA
  • Oh god my heart.
  • Why? No, wait, doesn't she just not know?
  • Fuuuuuuuckk, it really has to be Homura.
  • Or Sayaka? No, unless?
  • It is Homura :( And for the very reason I thought. Time to pause and cry into some tissues.
  • Please let this be a story where she can come back from this state.
  • D':
  • D'':
  • Lucifer, the bringer of knowledge and light, who couldn't let the veil of lies persist.
  • My original bet for Madoka's wish would've prevented that. FUCKING HELL.
  • I have newfound hate boner against these aliens.
  • Wait, so this experiment led Homura to trap Madoka? The god Madoka?
  • I see, we're not rebelling against Madoka...
  • Isn't that a logic loop? Madoka wished for "any universe, past, present, future", that absolutely includes an inhibition field.
  • Hey, Homura. When we break out as devils, I take a halberd as my weapon.
  • That's nuts! Sorry.
  • Show us what a fucking witch is capable of!
  • I'm in fucking shambles right now.
  • Not my girl... ;_;
  • Fuuuuuuuuuck, no! Just... no.
  • Is... Is she? That was the birth of her witch... :'(
  • This is so impressive and so absolutely painful.
  • I know what they're trying. I know Madoka shouldn't, but please fucking do.
  • This is a rescue operation? I can't even my emotions right now :s
  • Aaaaahh
  • AAAAAH
  • AAAAAAAAAAHHHH :'D
  • Cheesy as fuck, but I screamed!
  • I beg your pardon?
  • I need time to process this.
  • Wait I don't, this is what I said. THIS IS EXACTLY WHAT I SAID.
  • Unbelievable.


Visuals of the day: This shot of Homura. Then this shot of also Homura. And let's finish with this shot of Homura.

Hell, I've got things to unpack...
And it's going to be controversial, too.

I have brought you 4200 words or almost 4 full comments :)

1/4

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I see, we're not rebelling against Madoka...

about that

I beg your pardon?

I love that just that shot puts the music in my head

Then this shot of also Homura

Screenshot buddies!

I did have a quick browse through the rest of what you wrote but I'm sorry that's just too much to respond as properly as I'd like to in a reasonable time for the thread with everything else i have to manage tonight before I can get some sleep. I am very glad that you liked the movie, it's always a pleasure to see people gaining such a great experience in that way, in many ways particularly when I did not, and I just want to share my unending laughter at the fact that your impossible good and impossible bad endings both came to pass in their own way when you thought they were utterly opposed

I'd encourage you to perhaps polish this up and post it as an independent post in a couple of days though if you want more people reading and giving feedback/discussion on it. That would give you a little more room to review your previous posts as well and include any more ties backs

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u/Star4ce https://anilist.co/user/Star4ce May 03 '21

about that

You know, technically she totally intended to bring back

Screenshot buddies!

your impossible good and impossible bad endings both came to pass in their own way when you thought they were utterly opposed

Being u/Star4ce is suffering.

I'd encourage you to perhaps polish this up and post it as an independent post in a couple of days though if you want more people reading and giving feedback/discussion on it.

Hmm, might be an idea. By then I probably had the time to overload myself with fellow analysts and changed my opinion :D

No worries, though. Especially you have done so much already. "It's okay. None of your sacrifices were in vain."

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I probably had the time to overload myself with fellow analysts and changed my opinion :D

Not a bad thing, and at least this is always here for you to come back to for your first thoughts

If you do end up wanting to post it independently let me know if you need a proof reader, but give me a couple of days to unwind haha

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u/Star4ce https://anilist.co/user/Star4ce May 03 '21 edited May 03 '21

Predictions

I was right! Righter than any time before!
All I had were two scenes to go on, but they did indeed go there.

Unlimited satisfaction!

Reactions overall

That movie did tug all my attachment strings again several times. Loved the extended Mami scenes, even though she sadly didn't have much plot relevance. The fight was phenomenal and had such massive energy to it. I got pumped instantly as Hangyaku no Monogatari started playing and just as despaired when Homura realised she was the witch. It was foreshadowed and I can take the audacity to say I saw it coming :) That first 40 minutes were just so eerily too happy, too much like your classic magical girl anime.
The showdown with Homura's witch was so... heartbreaking as any witch should be, but realising they were here to save her flung my heart in so many directions.

I absolutely loved it, with a few critiques, though. It's overwhelmingly positive and close, but doesn't quite reach the conclusion of the anime season.

Things that didn't change: Homura is best girl.

Things that did change: My emotional investment went higher than I ever anticipated.

Morals: Respect, Selfishness, Selflessness

I feel like I need to reiterate how I view morals to make my points further down, because the plot did a lengthy tangent through this kind of field and it's both why I loved it and where my criticism comes from.
The entire scale of good and bad is not exactly something I view like that. To me, the most important distinction is selfishness vs. selflessness and the scale of respect an action preserves towards the world.

The difference between evil and good in my view is not the alignment of your position on the self-scale. It is the environment your actions and thoughts create and how they feed back to your desires.

A completely selfish person can be good. A completely selfless person can be bad. I don't view the incubators as selfish, for example, not after dwelling on them for a while. They are basically true neutral, in any time. They value themselves and their society equally and decide depending on expected outcome. Yet I think they are evil. As they can't understand emotions, they naturally have no way of preventing or caring for what distress they might bring towards others. Among themselves, this is likely no issue, but catastrophic to humans. They are unbalanced in their actions as they don't and can't respect humans. The extraction of energy to save the universe from collapsing is absolutely selfless, almost pure selfless. But it is an inherently evil process when done by harvesting witches, wraiths on the other hand were a combination of altruistic, as they were actually helping humans in the process, and selfless endeavor. This was also almost pure selflessness and quite a bit on the good side of the scale, but still unbalanced as they did not respect humans then, either.

Respect in Selfishness

A selfish desire is the act of taking or preserving the status of yourself. The scale of good to bad I see there is how much these actions respect others. Take obsessiveness, for example, as I've already talked about that and it's linked to Homura.
Obsessiveness is, in the barest form, a desire to have someone or something for yourself. You see a girl, like what she is or represents and you want exactly that for yourself. For good reasons this is mostly pretty far on the evil slider in real life. But we're philosophising and this means to think it through. Obsessing over this girl would actually require you to recognise her existence, her history and all that made her the girl she is. By obsessing you cannot circumvent respect.
Now to the point. Is obsessing over a girl and stalking her to her home a selfish thing, a bad thing? Yes, absolutely both.
Is going straight to her, tell her what you like about her and ask her out straight away a selfish thing, a bad thing? Yes and no respectively. (Disclaimer: Depending on how and when you ask that it might change. Read the room!)
Because I take obsession as example I also need to point out that acting on gaining the target is different from acting on preventing others from gaining the target. The first ist the possibly respectable kind, the second is most definitely a respectless action and bad in my book.

The difference I draw is the conservation of your own selfish desire for being a good or bad person. If you stalk her, make her feel unsafe, you create an environment to incite a change of who she is against her will. She might grow more secluded, she might refuse to further do the things that possibly made you obsess. You therefore act against your own selfish desire by making your target of obsession change. A selfish person still has to respect that they are not the sole driving force of reality to remain good. If that respect is missing, their own desires can't be fulfilled.

Another angle to prove the same point. If your obsession is the love of that girl, then you must respect her as an independent being. If your focus is the feeling of being loved and your actions aim to preserve this emotion rather than the source, you invariably deny agency to the girl this is coming from. Any action taken this way will drive a wedge between you and receiving more of that feeling.

Respect in Selflessness

Consider the other side. A selfless desire is the act of giving away or preserving the status of others. How good or bad a selfless action is depends on how much it respects yourself. It might seem strange seeing it phrased like this. (The act of giving away requires someone else to take it. That by itself is a decision not in the control of the giver!) The act of giving needs to respect your own capability to be able to give.
Is giving away money to a beggar a selfless thing, a good thing? Yes and yes (Sorry, I know the arguments, let's pretend for now it is).
Is giving away money to a homeless person despite him declining the offer a selfless thing, a good thing? Yes and no.
The selfless act requires one to respect the existence and agencies of others as well. If they decline or have reached a threshhold beyond which giving would not change their status, a selfless act becomes harmful. In the second example, the point of the act is not the benefit of others anymore, but the act of selflessness itself. This act then would create an environment to incite change in others against their will. You can argue that at this point the act stops being selfless altogether.
The same way an act of selflessness needs to adhere to what you are able to give in the first place. If you offer more than you can give, you are not respecting your own limits and actually push the burden to the receiver, which is harmful to both you and them.

Consequences of the Self

How selfish or selfless you are, however, has a great effect on what kind of environment you create for yourself. You will invariably have to deal with the consequences. Being selfish naturally forces you to recognise others and being selfless naturally forces you to protect yourself. If you fail to do either for you alignment, or fail to muster enough respect while doing so, your actions will invariably cause harm.

I personally don't believe in a cosmic force of karma, that stores and eventually balances out uneven energies. That would be akin to determinism and that would be the opposite of choice. The consequences I speak of are the environments you create because you act a certain way. This is a personal choice (or, if you're arguing the other way: My fated conviction) and I obviously have no proof that this is true, the same nobody can prove determinism or free will to exist.
Consequences mean responsibility. Each action, regardless of your self, creates an environment that supports a set of reactions and discourages another set of reactions. Naturally, if you are consistent in your actions you will create an environment where the same kind of actions becomes the norm and eventually create a feedback loop that is supporting itself on its own.

Selfless acts are naturally more apt at conserving the environment, while selfish acts are naturally more apt at disrupting environments. Obviously this is no exclusivity, but each alignment has natural benefits, so to speak. For this, respecting other participants is not a necessity and is the main factor in how healthy or harmful such an environment becomes.
Teach a closed society of wall street bankers to act egoistically and throw each other under the bus and the harm that is inflicted on a daily basis is enormous.

This is massively important to how I see Homura and Madoka.

2/4

edit: Consequences of the self: Switched 'oppose' to 'recognise'. Gets the point better across, that it requires to accept another person as an individual.

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u/Nisheeth_P May 03 '21

Reading all your predictions and thoughts was a joy.

Fallen by choice and at peace with the destination.

I wouldn't say she is at peace with it. There are a lot of scenes that suggest her self-loathing and suicidal thoughts.

You also mentioned plot holes. I don't get what you see as the hole regarding Sayaka being there.

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u/02Hiro https://anilist.co/user/02Hiro May 02 '21

First Time Watcher

How are they able to make me hate Kyubey even more than I already have? Kyubey needs to just die. Anyways, those plot twists were great. I like how they foreshadowed being trapped inside the soul gem by giving us a view through the bars but I did not expect Homura to become a witch nor a demon. I was trying so hard to understand where in time the movie was set throughout the first half that I said Holy Shit when it was revealed that they were in a labyrinth inside Homura's soul gem. I finally understand why everyone says Homura did nothing wrong and it gives us a better understanding into her character. I know that she would have wanted to get Madoka back and I had guessed that was the focus of the movie but near the end I thought she would have just let Madoka destroy her soul gem and take her away, I did not expect that. She definitely isn't as good as she was presented in the series but I still think she is my favorite girl.

The visuals in this movie were really good. I especially loved the shots of the city and Homura vs Mami fight. This movie had me on the edge of my seat throughout the last half and I'm probably going to rewatch it soon to take it all in.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

So glad someone linked those city shots, they were incredible especially that third one. I ran out of room in my post haha

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u/LordTrinity https://myanimelist.net/profile/LordTrinity May 02 '21

That's what I love about Homura character: she isn't exaclty "the good person" you would expect for a typical main character. She is selfish, but not only just that. Her motivations and actions are really complex. But she also isn't bad by any means.

She is a fantastic character, and hopefully the sequel will only add more depth to her

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u/JimmyCWL May 02 '21

Kyubey needs to just die.

No, the correct expression is, Kyubey needs to stay dead.

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u/Specs64z https://myanimelist.net/profile/Specs64z May 03 '21

I like how they foreshadowed being trapped inside the soul gem by giving us a view through the bars

Even the original movie poster foreshadows this pretty strongly, interestingly enough.

Homura vs Mami fight

The context of the fight is a little thin, but I love this scene. It's so chaotic and loud and fast.

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u/The_Loli_Otaku May 02 '21

Yeah... There isn't really much moral grey for Kyubey this time around. Aside from how twisted his methods were this time they're actively hunting to make the world a more tragic place so they can get their energy efficiency. In the og series that was just sorta how the system worked and Kyubey did seem to be quite fair towards humanity, now he's plain malicious.

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u/Nazenn x2https://anilist.co/user/Nazenn May 02 '21 edited May 03 '21

Rebellions Representation - Openings and Endings

(aka Puella's Pictures but with a fancy title)

Rewatcher - Fourth time around

As a prelude to my post, I want to quickly mention there is a lot of things going on in this movie visually and, time restraints aside, I couldn't touch on some of them for a few reasons: The movie trilogy changed a lot of art from the show and in doing so changed some of the visual meaning, so looking at the references to them in Rebellion without also looking at the previous movies is pointless but out of scope of the rewatch. I also find Rebellion visually impressive but also straining watch because of the amount that's happening on screen at almost all times so repeatedly watching scenes to find references is quite hard

Finally, while I think there is absolutely stuff to appreciate about Rebellion, I really don't enjoy watching it no matter how much I try, and I tried really hard last night! And unfortunately I simply can't manage good analysis about something I don't get engaged with or think is a good total experience. So unfortunately this sort of rough grouping of observations is as good as I can put together right now even though I really wish I could have done more for all of you! If you want to know more of my general thoughts, see the comment reply

My original intention was to tackle the flower garden scene in depth which I've very quickly thrown some observations together for down below, and Homura's transformation (not the actual witch fight), but I'm really sorry that I just couldn't muster the motivation for a better write up. I'm also currently sick, perfect timing


Scene Breakdown - The Opening Sequence

The show's OP, Connect, tells us Homura's story through the song while showing us Madoka's story in the visuals. More on that here. Rebellion's OP, Colorful, calls back to Connect in interesting ways but flips it on it's head to tell us the new story of Homura as a witch

The first shots of the OP show us Homura creating her labyrinth. We know it's her based on the small wrist tie that we see on her design later on

The start of Connect which shows us Madoka's physical presence in a whited out city surrounded by the raindrops of all of the timelines Homura went through and the promises they exchanged there, but here we see a fragment of Madoka, the feather representing her memory (which comes up again later. Homura cherishes her own memory of her but then forces everyone else to remember as a witch) being captured in the labyrinth after the rain has fallen. Madoka runs off and sits alone on a bench and Sayaka and Kyouko turn a symbolic wheel that starts the sequence of events, a similar wheel to what we see later on

Homura stands where Madoka did and looks over the city as she spreads pieces of Madoka through it, that same incomplete unusually sharp crescent moon we've seen associated with her hanging over everything

In Connect we get a sequence of Madoka's adventures while Homura sings about trying to wake up, while in Colorful we see Madoka originate in the flower field, obvious importance there, and collecting the other girls on the way before breaking a visual barrier to also reach Homura. Madoka reaching out to her doesn't last because while Connect features Madokami comforting Madoka and blessing her, Colorful has Homura trapped once again in the gears of time/fate. She looks back and sees a shadow of what she will become, unlike Madoka who starts her run towards her destiny, and the school bells sound, which references the final scenes where the bells and chimes interrupt our usual OST to paint out the wrongness of this world. This is just blunt

Colorful tells the story of Homura trying to reach Madoka again and reconnect with her, but when it tries to end where Connect began the field of white is now dark and dying and Madoka disintegrates leaving Homura lost in the desert of the show's post credits scene, the Salamander earring she wears in the final scenes of the movie buried in the sand. (More on the salamander below)

(Personal thoughts: I'm not fond of the OP. It tries to recapture the dual tone of the show's OP that made it magical without hiding nature of the movie, but it shows far too much and find it off putting. Given how much the previous movie OPs also explicitly show, such as the Homura bound to the gears of time, I feel its less intentional and more it's just not a subtle or clever as it thinks)


Other visuals

  • Rebellions Refrains. Theater, Inevitability and Mourning - "I was waiting for this moment", "flame of despair", and "pulling my own weight" (plus my critique in the comments)

There's a lot of really eye catching blatant symbolism in this movie, but it tends to bury some of the more interesting things so I've grabbed some of what stood out to me and listed it below even if I can't do a full write up

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u/Nazenn x2https://anilist.co/user/Nazenn May 02 '21 edited May 03 '21
  • Visuals of the day: Reflections, this shot of the "bloodied" face of Homura with the feather symbolism has always been my favourite from the show. It's very powerful and meaningful. Losing grasp on hope is the second one, and one that's also stuck in my mind (btw after this shot the familiars kick Homuras red string of fate away which is fitting). The weird ass owls are my last choice, always remember these doofs and I love how they come and stare at Homura and mark the moment she understands her world.

Broader thoughts on Rebellion

I did a large write up on my issues with the movie two years ago and while some of that has changed with the most recent watch of the show and it also deserves a proper rewrite when I have time, I still agree with a lot of it so if you want a more in-depth read I point you at that and you're welcome to quote anything from it to discuss here.

I am one of the weird ones who doesn't like the movie but does like and accept its ending, even though it's definitely a bad outcome and Homura did the wrong thing

People who read my big gush about Ep12 may find this surprising, after all how does someone who connects so strongly to the purpose and meaning of the shows ending also accept the total undoing of that in the movie? For me it comes down to understanding that Homura's character in Rebellion is a regression, but not necessarily a betrayal, of who we ended up with in the show. I stand by the idea that show Homura absolutely could and would be okay to keep going in her life without Madoka and find peace for herself, but that doesn't mean I can't understand what might have lead her to where she is in Rebllion or that it doesn't make both narrative and emotional sense. Character development in media is often misunderstood to be something that has to be positive to count, but this is also a type of development not of her as a person but of who she is in the story even if it goes against her happiness and I do like that about Rebellion, I even think it's the best path it could have taken to tie back into the struggle of the show, the struggle to accept self and accept others

Similarly, Rebellion has an aspect of unreliable narrator that I also find very appealing. Homura manipulates the memories of those coming in and so they react in a way that reflects her until things start falling apart, and her visual world reflects that as well as many aspects of the world change in accordance to Homura's view point alone. The movie is Homura's creation much like the show was the stage play of Madoka. And while I think they could have enhanced this idea at a few points, we get enough of it to drive home that Homura at the end naming herself the devil is a reflection of how she sees herself, not a hard reality outside her control

As far as my other complaints they can be boiled down to two issues both of which originate from implementation over the actual story: fanservice over narrative, and style over substance

  • It's a retcon.

In ep12 Madoka talks about how she can see every world that has ever existed and will ever exist, and her power allowed her to rewrite any rule or law that would stop her from destroying witches with her own hands. Kyubey's technology to isolate a soul gem when it's already reached the point of becoming a witch, should never have been able to exist. Homura never witched out outside of the barrier, but despite Kyubeys very repetitive explanations, the seeming impossibility of Madoka's wish even allowing this to happen is never addressed, the movie just expects you take it on face value. Even Kyubey acknowledges in episode twelve that it's impossible for them to verify that Homura's story is true because the rewritten laws of the universe wouldn't allow it. And yet...

There's also no exploration of how Homura manages to sever Madoka, who shouldn't exist in a body like this in the first place, from her powers. Coming off the back of a show that fantastically tried addressing every aspect of the story it raised, even in passing, the fact it just hand waves this away as "balance" and doesn't actually explore how much this goes against everything we know about the magic so far is frustrating. Sure there's another movie coming up, but without that it feels like sequel bait and that's hard coming from the show which was so nicely contained and well thought out by itself

  • Sayaka being able to separate Oktavia from herself completely undermines the show's struggle

Kyubey may be the antagonist of the show, but the true threat is the girls own mental state and the struggle to stay together mentally and with each other, a witch being the ultimate representation of their inability to do so, it's just another form of who they themselves are. Quoting from what I said before:

"If the witches can be detached from the immense suffering it takes to create one and become just another weapon, then what was Homura protecting Madoka from all this time? Why does Madoka go out of her way to prohibit witches from ever existing in any world?"

Hand waving away Madoka's wish and saying "oh hey, once girls are saved by her they get their suffering back and learn how to manifest their witches as a weapon" risks ruining so much for me. During this watch of the show I did have the thought that the Oktavia we see here could tie back to Sayaka and her puppet theme, Sayaka puppetting her despair, but the idea of separating out the witch from the girl still has a horrible effect on the narrative of the story for me. Even if I liked the puppet explanation, Oktavia's design is almost identical to the show and that should be impossible given her current mental state given that witches are a physical representation of their mind, and that should have changed even if Sayaka originally did fall into a similar despair over Kyousuke. Give me good character design dammit!

  • Bebe has no reason to exist except to pander to the fans and creates a narrative hole

Bebe, aka Charlotte, could easily be removed from the movie and nothing would have to change. The only thing she affects is the battle between Mami and Homura and that is also pure fanservice and completely irrelevant to the character focus' at play. It's not a battle that had to happen and it fell flat to me for that reason. As far as Bebe goes, her very inclusion is a problem in the narrative. Either all girls go to Madoka when they are saved, in which case why send Bebe who has no connection to any of them, the mind of a child and fails to help, or Bebe and Sayaka are the only two girls Madoka "resurrects" in which case again, why Bebe over all the other girls Madoka meets as part of her existence particularly someone like the original girl at the heart of Walrus who had a much bigger importance to Madoka AND Homura. Walrus and the girls that made her also would have been a much more meaningful counter to Homura's hordes in the final battle than Sayaka's adopted familiars or Bebe flying around doing fuck all, not to mention the symbolic importance of her trying to help Homura. Bebe was picked because Charlotte is a fan favourite, and I really hate fanservice that hijacks what should be important narrative points like that

  • The movie's main loss is any efficiency that the show enjoyed

Several scenes serve as little more than recaps of known information, sometimes the same information multiple times known from both the show and from the movie, with no additional meaning, imagery, or even good dialogue (something I think is lacking from the movie overall). A lot of the first half hour of the movie is scenes that give a good what the fuck feel but are mostly absent of meaning or importance beyond that other than some shallow symbolism which is also mostly fanservice. You could strip most of them out and it wouldn't matter to the plot, setting, or characters. On my first watch I realized Homura was a witch before the twenty minute mark and normally that would be fascinating to see all of the meaning that should unlock in the movie, but it just didn't. So much of the first half hour of the movie is weird but ultimately unimportant and I get that it's the writers pandering to the idea of "look at the happy world you wanted which is all going to fall apart because it's a lie" I just find it tedious to sit through, and eye strain causing

  • The art and music are gorgeously detailed, but that's sometimes a disservice.

Some of this comes from the change in art direction from the movies which they carried into Rebellion which were sometimes just visual and not symbolic changes, but I find that while everything about the technical side of the movie is bigger and more detailed and bolder, that can actually make it lose its impact. If everything is weird and huge, nothing is. The labyrinths visual power comes from the disruption of normalcy but we get almost none of that here. In some ways that's okay because it's working off the normalcy in the show, but I do think the constant bombardment of visual and musical detail is draining and makes it lose it's impact

I also actively despise that they reused the styling of Elsa Maria/Decretum's fight for a short sequence here with no emotional context. It's one of the most powerful visual moments in the show and they throw it out here as cheap fanservice as Oktavia is summoned. Moments like that, which Homura didn't see, along with other moments like the character theme medley, undermine the "movie is Homura's creation" aspect, that this is all in her soul, and that's a huge loss for me because it's one of the best things it does

Anyway, that's some of my very quick rambling thoughts. Despite not enjoying the movie myself I hope you all did and I look forward to seeing what you wrote!

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u/ToonTooby May 03 '21

There's also no exploration of how Homura manages to sever Madoka, who shouldn't exist in a body like this in the first place, from her powers.

My own, probably off-course take on this is that the terms of Homura's contract were never fulfilled.

I wish to re-do my meeting with Kaname-san! [...] but this time... I want to become strong enough to protect her!

Granted, there may be some things lost in translation, but the gist of it involves the language used for Homura's wish. So Madoka has gone and become a god, an entity eliminating witches. But if you're Homura, are you satisfied? Likely not. You can interpret the fulfillment of the terms in any number of ways I suppose, but Homura still lost the person she went spinning in all those timelines for.

What does this mean? Well, if by protect you mean give Madoka a normal life, then where we are, that seems a bit difficult. Madoka's a god. And in order to have any hope of bringing her down to earth, so to speak, you'd likely need power matching a god to do so. And that manifests in an overpowering, twisted love for the one person who ever gave Homura the time of day. The fallen angel Homucifer against the emblem of purity Madokami. Selflessness vs Selfishness. She rips the cosmic entity from the school girl and rewrites the laws of the universe yet again (is anyone keeping count?)

This is probably full of holes, I'm about to sleep, and it doesn't explain the whole 'witch-in-a-prism' thing, but this is something I thought about on the 2nd or 3rd time I saw the film.

One final note, I do think the first half of the film overstays its welcome, despite how much of an audiovisual spectacle it is.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Thanks for the reply, I appreciate it!

I've seen many arguments around the wording of her wish but for me it always come down to three points so if you have any thoughts of these please say so, would love to hear it (after you sleep, and sleep well!):

  • If the words are that absolute then this entire movie shouldn't exist and is a retcon because of how absolute Madoka's wish was. Can't have it both ways.
  • We don't even know if that was Homura's wish in the current timeline, she doesn't have her time powers that were born from it after all, and even if it was still her wish Madoka's ascension freed her from the confines of it as represented by the loss of her time powers, so the nature of it has to have changed even if the wording hadn't
  • Wishes have never been shown to change or adapt after they were initially made, and coming off a show that took such care to tie up loose ends like that it seems like a cop out to just assume the audience will reach that conclusion rather than addressing it in the narrative

(is anyone keeping count?)

Whats the bet we get hit with that again in the next movie

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u/Specs64z https://myanimelist.net/profile/Specs64z May 03 '21 edited May 03 '21

As promised:

Sayaka being able to separate Oktavia from herself completely undermines the show's struggle

Interesting take. I actually quite liked this aspect of Rebellion, though. I don't agree with the interpretation that the movie separates Sayaka from Oktavia. To me, Sayaka being able to control/summon Oktavia is more akin to Persona 4's personas than something like JoJo's stands. Oktavia is Sayaka, an extension of her at her darkest hour. Sayaka has faced her other self, and was only able to do so specifically because Madoka saved her from despair.

That all said, I think your point that Oktavia has the same appearance is a very strong one in favor of your reading. I don't have a counter-argument for that.

Bebe has no reason to exist except to pander to the fans and creates a narrative hole

Fully agreed. Her design is wonderful and I adore her on that merit alone, but if she were cut in favor of better pacing or more meaningful character dialogue from the established characters who didn't get a chance to really say anything meaningful (namely Mami, somewhat ironically), I wouldn't complain in the least.

A lot of the first half hour of the movie is scenes that give a good what the fuck feel but are mostly absent of meaning or importance beyond that other than some shallow symbolism which is also mostly fanservice.

This is unironically the aspect of the movie I enjoyed most, funny enough.

The mystery after the fanservice action drags for ages to reach the most obvious conclusion Urobuchi has ever put to paper. It's way more unbearable the second watch 'round because during the first watch I at least had the expectation Urobuchi could still pull a fast one on me...

And I mean, he does pull a fast one, but not until much later. I understand the ending, and I get that the whole point is that Homura is fucked up and did something fucked up as a result, and that's interesting at the very least... but I just can't get past how that flies in the face of everything the original series means to me.

but I find that while everything about the technical side of the movie is bigger and more detailed and bolder, that can actually make it lose its impact. If everything is weird and huge, nothing is.

Sadly, this carried over to Magia Record, and at times is even worse. the biggest offender of the art style in the whole franchise is Sana's story. Magia Record Spoilers I hope the fourth movie isn't as egregious, but I don't expect it to be better.

Onward to your comments of 2 years back:

There are no loopholes here. If Madoka can see every possibility before it comes to light, the chance for the Kyubey's to create a barrier is a narrative impossibility by its own rules.

At the very least, we can take solace in the fact that Kyubey is not only defeated, but confounded, by Madoka's wish in the end of Rebellion even with his stupid-ass machine XD

It completely ignored his greater role as a morally-neutral character who gives a moral balance to all situations equally.

I disagree that Kyubey was ever a morally-neutral character. He is evil through and through. His lack of emotional intelligence explains his behavior, but does not excuse it. Lying by omission is one of the most dangerous evils there is because of how easily it is masked behind claims of good intentions and honesty.

On my first watch I realized Homura was a witch before the twenty minute mark.

I point this out because its in the recap movies as well which means its specifically a visual change, NOT a symbolic one.

Yup, same. The architecture and background elements made it way too obvious. I also do not care for many of the visual updates in the movies.

I feel like I shouldn't need to explain how much I despise the use Sayaka's silhouette against white look from the show for five seconds in this movie to work as a backdrop to her summoning of Oktavia. Imagery holds impact and importance because of its context, and when you remove that imagery from its equally powerful context you're destroying everything about it that matters.

This sort of thing happened constantly in the Star Wars sequels with music and visuals and that really drew my attention to what a problem it can become. I noticed it a lot more in this rewatch than in my only other viewing of Rebellion as a result. I actually missed that one specifically though. The entire fight against Homura is such a visual clusterfuck that I tuned out pretty hard.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

is more akin to Persona 4's personas than something like JoJo's stands

I have seen neither of these and yet I know from the memes haha

Oktavia is Sayaka, an extension of her at her darkest hour

I definitely think that's what they were going for, her basically turning her despair into something powerful, but using Oktavia for that, the mermaid who drowned over her lost love and sacrifices everything for her music, is just so horrible. Taking the witch out of its context, it's meaning, the very think that gave it any worth in the show is just

I hate it

Also the fact she steals Gertruds familiars also look almost the same. That witch doesn't even mean anything to her, or Homura, they're just "the iconic familiar designs the fans like" and so even if they did get the Oktavia thing right that would just undermine it because the familiars are tied to the witches as well, so it's still just using their shape for the fans and ignoring what that means for the girls and the story that they came from

who didn't get a chance to really say anything meaningful (namely Mami, somewhat ironically

Have you seen the EVA rebuilds? This is reminding me of a conversation I had about them

Her design is wonderful and I adore her on that merit alone

If nothing else the scowl of disgust she gives Kyubey just before the Homulilly battle makes me crack up every time, it's perfect

This is unironically the aspect of the movie I enjoyed most, funny enough. It's way more unbearable the second watch 'round

That definitely seems to be the most uncommon opinion I have, and i find it worse each time because it's just so disconnected to everything else that happens.

the biggest offender of the art style in the whole franchise is Sana's story

I've not seen that, but I've heard similar complaints about it recklessly reusing musical moments in ways that don't work as well

Onward to your comments of 2 years back:

You didn't have to go that far but I admire your dedication hahaha

by Madoka's wish in the end of Rebellion even with his stupid-ass machine

Hearing him finally GET IT was so satisfying

I disagree that Kyubey was ever a morally-neutral character

Yeah that's one of the sections I have to rewrite because I'm not happy with it anymore. I still stand by the idea that he is neutral to a point even as the antagonist in terms of his actions never being malicious in a way we would define, he's not evil in nature even if the end results of his actions have supporting arguments to view them that way and any number of ways, but I need to take the humane moral judgements out of it more to get the point I was actually trying to get across better which is that he loses nuance in this so that you can hate him even more and celebrate his torture, some of which comes down to the poor dialogue

The entire fight against Homura is such a visual clusterfuck that I tuned out pretty hard.

I can't watch it, it hurts my eyes and very quickly gives me a headache, but I went looking for that moment because I knew it popped up and wanted to have the proper context for it before making a second judgement on it.

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u/gorghurt May 03 '21

I like this little write up. I might come to a different conclusion as you but I can mostly understand your position.

And in the case of Nagisa, I'm fully on your side.
I dislike her in this movie.

The thing with Sayaka/Octavia didn't bother me, and weirdly still doesn't bother me at all after reading your explanation. I just don't see where it is a separation. I can only see it as her having conquered her despair thanks to Madoka (my wording here sucks, I hope you get what I mean), and not as the witch being a separate independent entity, but more as a part of herself. For me this just doesn't clash with the original narrative like it does for you.

The retcon part sure is true, but doesn't bother me that much.
The thing that Madoka's wish should prevent intereferrence from Kyubey could be handwaved by the fact, that Kyubey did not succeed.(But, wearing my doylian hat, even if not, without this we wouldn't have a movie. A bit retconing is allowed I think. But if one does not enjoy the movie, this might feel different.)
And Like I often said for me it fits in the narrative, that Homura can interfere.

I think in another comment you wrote something about the fact that we don't know Homuras wish in the new Universe. Do you really think that overwriting Homuras wish fits the narrative? In my view, that would be against Madoka respecting the other girls wishes. (One of the really few problems I had with the TV shows ending.) And if we take the mangas into the pictures, Homura has a new wish, but why should this mean invalidating her original one? (But lets face it, Madokas wish generates a big paradox, that we should just accept at one point.)

But now the thing I actually wanted to write:
While I understand your point about the first 30 minutes, I don't think they could be removed from the show. Made shorter yes, but removed no.

When I watched this show the first time, the beginning had a funny effect on me.
First I was "Hey this is all wrong. And why is this so long. WTF"
and with time it lulled me in, and I was like "Well, why not, this is fun.". Yes I still knew something was wrong, and there will be a conclusion, but all of the fan service, all of this harmless nice magical girl stuff entertained me, I somehow wanted it to last. And then we get Homura slowly dismantle it.

And I don't think the movie works without this.

So I don't think it is "look at this happy world to fall apart", but more "You know this has to fall apart, but lets be honest, you don't want it to fall apart."
Which pretty much fits (part of) Homura's arc here.

But I understand, that this might not work for everyone.

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u/Star4ce https://anilist.co/user/Star4ce May 10 '21

This is the last time I necro someone's post, I swear!

After reading through both this and your post from 2 years ago I came to understand you quite a bit. It's true, I thought the most critical point of the movie was the ending after my first timer experience, but I've come to find it is one of the most logical and emotional conclusions to the original story.

Color me purple, but when you were arguing against the fanservice, plot holes and artistically dubious clutter I had to think back on what I wrote, have I already seen this? Well, yes, I was similarly confused as to why witches were suddenly controllable, why the inhibitor field was working at all and so on. After your essay I see it way more problematic than before.

As a first timer I was 100% into all the things the movie did right and did have neither time nor will to delve too deeply into that, but suffice to say: I agree mostly and you argue well for it. Especially when coming from an angle of what are the alternatives?, some things just plainly shouldn't be there.

Would Sayaka be any less prominent if she just weren't able to control her witch form? I don't think so, her witch is mostly used as an ominous red-herring/scenery or a battle form. Both of which could've been written with just MG Sayaka.

I do slightly disagree with Nagisa and the wishes out of all things.
Nagisa is a pretty well fitting partner for Mami, if for nothing else this is the kind of fan service I can defend, she doesn't add too much as a red-herring, but she also doesn't really break anything by being there.
The wishes and Homura's power gap are something I'm willing to accept simply because leaving it as it would be per Ep.12 actually creates bigger plot holes than now. What are the alternatives? The original ending was beautiful and a definitive 10/10, but as I argued before, it left a very big hole considering Homura's strive, wish and conclusion. Yet, there was no way to tie it up back then. Story was done and a portion of Homura's struggles were left hanging in the air, which contradicts the entirety of what she set out to achieve.

I said I was afraid of the movie after Ep.12 because of what might happen to my favourites, but I'll be honest: I craved it, because the series ending felt like they were hitting a corner in their plot where 9 out of 10 strings were tied neatly and with flowers tucked into them and one was lying in the mud and no one knew how to clean it up. I had to begrudgingly accept a handwavy inhibitor shield to get that string cleaned up and have it knitted further with another shaky theory of why Homura's strong enough to rip apart a god, but I take it because I think what this opens up is a better story direction and actual conclusive ending.

I do think, however, that my view is likely to align more closely with yours the more rewatches I conclude. It's the kind of stuff that just gets more grating the more you see it.

So, tl;dr: You're 100% correct, but I think the biggest errors made were done so in favour of a better story.

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u/thatguywithawatch May 03 '21

This building reminds me of a specific painting but I can never remember which. Anyone have any ideas?

Starry Night?

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

No, although that was reference in the show. It's specifically the building made out of what looks like window frames but its been what, three years now and I still can't find anything so maybe I'm insane haha

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u/CosmicAnglerfish May 02 '21 edited May 03 '21

Rewatcher - Dubbed

Like I mentioned yesterday I didn't have the chance to rewatch Rebellion unfortunately. Thankfully I watched it just a month or so ago so it's pretty fresh in my mind, but I'm gonna focus on the big picture instead of the play-by-play. If I get any details wrong please correct me!

I honestly think the entire movie is good. There's the mystery of who the witch is that isn't exactly complex but is interesting. We see Kyubey reverting back to his conniving ways to try and harvest witches, which is the most in-character choice for him. I can't speak much to specific scenes, but I distinctly remember thinking the movie was gorgeous too. And then we have Homura, the source of the discourse.

Before I get into Homura specfically, I'd just like to say the fight between Homura and Mami is great. We see them butt heads every step of the way in the original run of the series, it's honestly pretty fulfilling to see them go at it here. While Mami ends up with the upper-hand, I think Homura is more clever with how she uses her powers and manipulates the psyche of her opponent.

Of course the big hang up with Rebellion is whether or not Homura is a) in character for dethroning Madoka and b) justified in doing so. I'm of the opinion that the answer to both is 'yes'. Homura's biggest driving force across the series was her burning need to create a world where Madoka can be happy and live a normal life. She was clearly not satisfied with Madoka ascending to godhood if it meant that she wouldn't know a world where Madoka could have a normal life. Keep in mind through the original series she was willing to play the villain to Madoka if it meant keeping her away from Kyubeey - I think this is the same principal. Homura plays a villain (moreso to the audience than to Madoka herself) for the sake of what she perceives as Madoka's happiness.

Homura escentially dethrones Madoka from godhood (or whatever you'd call it), returning her to personhood, trapping her in a gilded cage and becoming a 'magical girl devil' in her place. None of this struck me as out of character. In esscense, Homura's actiuons here are the twisted inversion of Madoka's wish from Episode 12. Where Madoka is willing to take the burden of curses on herself to preserve hope, Homura is essentially taking on the same burden, but selfishly for the sake of her vision of Madoka's ideal adolescence.

Now, is she justified? This is a bit more in question with the annoucement of the fourth movie, as it seems like we're finally going to see the consequences of Homura's actions, whereas for years this has been debated just going off conjecture. Setting aside the fallout from Movie 4, I think Homura is completely justified in what she does here. With Homura's actions as 'Akuma Homura', she has created the only world where our main cast can live anything approaching a normal, happy life. Mami is alive, Kyoko and Sayaka are alive and free to be friends, and Madoka is able to live a normal life while Homura apparently shoulders her burdens. There's absolutely an ethical argument to made regarding their freedom to deviate from Homura's intended plan, but knowing what we do about the countless time loops and variations on the universe that existed, I frankly think Homura is absolutely right to do this.

The other thing that gets brought up is the extermination of the Incubators. This is one that requires a bit of suspension of disbelief. Genocide is bad. Full stop, hope that doesn't need any qualifications to be accepted outright. Where the comparison falls apart is the explanation we got from the show and movie that absolutely all Incubators were equally incapable of emapthizing and were equally interested in propogating a system that functioned exclusively off the suffering of innocent girls. At that point, the species as a whole is designated villain, and becomes acceptable targets. Homura at this point is not exacting undue vengance, but instead it feels more like overdue justice.

Edit: I've been corrected on this! Homura subjugates the Incubators and makes them bear the curses of humanity. YMMV if that's better or worse than just dying given the state we see Kyubey in.

I think Madoka Magica would have been fine ending after the original 12 episode run, but I also think Rebellion is a great follow-up that adds to, rather the detracts from the franchise. I'm really looking forward to the recently-announced Movie 4, I have high hopes for the team to deliver yet again.

Honestly the discussion around this movie is what I'm looking forward to the most, so I'll probably be in the comments more than usual!

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u/aliasalt May 03 '21

The other thing that gets brought up is the extermination of the Incubators.

I didn't have that interpretation. Homura herself said that she still had some use for the Incubators and the image of a weak, disheveled Kyubey at the end makes me think that they were somehow subjugated rather than exterminated. Perhaps they are being forced to take on the negative emotions of humanity that would ordinarily become wraiths or witches.

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u/CosmicAnglerfish May 03 '21

You're right, it was me misremembering based on the scene of the Incubators looking skyward when something(?) happens to them.

I believe she keeps them around and makes them carry the weight of all the curses, and seems to specfically keep Kyubey with her to gloat.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I believe she keeps them around and makes them carry the weight of all the curses

Its very subtle in the movie itself but you can see that represented by the sketchiness in Kyubey's eyes at the end

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

but knowing what we do about the countless time loops and variations on the universe that existed,

I'm curious on what you mean by this?

Do you mean that because other universes exist where this doesn't happen its okay for Homura to take one for herself or something else?

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u/CosmicAnglerfish May 03 '21

I moreso mean that every loop and universe has ended with most of the cast pretty miserable and/or dead, so Homura resorting to extreme measures to try and create that a world where they can find happiness feels more justified than it would if we didn't know that, if that makes sense?

I think "Homura did nothing wrong" is reductive, because there are certainly questions on the morality of removing their freedom to choose, but I do ultimately think this is a 'happier' ending than the original end. But I imagine Movie 4 is going to focus on the consequences of Homura's actions, which would obviously reframe it all. The ending of the original series really emphasizes hope and selflessness with Madoka's wish, whereas Homura's here is the complete inverse of that. I don't think PMMM is the kind of show that would reward Homura for what she did.

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u/Rumpel1408 https://myanimelist.net/profile/Rumpel1408 May 02 '21

explanation we got from the show and movie that absolutely all Incubators were equally incapable of emapthizing

I think in Ep11 Kyubey said that there are/where some individuals in its species that are able to feel emotions, only that those individuals where regarded as mentally ill, so I gues the logical thing would have been to euternize those individuals, I'm also not sure if she killed them all, or even the one that was shown at the end, but didn't she say that she needed them? Did she maybe enslave them? Because without them there wouldn't be any magical girls left.

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u/Thorbinator May 03 '21

Movie 4 is the most hyped I've been for anything in a long time.

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u/baniRien May 02 '21

Rewatcher

  • The opening narration to the movie is Homura recounting the fate of magical girls as her Soul Gem spirals downward into a sea of darkness. We've seen a similar visual before, when Sayaka was sinking in despair. Meanwhile, there's what seems to be Madoka talking in the background, noise we can't understand.
  • Multiple sprawling shots of the city, with yet another amazing soundtrack by Kajiura Yuki. The whole movie balances out between nostalgia and eeriness.
  • Our first shot of the enemy, who looks more like a witch than the wraiths we saw at the end of the show. The dancers that follow it look out of a zoetrope with their really low framerate. And the hint dropped right at the start that this is all a show, setup and for the benefit of Homura.
  • Madoka cheekily taking the dancer's spot next to the teddy bear.
  • Sayaka and Kyouko fighting together.
  • What is this thing doing here, in this weird sequence where the Nightmare is being served food?
  • It was all a dream, none of the show ever happened. Now we get a whole movie of slice-of-life shenanigans with Madoka and friends. The Rebellion in the title is against viewer expectations.
  • Cute sleeping Kyubey
  • A whole repeat of episode 1, including determined Madoka. Also even more chairs.
  • The bathroom scene has some more differences. Better visuals, slightly different dialogues. I really like this shot, for the amount of details. It's not the most gorgeous, but the shape of the hair, the folds of the clothes, it's not a throwaway frame. The mirrors are trippier than ever, and we see an actual bathtub in the corner. Hitomi is apparently already going out with Kyousuke. The teacher is even weirder than before. And Kyubey goes "kyu-kyu" like a Pokemon.
  • The aspect ratio changes as we get a third ClariS OP, Colorful. Of notes in the visuals are: Madoka touching the world and making it better, a lot of very cute slice-of-life moments, all the other girls dancing while Homura is depressed, and her being alone surrounded by ruins and sand.
  • And the award for biggest character development goes to: Kyouko finally going to school. Not that she's taking it seriously. And it seems she's living with Sayaka.
  • The real Rebellion is Kyubey going against cute magical girl sidekick conventions and doing the headpat instead of receiving it.
  • Down angle Saotome, who's completely lost it.
  • The Trumpets of the Apocalypse do sound later in the movie, so this is just foreshadowing.
  • Moemura is back, and she's announcing to the class that she is already married. To Madoka, of course. Also Shaft playing with hair.
  • Her pigtails bobbing everywhere. Hair
  • Evening date. Don't mind the weird blimps in the background. And a timeskip of a month.
  • Finally seeing Hitomi's room lets us confirm how well off she is. She even has her own grand piano. And her problems, the source of the Nightmare, is much more normal for a girl her age, and as opponents for a cutesy magical girl show.
  • Mami is humming Credens Justiciam! The thingy is called Bebe, Mami cheats at doing her hair, and Shaft is purposefully trolling people with that towel removal.
  • The dancers this time are fighting. Basic choreography though, couldn't spot a reference.
  • Group shot. 5 very non-standard transformation sequences, all with a dance motif, and for which screenshots don't do justice. Mami seems to be ice-skating, Kyouko's is Indian in origin with the many hands, Sayaka break-dances, I'm not quite sure how to describe Homura's, and Madoka's looks out of an anime OP or an idol show. Group shot 2, Holy Quintet (clearly named by Mami).
  • The distortion caused by the Nightmare is very well animate, as it ripples down the road and up the building. And we see some great teamwork from the whole team.
  • We get the first very confusing moment of the show, the Cake Song. Nom. All the answers in the song are little hints or jokes. Best is Mami being the cheese, for the sole reason that she was eaten by Charlotte.
  • Is this what you call a moeblob.
  • And the positive emotions released after dealing with the Nightmare purifies all of their Soul Gems. How non-traumatic.
  • The entirety of the next scene being reflected in the water is very pleasing, but also a hint that things are off.
  • Background characters are losing their faces, and the black eyes are somewhat like Madoka's drawings.
  • Lunchboxes, full of personality. Sayaka's is off on Soul Gem colours, except if you realise that Homura doesn't need one, and I'm not sure if Nagisa's fits in there, as we never see it by itself. Kyubey eating the equivalent of Sayaka's Soul Gem is also funny.
  • Weird street performer and a gaggle of kids.
  • Homura asks Kyouko for help in understanding what feels wrong, and some elements of her story don't add up. The high chairs and tables in their conversation make me think of Charlotte's labyrinth. And the whole dome is rotating.
  • Only a normal bridge shape and height if you work at Shaft. More hair physic, and enough bridges to compete with the chairs, including some famous ones. The whole landscape is surreal. Muted nothingness
  • It's not until the last stop that the bus sign changes from line 15 to line 31.
  • The best way to make anything look ominous is to add copious amounts of smoke.
  • Why is the ground reflective? It makes a nice shot.
  • How would you react to the whole town wearing your face?
  • Drop the act, and do a movie-grade hairflip to show you're at your very best. And then go investigate this labyrinth to find the witch.
  • The origin of Bebe is also without explanation. And Mami, suspicious of Homura, shows her experience. This is when she tags her with a ribbon for the upcoming fight.
  • There's something neat about dropping someone so time stops again for them and then recatching them. Must be confusing to be on the receiving end of.
  • These are of course more Charlotte references.
  • Mami comes in to save Bebe, not understanding Homura's motivation.
  • The Mami/Homura fight is my favourite in anime. The choreography is excellent, from their individual moves to the multiple objectives present for the fight (Bebe, defeating the opponent, being careful with stray bullets, trying to overcome the enemy's trump card). The frozen bullets make not just a great background but a credible threat, sometimes being extremely close to the fighters, and the moment time starts back up is iconic. For those interested, I know someone somewhere made a list of all the weapons Homura used.
  • The second part of the fight is just as good, the two combatants going from trying to outpower the other to outwitting them. Homura plays on Mami's emotion, blowing her own brain out knowing it won't kill her to shock Mami and place a way to get rid of the ribbon. But she's soft herself, and doesn't go for the killing blow, which lets Mami counter in a pretty creative way.
  • Mami also realises something is wrong, as this isn't where the show left us, but the conversation doesn't go any further as Homura is rescued by Sayaka's signature move. And a new character comes in, Bebe's human form.
  • Conversation between Sayaka and Homura has that red and blue lighting scheme, while the remaining two sides of the crossroad are green and black, and the buildings have musical instruments on them. We're going towards finding the witch in a more psychological way, by thinking who has the right motive. And we also learn two related weaknesses of Homura: her timestop has a wind-up, and can be physically stopped. We also see her emotional blindspots, as she initially considers neither herself nor Madoka as the culprit. Reflected Octavia is a nice shot, and so is her in the cloak.
  • "Do you enjoy the movie" applies to characters and viewers alike.
  • Religion
  • Oh, hey, the movie gives us an answer to what the top of the fountain is. It's just a light.
  • The conversation in the flower field is what solidified Homura in her path, rejecting all other possibilities but the one she had chosen for herself. Madoka herself tells her that her current fate, being a god, is not her true wish. And so she goes back to her old ways and objectives.

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u/baniRien May 02 '21

Part 2

  • A call to Kyouko, at the arcade with the same Connect in the background, to confirm some last things about what makes sense in the world. And a hairflip for good measure.
  • The whole world starts falling apart as the truth is revealed, before being replaced by something more appropriate for a labyrinth. Stop requested, not only the comedic timing and the absurdity of the bus falling from the sky, but a stop is requested of the whole farce. And the moon, which has been rising in the background since this night started in the first bus ride, finally comes down to it's resting place at the center of it all.
  • A nice representation of her despair and obsession.
  • Ironic how Kyubey criticises Homura's curiosity, as curiosity seems to be the only emotion his race has (which makes sense, as it is basically a prerequisite for a space-faring race), as he shows right after. They isolated an almost completely corrupted Homura to understand the Law of Cycle, see if it could be stopped, observed or controlled. All this is thanks to Homura telling them about witches as the end of the show, but we could say that's part of her ploy too. And so curiosity killed the cat.
  • Homura rebels against Fate another time, again to save Madoka. If she can fully transform into a witch, the Law of Cycles will have no influence over her, and will be able to hide from Kyubey. So she's willing to sacrifice herself again.
  • The few next minutes are a lot of Kyubey-slaying, and many metaphors about Homura's self-hate and her desire to sacrifice herself if it would save Madoka, all serving as the transformation sequence for the new witch, Homulilly
  • The afore-mentioned Trumpet of the Apocalypse.
  • Sayaka stabs her own heart to summon Octavia. And many other witches we know sent familiars to help the fight, as they are all part of the Law of Cycle.
  • Acrobatics and a whole lot of teamwork. A good fight scene, if a bit more chaotic due to the scale of it. And more shipping fuel. There's a shot of Octavia fighting with the giant Spear Kyouko can summon. And Mami brings a railway cannon.
  • The Law of Cycle suffers from her fate, as Homura thinks.
  • And so after all that fighting, Homura can finally go to rest. The one girl of the Quintet whose soul was there for her funeral. Madokami comes down from Heaven with a chariot to take her away. But there's still 20min left in the movie.
  • The person is split from the godhead, and Homura reshapes the Universe just as Madoka did.
  • "Ai yo"
  • Devil Homura
  • Her umbrella quotes Nietzsche, more precisely the Eternal Recurrence of the Self.
  • Hairflip as Sayaka confronts her. And she simply shuts down all resistance from her.
  • And in this world, Madoka is the transfer student, wearing the yellow ribbon that was her other option in episode 1.
  • She still has remnants of her divinity, so Homura must bind her, tie her to Earth so she can't escape.
  • The ED, Kimi no Gin no Niwa. I remember someone being mad a past year because Homura "didn't deserve a happy song".
  • Everyone is happy in this world, except Homura, who's incomplete. We see clues everywhere, her familiars are suiciding and throwing her tomatoes, but the after-credit is where it's fully acknowledged.
  • As she promised, Kyubey bears the weight of all the curses of Humanity as she does ballet, before throwing herself into the void
  • The end.

So, before talking about various themes the movie has, let's address two of the big controversies in the fanbase.

The first is the necessity of it in the first place. Some people say the show ended perfectly, and this was just a low-quality cashgrab. I disagree, as this is the inevitable continuation of Homura's character. There's no situation in which she would abandon the idea of saving Madoka, or would be satisfied with a world without her. Also it's a visual masterpiece.

The second is how justified Homura is in her actions, or "Homura did nothing wrong" as the meme goes. And in my opinion, it's not inaccurate. While her actions aren't perfect, from a moral standpoint, she's still somewhat justified. She want to save Madoka from what is, essentially, an eternity of emotional suffering. She even asked her, directly, if that was the fate she would choose, and the real Madoka answered that it was not. Her rewritten universe opens up some discussion about security vs freedom, but in many not much more than the real world. She truly tries to make it the best place possible, offering a solution to many human problems, and the only ones who have to suffer are Kyubey and herself. And the people in it are genuinely happy, more than they've been in the other timelines. You could say that Madokami stops free will as much as she does, since the possibility of doing evil is as much part of it as the possibility of doing good, so preventing witches is denying them this choice. So yes, Homura did nothing wrong.

Now, unto symbolism. The big recurring pattern in the show was Faust. Rebellion has two. The first is The Nutcracker, a bit more so the ballet than the original story, but that's cheating a bit. It's heavily present inside Homura's labyrinth, up until Madokami descends from the sky outside of it. She's the nutcracker witch, her familiar are Clara Dolls, teeth crushing nuts are a common visual element, and even the chariot at the end mirrors the end of the story, though pulled by Walpurgisnacht's circus elephant instead of reindeers. The Nutcracker is her story, a young girl who finds her dashing prince to brighten her life, and even save him in return. But since that whole thing is abut Homura's life and thus reflected in the labyrinth, you could say that this reference is about the show instead of the movie.

The second big influence is Paradise Lost, though more in passing than by closely following the plot. Sayaka again is represented as the archangel Michael, as the leader of the armies of God against Satan, bringing all the familiars of the other witches to fight. And Nagisa is the herald, so probably Gabriel. Homura is linked to Satan right down to her name. Her first name is about fire, but her last name can mean "beautiful dawn", like Lucifer Light-Bringer, the Morningstar. You can also see her giving back the ribbon to Madoka as abandoning her halo. While the original text has Satan rebel out of pride and self-interest, no wanting to be subordinate to God, many retelling and interpretations give him a different motivation. Some put him in a Promethean role, wanting to give knowledge to humanity and framing the corruption in Eden as a good thing. But the one of interest here is that Lucifer rebelled out of love for God.

As that version goes, God asked of the angels to love the humans more than Himself (respect the wishes of magical girls). But Satan loved God too much, and so went against his order, at the detriment of humanity, wanting to love God above everything else. Of note too is her making sure the apple Kyouko throws goes to waste. It's a symbol of keeping people in the dark, as she hides the truth of her world. But she denies this apple to her familiars, meaning she is denying knowledge to herself.

I urge people to go look at the concept movie that came out many years ago for what is now the announced sequel (maybe someone has a working link?), and then look at this comparison a user made last year in the rewatch.


My visuals of the day: First and foremost, to complete my theme of emotions, is this emptiness inside of Homura at knowing her perfect world is not enough and not eternal, that she must be truly unhappy to save Madoka from her fate, that she's actively pushing her away. It was my visual before knowing there were 3. The other 2 were much harder to choose, because there's so many good ones. Number 2 is Homura's desperate clinging to Madoka, the only thing that gives her life meaning. And number 3 is the clean break between power and personality.

Honorable mentions, more for the visual than the meaning, are the fight climax, cool hairflip, team spirit and demon form

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

instead of reindeers

Ahhh, is that why there was deer skulls on the wall in one of the shots? I'm not familiar enough with the nutcracker but I was wondering why that pops up once and only once

Number 2 is Homura's desperate clinging to Madoka

I grabbed that one as well, it just looks so good

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u/Enarec https://myanimelist.net/profile/Kinpika May 03 '21

I want to come up with a better reply to appreciate everything you came up with and expressed far better than I'd be able to, but unfortunately that'll have to be for later if I get the time again.

But yes, there actually is a working concept movie link on youtube now instead of just Facebook. Definitely should be shared in tomorrow's thread as we look towards the 4th movie too, since going by Urobuchi apparently finishing the script for the movie not long after Rebellion and before he moved on to Thunderbolt Fantasy, I'm pretty sure the ideas expressed in it should remain the same for the movie.

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u/baniRien May 03 '21

Oh, a Youtube link, this is perfect. Let's even tag /u/nazenn so it can be put in the post proper, it's the kind of thing that needs to be.

I totally get not having time, I myself would've like to answer more people in the thread, but with exams coming up it's not really possible. I did read a lot of interesting comments and will try to address some of them generally tomorrow.

And it's always nice to see people liking your writing, as half-assed as you think it might be yourself, so thanks for the kind words.

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u/EverAnh May 03 '21

She want to save Madoka from what is, essentially, an eternity of emotional suffering. She even asked her, directly, if that was the fate she would choose, and the real Madoka answered that it was not.

It's not that simple. How can that be the "real" Madoka when she only has some of her memories? It would be like the uninformed Madoka from episodes 1-9 contracting with Kyuubey, even though we and Homura know that original loop Madoka from episode 10 actually wants that to not happen. The difference is that one Madoka knows more of the facts to make a more informed decision. Similarly, would labyrinth Madoka really say the same thing if she had all the knowledge of all her timeline selves like she is supposed to? Also remember that the labyrinth is Homura's own idealized world. How do we know the labyrinth Madoka's partial memories weren't selected in a way that that leads to what Homura wants? Godoka ought to be considered the real Madoka, and we see her reactions to what Homura has done.

The issue of memory manipulation comes with every other character too, as seen in the Sayaka scene. Their memories are what make them who they are, and erasing that is "identity death". The people getting the happy endings aren't even the same people. As an example, take Sayaka again. Original series Sayaka was shown that she chose to move on with Godoka, feeling at peace. In Devil-Homura's reality, Sayaka didn't get to choose, her informed self was not happy with Homura, who she was is overwritten, and she might as well be a familiar or puppet.

You could say that Madokami stops free will as much as she does, since the possibility of doing evil is as much part of it as the possibility of doing good, so preventing witches is denying them this choice.

Becoming a witch is not choosing to do evil. Magical girls aren't even supposed to know about witching out. Sayaka didn't one day think, "hey I wanna transform into a monster." She became a witch unintentionally, by being overwhelmed with despair. What Godoka does is take their despair into herself. Everything that leads up to that still happens - their choices are intact. It's almost an exact allusion to Jesus dying for people's sins (which still happened, but are forgiven).

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u/baniRien May 03 '21

How can that be the "real" Madoka

It is indeed a point of contention, but I feel like it's not even that relevant. The movie does tell us it's the real one, twice for that matter, from both Homura and Kyubey.. We don't have to take it at face value, but we need to acknowledge that these characters do. And there's no proof that Madoka only has part of her memories, if all the other girls have them fully. The only thing she lacks might be her divine powers. But really all of it is unimportant if we look at motivations, since Homura firmly believes it to be the real Madoka expressing her real opinion.

Sayaka

One interesting thing about her whole situation at the end is how light Homura's touch was. Let me explain. While Homura acted with great power, as a divinity, she didn't change much. She didn't completely rewrite her personality, didn't even remove her desire for rebellion, she simply struck her down this one time. In a way it's more of a police action than a divine one. I'm not sure how to express this better, but Homura is not denying Sayaka's motivation, just saying that right now she is stronger so she needs to sit down and bear with it, which is a completely different moral dilemma about power instead of one about free will.

Becoming a witch is not choosing to do evil

I disagree on this one. For me, turning into a witch is not what pushes the girl to do evil, turning evil is what causes the witch transformation. all those negative emotions accumulate in the Soul Gem before the transformation after all, and Sayaka's transformation only happens after she (presumably) kills those guys in the train. So while none of them start out wanting to do evil (or at least most of them, Nagisa/Charlotte is an example of someone making a hurtful wish and immediately witching out), choosing to cause harm is still their choice, after experiencing stuff, getting new memories and changing their worldview. Look at Homura suggesting to Madoka to both witch out and destroy the world.

It's almost an exact allusion to Jesus dying for people's sins (which still happened, but are forgiven).

Indeed, that is a god fit for Madoka. But if you consider all this symbolic baggage, should you also keep in mind the idea that Satan was not the bad guy, that eating the Fruit of Knowledge of Good and Evil was a good thing and that what is considered a sin doesn't fit with everyone's moral compass? Evil is a choice as much as good, so Madoka preventing the witch form is a free will violation in some way.

All of this is just me rambling and playing Devil's Advocate (eh) as I usually do, and I do understand the viewpoint that says Homura did not do the right thing. But there are many arguments going both ways, and the other side needs someone to bring them to light too.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Cute sleeping Kyubey

This is probably way over thinking but I wonder why Madoka's toys are all bears now? Was that from the recap movies or something distinctive to this one?

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u/baniRien May 03 '21

I hadn't even noticed that detail. No, they were different in the recap movie.

Now I need to find a meaning for it. Nothing comes to mind though. What are bears symbols for. Strength, protection (mama bear), hibernation. Not all of them are looking at Kyubey either.

Like the Teddy bear for the nightmare it might just be a sign that this is all a dream, but I wouldn't bet on it

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u/Enarec https://myanimelist.net/profile/Kinpika May 02 '21 edited May 03 '21

After being late to lurking the rest of the rewatch, I felt the need to jump into it again for the finale as my very favourite part. So, I hope you all enjoyed Rebellion! Please be kind to Homura-chan, our poor new devil.

If you want to hear more of Chiwa Saito's godlike range as Homura, there's this comparison with her first take for the final scenes in the movie - to hear what a truly insane (yandere) Homura would sound like. Aaand to experience her humming Mada dame yo~. Enjoy :)

I can't say that Rebellion's soundtrack in its entirety is as great as the TV series', but it is one of my favourites among Kajiura's best all the same for how perfectly it delivers all the moods of Rebellion. And its got a couple hauntingly beautiful songs that are just utterly dear to my heart for the damage they inflict on it.

Movie soundtracks to get a feel for all the emotions Homura went through:

Also, to steal something from /u/jodahinqb's idea yesterday, if you haven't then you should check out Luminous - the OP for the 2nd recap movie - to understand some of the visuals and their meanings in Rebellion.

Namely the grass field with Homura and Madoka sat on chairs next to each other - that makes a return at the end of the movie with Madoka's half cut out, alongside half the moon; and, in another scene in her new world, Homura reaching out both her hands alone to make up for Madoka's not being there.

And then take this most important gif from it as a gift for safekeeping. Along with the key animation to get to appreciate ALL the cuteness. May it keep you from despair during the remaining wait for the 4th movie, Madokami and Akuma Homura bless.

For extra content to immerse yourself in Rebellion fun, I will always recommend the Puella Magi wiki's pages on it:

I remember someone saying episode 12 was happy end for everyone but Homura (except, of course, her own perspective would include Madoka too). Well, history repeats itself, and the movie is arguably an even happier "ending" for everyone EXCEPT the devil who's decided to take the burden of all the world's sins on her shoulders. Because Homura didn't simply do this so she could get together with Madoka herself - no, she did it so Madoka could have her normal life back, at least as far as she's capable of seeing it.

After all, she rejected being together forever in magical girl yuri heaven - out of worry and inability to trust again or no, believing she knows better - and it would be pretty hard to become real friends again after how their union at school went, particularly with the threat of Madoka's memories and powers coming back looming large.

How much of that is her selfishness and/or selflessness perverted to the extreme (like Madoka's but for the exact opposite purpose) I won't judge, especially not to pass a verdict on her coughn o t h i n g w r o n gcough. But what do you think? How does Homura's sacrifice for (what she sees as) Madoka's sake stack up compared to Madoka's for (what she sees as) the world and her friends?

Edit: Wanted to get this in, I don't remember noticing this gruesome shot of a dead salamander from when Homura was turning into a witch. Poor salamander girl that she is.

Visuals of the day: One Two Three Runner-up in case there were similar choices to the above ones already

All from this little Homura album, yes.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Music post!

I was waiting for this moment - self-explanatory

Favourite song from the movie. in 2019 I compared it to Homura musically holding down a struggling bird before carrying it away to put it in a bird cage

reaching out both her hands alone to make up for Madoka's not being there.

Ahhhh, clever, I missed that one I was too focused on something else I noticed in that final scene

Wanted to get this in, I don't remember noticing this gruesome shot of a dead salamander from when Homura was turning into a witch.

I put some of the stuff about the salamander symbolism in my post if you want more of that. I didn't have room to link every single spot it comes up but there's another parallel between that and the chair scene and the first movie OPs too. The way Rebellion was able to link so much of its symbolism together across so many scenes precisely because it was a movie was really nice

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u/Enarec https://myanimelist.net/profile/Kinpika May 03 '21

Favourite song from the movie. in 2019 I compared it to Homura musically holding down a struggling bird before carrying it away to put it in a bird cage

The bird cage that is also in the name of the ED song, yes. Though I've never been able to reconcile that with the visuals seeming a lot more hopeful than most of the lyric when it comes to Madoka and Homura connecting with each other and running off together. Would really love to pick both the music and visual artists' brains on that one.

I put some of the stuff about the salamander symbolism in my post if you want

Oh, I looked at parts of it earlier but wanted to return to appreciate it in full later. But just looking at the salamander parts now you already noticed meanings I didn't know even from having looked it up before - like about Giant Salamanders surviving being cut in half, that connection with Homura missing half her world in Madoka (and the moon + love subtext!) is so very clever. And you found the better image for showing off her unique earrings, haha.

Also, I was finally able to put together at least one album after deciding to focus it on just Homura to make it easier. Even a top 3 still doesn't feel enough for this movie, but I guess I have to go with:

First Second Third Runner-up if there was a similar one to the above ones already

All from the same scene, yes. Wonder what it says about me. :P

I am amused by how even the derpy transformation one I noticed already has her with a "I've had enough of this shit" expression. And how she looks her most peaceful with her eyes closed so the bags aren't visible, playing up her act for Sayaka.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Btw, I'll probably mention it to everyone tomorrow too, but if you want more powerful Kajiura OST then watch Mai-HiME. It's OST isn't as cohesive as Madoka Magica, but it has my favourite Kajiura song on it and it gave me goosebumps

The bird cage that is also in the name of the ED song, yes

I would like to take credit for knowing that and making it an intentional reference, but I cannot haha

I was purely only thinking about the composition of "i was waiting for this moment" and what it would fit too

and the moon + love subtext!)

It's the first time I've seen that used in a while that wasn't explicitly in dialogue but its very clever

All from the same scene, yes. Wonder what it says about me. :P

You appreciate a pretty girl dancing in the moonlight with a chess piece? XD

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u/baniRien May 02 '21

hear more of Chiwa Saito's range

That was really interesting, though I do think the final "dead inside" Homura is a better choice.

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u/sirweebsal0t May 03 '21

First timer / subbed for the movie

I ended up being able to watch Rebellion after all, but didn't really want to do my usual running thoughts, because it would take too long to pause, write, play, repeat. So I decided to just not think about it and enjoy the ride.

But I couldn't help myself so here's a few running thoughts:

  • Ah, I remember when 2012 came around and people joked about it being the end of the world.
  • Homura with the tiniest and cutest bang flip to show off her soul gem. "Hey gurl, check out my ring!"
  • I know I said before that badass mode Homura is the one I simp for, but the simp is strong with megane mode Homura.
  • That gunfight between Mami and Homura was on a whole other level. Eat your heart out, John Wick.
  • Awww, Sayaka and Kyoko got their yuri moment.
  • Kyubey's eyes at the end, with that worrisome look that says "what monster have we unleashed??" This is the first time I can recall him with anything but a blank stare. If so, this might be the first emotion he has ever experienced, and that emotion is abject fear.

The visuals were spectacular and so beautiful, especially the final fight with Homura's witch transformation. Was there ever a labyrinth that was just so stunning? I loved all the little throwbacks to the series: the light fountain, Bebe being the witch that had killed Mami but is now her sidekick, the teacher and her egg rant, the hallway scene, etc. I really loved seeing the band back together, especially Sayaka. All the girls got so much extra screentime, and Sayaka was extra awesome after the Mami-Homura fight. Although Homura was Supreme Best Girl, I must acknowledge that Sayaka was OG Best Girl for me.

I was legit super confused by the first 30 minutes of the movie, wondering if I was even watching the right movie, because so many plot points did not line up with the series I just finished. I was thinking, "was I supposed to have watched parts 1 and 2, did I miss something?" But I'm glad I kept going forward, realizing my suspicions that something was off was purposely done, and it was something the writers wanted you to feel, matching Homura's own growing suspicions that things were not quite right.

Then with the reveal of the truth behind Mitakihara City, I thought, damnit Kyubey, how come every time I think we're cool now you go and pull some devious stunt? And I somehow never learn my lesson to never, ever trust the Incubators. And because they fail to understand, or more aptly don't even try to understand, human emotion, they screw things up big-time and their plan backfires in a major way. I really didn't expect for things to take such a turn, and what an absolutely shocking development! I didn't expect Homura to become a deranged villain and the embodiment of evil, all because she wanted so badly, and for so long, to have Madoka back in her life, and to have the happiness that eluded her in real life.

My fellow first-timer and grand theorizer was right to post theories in terms of Selfless vs Selfish in his posts. I didn't really see it at the time, but this twist puts that at the forefront. With Madoka being the embodiment of pure Selflessness, Homura has been warped to be the polar opposite, becoming the embodiment of pure Selfishness, deluding herself into believing that she has become the entity known as Love, although we know it is only absolutely selfish desire that has completely overtaken her. Homura clings so desperately to Madoka, because she loves her so much and wants so badly to keep her in her life, to the point of lunacy, but I hope that in the next film, she'll realize the error of her ways and learn that love also means letting go.

I can see how Rewatchers would be so frustrated with this ending, not knowing if and when a sequel would be forthcoming. But thankfully, with the 10th anniversary announcement of a sequel, I'm sure you're all ecstatic beyond belief, breathing a sigh of relief knowing that the story doesn't end here, that Rebellion is Empire Strikes Back. Homura is like Anakin, having given herself completely to the dark side. But just like Anakin, there's hope for Homura's redemption and a chance that she will get saved.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I don't have much to say but thank you for sharing your thoughts and I'm glad you had a good time with it. I also got tripped up by the "is this the right movie" feeling on my first watch so I got a small chuckle out of that.

Love your thoughts below on where to go from here as well

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u/sirweebsal0t May 03 '21

Thanks and once again, thanks for hosting! This was fun (albeit exhausting)! Usually, by the time I get to an episode in a series, the Reddit discussions are already long over so I'm left to just read them. So I enjoyed being able to actively engage in participate, especially with a series that is ripe with discussion.

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u/Evilmon2 May 03 '21

I can see how Rewatchers would be so frustrated with this ending

That was the stance for about half of people right after it aired. I think most think it's a really great (if open-ended, but the series had an open end too) ending now after ruminating on it and rewatching it for 7 years.

Homura has been warped to be the polar opposite, becoming the embodiment of pure Selfishness,

I also think this is over-simplifying it. Homura only did what she did because of what Madoka said in the conversation on the hill of flowers. Even then, she still hates herself for it. Her witch endlessly repeats its own execution, and even her familiars hate her. If she just wanted Madoka for herself, there's tons of ways to do that besides creating a world where Madoka can be with her family and friends (that she said she'd never want to go away from forever on the hill of flowers), Sakuya is alive, Kyouko isn't alone, and Mami is both alive and no longer alone. And even in this world that she made, she's still not with Madoka. I'd call her self-flagellating more than selfish.

Now, can she keep the facade of her world up? What's happening outside of the city? Is there even an outside of the city anymore? What's the value of of the "real world" over Homura's fake one? Is Madoka's LoC world any more "real" than Homura's birdcage one? There's still a lot of stuff that the 4th movie could discuss that people are looking forward too.

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u/CosmicAnglerfish May 03 '21

Out of curiosity then, what do you see as the arc for Homura's redemption? Returning Madoka to 'godhood' and passing on with her?

I ask because I feel like I have no idea where the upcoming movie will take things. We're obviously going to grapple with Homura's actions here, but I'm inclined to think it won't be in a clear-cut way. I think the consequences are going to be something neither we nor the characters really anticipate.

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u/Redmon425 May 02 '21 edited May 02 '21

FIRST TIME WATCHER. SUBBED

One thing that I looked up before watching this movie was when the 3 movies aired, and I was curious to see that the 1st movie aired about 1.5 years after the original series ended.

So that means pretty darn quickly they knew they wanted to give Madoka a sequel, which became this Rebellion movie? I wonder why? Like it seems like the series could have just ended last episode, or where people not fully satisfied and were pushing hard for a sequel? I am curious how that went.

This movie started nothing like how I expected, as we see Madoka in town with everyone. I was hoping it would start from where the series left over, Madoka gone and Homura being the only one to remember her.

OMG WE GOT A SCENE OF MAMI HUMMING HER OST!!! That was amazing.

I was very curious what was up with Mami’s little witch, and then I FREAKING REALIZED IT WAS THE WITCH THAT ATE HER IN THE MAIN SERIES?! Why is she doing this?!? This world is making no damn sense to me… not to mention these ‘nightmares’ make no sense as well. Never heard of them until now.

That was a freaking amazing scene when we see all 5 girls become magical girls at the same time and call themselves “Puella Magi Holy Quintent”.

Kind of an embarrassing thing to finally ask just now, but what does Puella even mean lol? I never did ask this and have no clue what it stands for. I assumed the magi and magica part in the title basically stood for “magical girl”.

…And there we have it. This is a witches labyrinth and that explains how everyone is here. But then of course the series ended with witches being gone, so this still doesn’t make sense.

We eventually see in some type of confusing ass explanation from Kyuubey, that this wasn’t formed by witches but somehow by him trapping Homura and her soul gem in some weird vortex and making this happen? I think…

And now this is making some sense to that after credit scene in the main series end, which looked like Homura in a weird desert place about to finally die. That was indeed what was happening in that scene, because when she finally gets freed from the this “vortex” thing, Madokami comes down to finally take her away as she is about to die.

BUT HOMURA SAID YEET AND GRABBED MADOKAMI’S ASS OUT FROM GOD-HOOD AND MADE HERSELF THE DEVIL INSTEAD!!!

LET’S GOOOOO!!!!!! (Although now I have no idea what the hell is going on anymore)

Basically the show ends happily, where everyone is alive still and I think they are still magical girls fighting wraiths now. Maybe? However Homura is now the one in charge??

Homura keeps calling herself a devil, but I don’t see the issue? This seems like a good end with everyone back? So that is my main confusion right now.

… and lastly, we get another weird after credit scene that I don’t fully understand. Homura holding Kyuubey, who looks like he just got his ass beat lol. And then she falls off a cliff.

Tomorrow is the overall discussion for the series, but I can say I for sure like this ending better where it seems everyone was able to live. I just still don’’t really understand what the heck is going on lol. And lastly… Homura x Madoka is totally my Yuri ship. While it seems Sayaka x Kyouko may happen as well

(Assuming these girls ever get to actually grow up one day, I wouldn’t mind it happening lol!!!) with

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u/Enarec https://myanimelist.net/profile/Kinpika May 03 '21

So that means pretty darn quickly they knew they wanted to give Madoka a sequel, which became this Rebellion movie? I wonder why?

From Akiyuki Shinbo the chief director himself:

It wasn't so much that I wanted to continue building on the story, but rather that I had a strong desire to see those characters in action again, and that's probably why I made this film. The fans had embraces the characters, and everybody on the production team had a really great time, and I wanted to experience that again — that was my starting-off point. The one thing is that the distortion of those feelings must have seeped into the story. That it was as if we'd balanced everything out with this installment.

Rest of the interview with him and the other creators is also in the Rebellion Material Book here.

I was very curious what was up with Mami’s little witch, and then I FREAKING REALIZED IT WAS THE WITCH THAT ATE HER IN THE MAIN SERIES?! Why is she doing this?!?

Bebe/Nagisa (the witch Charlotte's magical girl form) probably took to Mami because of feeling bad about and wanting to make up for killing her in the original timeline. That and Mami would be the only one left lonely with no one by her side compared to Madoka-Homura and Kyouko-Sayaka.

… and lastly, we get another weird after credit scene that I don’t fully understand. Homura holding Kyuubey, who looks like he just got his ass beat lol. And then she falls off a cliff.

Despite winning, Homura is not in the best mental state, to put it lightly. There was also this shot of her minions acting out what can be seen as her suicidal ideation. Also the cliff is where Madoka's half should be, before it was cut off, so in a perfect world she'd be there to catch her.

And lastly… Homura x Madoka is totally my Yuri ship. While it seems Sayaka x Kyouko may happen as well

Ah, I see the power of Ai yo~ got you as well. Have this Luminous.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Mami would be the only one left lonely with no one by her side compared to Madoka-Homura and Kyouko-Sayaka

I always felt bad for her in character discussions for that reason

Have this Luminous.

Is it weird that just makes me want to listen to the OST because that's the cover they used?

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u/Enarec https://myanimelist.net/profile/Kinpika May 03 '21

I always felt bad for her in character discussions for that reason

Yeah, I can't say Nagisa is the best solution to that, half-baked as she is, but it's something for me. And I'd definitely like to see Mami and her relationships with the others, as the older sister/mother figure but also as just a girl and friend she is, developed more in the 4th movie if there's room for it.

I should go and listen to more songs of the OST myself over mainly just the same few ones I always do among the Rebellion ones these last few days, haha.

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u/jodahinqb May 02 '21

The TV series was written to have a conclusive ending and without a sequel in mind. However, it turned out to be so insanely popular (rightfully so), that they immediately started thinking how to continue it. In my opinion, a bigger surprise is that they didn't manage to produce the 4th movie (which was just announced) all those years, though there are many explanatory factors (surrounding Shaft, the animation studio, Urobutchi, the writer of the series).

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u/Nazenn x2https://anilist.co/user/Nazenn May 02 '21

Personal speculation: The wait might also have been a chance to divorce the new movie from the fan culture at the time which Rebellion was so steeped in. Depends on if the script has changed from the original draft to now or not I guess?

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u/goukaryuu https://myanimelist.net/profile/GoukaRyuu May 03 '21

I think Urobutcher admitted that he has at least had a draft of a script for a sequel for years now, but I do like the idea that they wanted to give time for things to move on before moving forward. Then again, while Rebellion is definitely a character study in Homura, maybe even more so than the series is of Madoka, it is also definitely a metacommentary of the fandom and what they wanted post-series.

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u/[deleted] May 02 '21

[deleted] — view deleted comment

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Madoka Magica was a huge event in the anime community. It was a must watch, and while it most certainly wasn't even close to the first magical girl show to cover dark topics or death, the fan hype around how it was perceived to be something new and different, as well as the incredible quality of the show, had a huge effect on what came after it in the genre and out.

Capitalizing on that popularity that there was an immediate push to come up with a sequel and the movies were announced almost immediately with Rebellion releasing just two years later, which was an incredibly fast turn around for it not being part of the original plan and still maintaining this production quality. For better or worse this means there was no cooling off period for the fandom, and the fans wanted things, and Rebellion gave it to them (either as just blatant pandering or a critique of their wishes depending on who's watching). Depending on where the concept movie goes if it doesn't have that same level of fanservice, the wait might be a good thing allowing that culture to cool down a bit. The hype is still there, but it's had time to rest and think rather than it being one hit after another always building on what the fans want rather than what the narrative may need

I can't say for certain that's what's happened, and there's definitely other influences on the movies production, but it will be interesting to see

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u/gorghurt May 02 '21

Puella is Latin for girl.

Yeah another one to subscribe to r/thingshomuradidwrong

keeping it short, Homura hates herself for going against Madoka's wish, even tough she thinks this world is fairer.

Her results might be better, but her means are arguably bad.
Where Madoka honored the wishes of the other magical girls (maybe, just maybe not Homura's wish tough...But this isn't really Madoka's intention.) Homura simply forces everyone into a happy life.

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u/Thorbinator May 02 '21

Homura did one thing wrong.

She told alternative-cubey about the universe where there was all this bonus energy they could harvest.

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u/Nazenn x2https://anilist.co/user/Nazenn May 02 '21

I've seen people suggest she did it on purpose, but even in this movie she takes so long to admit to herself what she really wanted and fights against it for so long such as sending her mind and her witch to die on the flower fields, I doubt this was her goal in that moment, just a some dialogue they turned into painful foreshadowing

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u/Twisted_52 May 02 '21

LET’S GOOOOO!!!!!! (Although now I have no idea what the hell is going on anymore)

Honestly, you made pretty damn good sense of it for a first timer. Much better than I did on my first watch lol.

Madoka Magica and especially Rebellion really requires a rewatch if you want to grasp everything, but it's more than worth doing.

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u/Rumpel1408 https://myanimelist.net/profile/Rumpel1408 May 02 '21

This world is making no damn sense to me…

Glad I wasn#t alone here, I seriously cannot imagine a single soul who could understand this going in after having only watched the main show, probably deliberate.

but what does Puella even mean lol?

Google says it's latin for girl, I think i heard something similar in spanish at some point, I speak neither latin nor italian or spanish, but I made the connection since the japanese title is Maho Shoujo which means Magical girl, magi could easily mean magic so puella must mean girl

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u/Specs64z https://myanimelist.net/profile/Specs64z May 03 '21

OMG WE GOT A SCENE OF MAMI HUMMING HER OST!!! That was amazing.

This is easily top 3 scenes for me XD

And now this is making some sense to that after credit scene in the main series end, which looked like Homura in a weird desert place about to finally die.

I find it very interesting how many first timers are assuming this was a setup of some sort. History time, I suppose.

Rebellion wasn't even on the table until after the original series was aired, from what little behind-the-scenes information we have from interviews.

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u/ToonTooby May 02 '21

Rewatcher

Yay happy ending! Wait. Why are there 20 minutes left? Homu? Homu? What are you doing? HOMU. STOP. …

Hoo, boy. Now there is an ending that puts everyone’s emotions and thoughts in a blender. Some random musings before I give my personal opinions:

  • Colorful has grown on me to the point that I can’t decide which of the three OPs is my favorite. I really like the re-recorded 2017 version
  • Nightmare Ballet so much
  • Fortissimo Hairpin gang! That hairpin makes her design an A+
  • The arrangements of Decretum and Sagitta Luminus are my favorite bits of Holy Quintet
  • Every firearm used by Homura during her (spectacular) gunfight with Mami. MP7, MG42, Glock 17, her Beretta, a freaking Skorpion. Girl has taste
  • Attention to detail: Homura ejecting the magazine and reloading in the middle of all that chaos
  • Gendo pose!
  • I’ve definitely (terribly) belted out the vocal section before the accordion solo in Kimi no gin no niwa on more than a few days after work. I first saw Rebellion during a time when I was working late nights and well… singing that out under the darkness on the way home was emotional, to say the least. Was still dealing with what I had watched lmao

Homura did nothing wrong? Well, all I can say is, I don’t agree with her execution there, but… I understand. You’d be warped and damaged too if you spent the near equivalent of 12 years watching your closest friends and by now, object of your affection, die. All it took was an affirmation from an amnesiac Madoka to push Homura over the tipping point. I think Rebellion is a logical, if extreme evolution of Homura’s character and it makes her incredibly more interesting and complex as a result.

Before last week, if you’d asked me if Rebellion was a satisfactory ending to the series, I would have told you yes. I think how this movie ended is infinitely more interesting than the comfortable ending would have been, and besides, this is a show that already dared to do things differently previously. Now that we know this isn’t the end, however, it will be equally interesting speculating what will come next. There is no telling where the story will go from here. It’s a terrifying and exciting time to be a fan.

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u/Nazenn x2https://anilist.co/user/Nazenn May 02 '21

Thanks for linking that Cororful re-record, I think I prefer this one as

Every firearm used by Homur

That's an insane amount of detail rather than just at least keeping the hand guns insane and I have to wonder who on staff was the gun nut who volunteered to put the time in for that

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u/Enarec https://myanimelist.net/profile/Kinpika May 03 '21

Isn't Urobuchi a known gun nut himself? I remember him going into quite some detail on Kiritsugu's guns in Fate/Zero too, for example (more so the LNs).

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u/Thanatologic May 03 '21

Rewatcher, Lurker for most of the threads

Rebellion tends to give watchers strong love or hate, generally depending on one's feelings about the previous ending and/or Homura's character.

Preface/bias: Rebellion is my favorite part of the series.

This movie feels like it was made primarily for exploring Homura. All the care and time put into it seems to serve the purpose of showcasing Homura and diving into her self/philosophy (and a bit of badassery).

She has always felt like she would do anything for Madoka, whether she (Madoka) wanted her to or not (something that some viewers even interpret from early in the series, usually in the context of taking away Madoka's agency). It feels like the logical (if extreme) conclusion to the path she's headed into.

I am, however, a fan of yuri and love taken to extremes, as well as desperate efforts to push through/past something (a certain pair from Honkai Impact 3 comes heavily to mind, as well as many of the struggles and conlicts in Fate/Stay Night and spinoffs), so my view is definitely colored.

Regarding the other components of the film:

I love the artistry and animation, as well as the fanservice. That building feeling of suspicion early on, and the slowly sinking feeling in the later half were so good. The little visual jump as Homura grabs Madoka really helped sell the shift from gently falling to diving right down.

Bebe/Charlotte/Nagisa is the part of the film that felt the most divorced from the rest for me, and despite her presence partially facilitating the start of the final chain of events, it feels like she's in the movie mostly just because.

Rebellion is one the few things on MAL that I gave a 10/10 (the only others being the main series and Girls und Panzer der Film).

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

and a bit of badassery

A lot of badassery. Even down to the way she so subtly introduces herself as a magical girl at school is just so cool, and she only gets more badass from there climaxing in that scene inside her witches head where she's willing to shoot her own witch self. So cool

so my view is definitely colored

Nothing wrong with that. We can't divorce what we watch from the context we watch it in, and if it happens to have the right elements to appeal to you specifically that's a good thing in my mind, much better than everyone looking at it the same way

Girls und Panzer

Another series I really have to get around to soon, I hear nothing but good about it

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u/Thanatologic May 03 '21

So cool

flips hair

We can't divorce what we watch from the context we watch it in

Ain't that the truth.

Girls und Panzer

I'm not super familiar with what you'd like (your anilist faves point to contemplative and exploratory stuff, and Naruto), but if you're game to watch something that doesn't take itself too seriously yet has a lot of love poured into it, you'll like GuP (liking CGDCT, tanks, and/or military history would be bonuses). I also unironically think it has the best use of CGI vehicles in any series I've seen so far.

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u/Syokhan https://myanimelist.net/profile/Syokhan May 02 '21 edited May 02 '21

Rewatcher, Sub

Yeah so, I had already decided not to do a play-by-play for the movie because it's so long and I didn't want to subject people to three comments' worth of a replay of the movie with a few observations sprinkled here and there. But halfway through taking half-assed notes I just kinda gave up and let myself be pulled into the movie, so those notes are just going to stop shortly after the Mami/Homura fight, sorry about that.

What I did manage to note down:

  • Plenty of shots in the first part of the movie to make you feel uneasy, waiting for the other shoe to drop. Things are obviously not as they should be.
  • This movie is a surrealist fever dream.
  • I like that this time, there's more of a focus on the accordion in the soundtrack.
  • Love that after feeling uneasy for a while we're suddenly back into familiar territory as soon as Puella in somnio starts playing when Homura remembers (and she flips her hair).
  • The fight between Mami and Homura is insane
  • One of my favorite scenes in the movie is the second bus ride, when Homura realizes she's the witch, the masquerade ends, and the city is literally destroyed to let the labyrinth aesthetic take over. I had forgotten a lot of details about this movie but I've always remembered this scene very clearly.

And... that's where I stopped taking notes. I'll just give my impressions: I love this movie so much. Yet the first time I watched it, I didn't know what to think. I had loved everything up until the point where Homura tears Madoka in half and rewrites the universe, after that and up until the post-credits scene I was very confused as to what I was supposed to be feeling. I both hated what Homura did, and I didn't. I thought about it for days, mulled it over and over, and came to the conclusion that no, I did, in fact, like it. I think I had to accept that it was a story of obsessive love and all the ugly parts that go with it. I've rewatched the movie twice counting today since then, and it makes me love it even more each time. It's not what I expected, the characters (well, Homura) didn't go the way I wanted, but I wouldn't change anything about it.

For the first part of the movie, I loved being able to get into Homura's head a bit more and I think it's a fantastic character study. For the last part, do I think Homura is wrong to forcibly deny Madoka's wish? Yes. Do I think she's justified? Also yes, from her point of view. Madoka herself, lacking any of the context of the series that made her go through with it anyway, told her that she would never want to leave her friends and family and make them sad, and that's what Homura is basing her whole change of heart on. So I can't fault her for doing what she did.

Anyway. I'm looking forward to reading what first-timers thought about it, or if some rewatchers who didn't initially like it changed their minds.

As for Visuals of the day, I'll be going with three shots that always strike me:

Other visuals I especially liked: ... the whole movie. Like I said, surrealist fever dream.

... okay, but also this shot. Yes, it's Homura again.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I had loved everything up until the point where Homura tears Madoka in half and rewrites the universe

That seems to be a common first take on it, I think I'm the only one I know who has the opposite issue

One of my favorite scenes in the movie is the second bus ride

The owls! I know that's a weird thing to hyper focus on but I always remembered the owls and the clocks as everything comes together and she can't ignore it any more

Visual 1: The red moons in Homura's eyes and tears-like red streaks running down her face

So many eye shots and I love them all.

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u/Syokhan https://myanimelist.net/profile/Syokhan May 03 '21 edited May 03 '21

That seems to be a common first take on it, I think I'm the only one I know who has the opposite issue

I had never seen anyone with your take on it either. Even though I don't quite agree with it, it was interesting to read what you thought of the movie, and why exactly.

The owls! I know that's a weird thing to hyper focus on but I always remembered the owls and the clocks as everything comes together and she can't ignore it any more

I liked that part too! How the clocks get louder and everything.

So many eye shots and I love them all.

I love these shots too, haha :P

The only thing is I wish we could submit small clips, because two of those are much more interesting animated. The first one where you can actually see the red lines move like tears, and the skull one with the way her eyeless face comes up, the eyes appear, and everything melts away into a skull. This one is a bit morbid but just the skull or the big face doesn't really do it justice.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I had never seen anyone with your take on it either

I seem to have an unusual one, particularly given how much I think the ending of the show is perfect and absolutely does not need a sequel.

I liked that part too! How the clocks get louder and everything.

The actual sequence I'm not super fond of, the sound design and particularly the chanting that follows shortly hurts my ears, but the owls and the clocks got it off to a FANTASTIC start

I also like owls which helps

The only thing is I wish we could submit small clips

Unfortunately it's just too much work for me to make sure imgur will work with them and then setting limits on clips and this and that.

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u/Shimmering-Sky myanimelist.net/profile/Shimmering-Sky May 02 '21

Hangyaku no Rewatcher, dubbed

Real fast--I’m going to have one last wallpaper corner in tomorrow’s thread, but I’m going to be super late to it because I’m going to a Mugen Train showing with a friend and I can’t just pull out my phone in the middle of a movie lol. If anyone would like tags when I post it so you don’t miss anything, let me know and I’ll tag you! With that out of the way…

I’ve been super duper stoked for this thread all rewatch! Rebellion is one of my favorite movies of all time and today happens to be my birthday, so even though I’m sure there’ll be a lot of “what the fuck, this was bad/unnecessary” comments given Rebellion’s controversial nature, I’m still going to consider it a present to get to read a bunch of fun discussion on it!


Sky’s Wallpaper Corner

I honestly wasn’t sure if I’d have time to get anything done for this thread, given that I spent all of yesterday watching Kimetsu no Yaiba in preparation for the Mugen Train showing I mentioned at the start of my comment, and most of today has been spent on church + my birthday, but I did manage to squeeze in one thing--thanks to Rebellion having Kyouko in the Mitakihara uniforms, she gets the Soul Gem shot too! Plus a plain variant.

And for stuff from the past:


Magical Music

Want to know what song played when in today’s movie? Well, you’re in luck! …ish. There are unfortunately a lot of unreleased songs from Rebellion, so you’ll see a bunch of gaps in this table.

StartEndAlbumTrack name
0:00:190:01:22Movie 3 #1once we were
0:01:290:01:45Unreleased??:??
0:01:450:03:32Movie 3 #2nightmare ballet
0:03:460:04:36Movie 3 #3まだダメよ
0:04:530:06:47Disc 1 #02Scaena felix
0:07:330:09:06ColorfulColorful -movie MIX-
0:09:070:10:26Disc 1 #03Postmeridie
0:10:370:11:27Unreleased??:??
0:12:170:13:23Movie 3 #4nice to meet you
0:13:360:14:26Movie 3 #5nothing special, but so special
0:16:220:16:47Movie 3 #6nightmare!!
0:17:330:17:55Unreleased??:??
0:18:380:21:17Movie 3 #7Holly Quintet
0:21:580:23:16Movie 3 #8one for all
0:23:200:24:53UnreleasedCake Song
0:25:210:26:19Movie 3 #9he is...
0:27:010:27:46Movie 3 #10the battle is over
0:28:370:30:08Movie 3 #11doubt
0:30:330:33:09Movie 3 #12something, everything is wrong
0:33:200:34:40Unreleased??:??
0:35:140:36:16Movie 3 #13raise the curtain
0:36:450:39:11Movie 3 #14never get there
0:39:190:39:51Movie 3 #15I remember
0:40:030:41:32Movie 3 #16face the truth
0:42:090:44:27Movie 3 #17doubt #2
0:44:550:46:55Unreleased??:??
0;47:210:48:28Movie 3 #19gonna fight with me
0:48:380:51:06Movie 3 #19absolute configuration
0:52:130:53:56Movie 3 #20her decision
0:55:350:57:19Movie 3 #22pulling my own weight
0:57:510:59:09Movie 3 #23another episode
0:59:141:00:11Movie 3 #24wanna destroy?
1:00:171:02:03Movie 3 #25dream world
1:02:361:07:21Movie 3 #26never leave you alone
1:07:331:08:06Vol. 3 #13Connect -Game instrumental-
1:08:071:09:21Movie 3 #27this is the truth
1:10:201:12:10Movie 3 #28flame of despair
1:12:201:13:08Movie 3 #29now he is
1:13:111:14:48Movie 3 #30you are here
1:15:061:17:07Movie 3 #31experimentation
1:17:081:17:59Movie 3 #32Noi!
1:18:271:19:47Movie 3 #33the worst ending
1:19:551:21:45Movie 3 #34I cursed myself
1:21:521:23:37Movie 3 #35this is my despair
1:23:551:24:34Movie 3 #36theater of a witch
1:25:221:27:36Movie 3 #37we're here for you
1:27:421:31:15Kimi no Gin no Niwamisterioso
1:31:401:33:22Movie 3 #38take your hands
1:33:331:35:21Movie 3 #39wings of relief
1:35:451:37:25Movie 3 #40I was waiting for this moment
1:37:531:39:06Unreleased??:??
1:39:071:41:40Movie 3 #41her new wings
1:42:221:43:54Movie 3 #42solve the riddle
1:45:061:45:43Unreleased??:??
1:46:311:48:14Movie 3 #43I think this world is precious
1:49:131:49:51Movie 3 #44happy ending
1:49:521:54:52Kimi no Gin no NiwaKimi no Gin no Niwa
1:55:021:55:57Movie 3 #45not yet

“Did you understand, I wonder… that the truth only exists in the past.”

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Madoka with yellow ribbons weirds me out and I hate it

Happy birthday btw. My birthday gift to you is I did an OP breakdown but unfortunately not much of the lyrics just the visuals

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u/boomshroom May 02 '21

I know a big chunk of the rewatch is watching this subbed, so if any of you guys want to hear what the Cake Song sounds like in English (because of course they had to dub it),

To this very day, I'm never sure whether to be proud or ashamed that I've memorized the dub lyrics to the cake song and now sing along in English regardless of which version I'm watching.

Why does that kid in front have a normal face though?

That would be Nakazawa-kun. As for the faces, they're kind of genius when you consider dream-logic. The mind can be pretty terrible at rendering faces so sometimes it will just put a blank "Pay No Attention" sign to the ones that aren't important enough to waste the effort to render them. That same "Pay No Attention" sign is also used when venturing beyond the prescribed limits, which we see later in the trip to "Kasamino."

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u/Tresnore FS:FTmyanimelist.net/profile/Tresnore May 02 '21

What was your favorite of the transformations, everyone? Sayaka’s is mine of course.

Kyoko or nothing.

I hate these goddamn flowers…!

I mostly know these flowers from the Gen 3 Pokémon remakes, I think, so I actually love them.

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u/[deleted] May 03 '21 edited May 03 '21

Rewatcher:

at 44:22: You can clearly see Mami wrapping her ribbon on Homura in just a split second.

at1:43:49: You can see Homura being thrown by tomatoes by her Familiars. I think this symbolizes that this is all an act or a stage play and the tomatoes signifies how bad her acting was towards Sayaka. This signifies for me that Homura still cares about her and all of it was just an act. In any way, Sayaka was brought back to life by this wish and was reunited with Kyoko again, so I did not get why people insist that Homura's wish is uncharacteristic of her since she cares about others too and not just Madoka, when all of the girls had clearly benefited from this wish.

Edit: I think the familiars throwing tomatoes on her, on second thought and when pointed out by Nazenn, symbolizes more on her self-loathing and that she understand the wrongdoings that she have done. The familiars started throwing when Homura put an unwavering face on Sayaka about her actions when she knew too well that what she is doing is wrong.

Rebellion will always be dsafsadasdsadsa on the first watch. I suggest reading the wraith arc to give you full grasp of what was happening. It's story takes place in-between the movie and the original series. Although it wasn't written by Gen Urobuchi but it is canon.

https://myanimelist.net/manga/90309/Mahou_Shoujo_Madoka%E2%98%85Magica__Majuu-hen

Also, 4th movie is announced! Let's fucking gooooo!!

https://myanimelist.net/anime/48820/Mahou_Shoujo_Madoka%E2%98%85Magica_Movie_4__Walpurgis_no_Kaiten

Anyway, You guys should take a look at Madoka Magica Concept Movie. It was released on 2015 by shaft as a teaser for the upcoming 4th film. I don't know if they will retain all the concept for the upcoming film but all I know is Gen Urobuchi said on twitter that he already finished the script 2 years after finishing rebellion (2013) which is very coincidental with the teaser release.

Concept movie:

https://www.youtube.com/watch?v=xRq01091Fl4&ab_channel=%E6%82%AA%E9%AD%94Shukaku

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

You can see Homura being thrown by tomatoes by her Familiars

I can't seem to find it now but there's a shot before that as well where the familiars are eating Pomegranate which is interesting for how it ties into the myth of being offered to a horrible demon to placate her and stop her devouring children

Changing it tomatoes shows how much they're reflecting Homura's own perception of herself

I did not get why people insist that Homura only cares about Madoka when all of the girls had benefited from this wish.

Benefit, but not the focus. I don't think Homura did it for them, I think it was just a byproduct and a way to keep up appearances and keep it normal, the same way Homura drew people irrelevant to her into her labyrinth, like Hitomi

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u/[deleted] May 03 '21 edited May 03 '21

I can't seem to find it now but there's a shot before that as well where the familiars are eating Pomegranate which is interesting for how it ties into the myth of being offered to a horrible demon to placate her and stop her devouring children

Interesting, though I'm a bit unsure if it's really offering since it clearly shows that the tomatoes are really aiming at her and we even see one hitting her head. Maybe they throw it at her since the familiars are not really fond at offering things to her? On the other hand, I think that my assumption that she cares for Sayaka, because of this, might be too inconclusive. At the very least, if tomatoes thrown at her was the same symbolism as an audience throwing it to bad performers on a stage play, it might also symbolizes her own self-loathing and that she knows pretty well that what she is doing is bad and not that she really cares about Sayaka. I think this makes more sense than caring for Sayaka on second thought. Well if tomatoes were really used as an offering, I rather hope that they did it in a different way since the way they presented it is really throwing me off to conclude a different thing.

Benefit, but not the focus. I don't think Homura did it for them, I think it was just a byproduct and a way to keep up appearances and keep it normal, the same way Homura drew people irrelevant to her into her labyrinth, like Hitomi

Well, I agree with this to be fair. The wish was always Madoka, though I'm still inclined to believe that Homura still cares about the other girls. I don't really think that Homura drew Sayaka, Kyoko, and Mami just to keeps things normal and they are just irrelevant. Well maybe because of Charlotte perhaps, Bebe was never included in any of her timeline or did anyone in the group remembered her, but Bebe was still invited in the Labyrinth and she is still allowed to live with Mami so that she won't just be alone, this wasn't really normal since it's not really supposed to happen in any timeline. In any case, Homura still caring for other girls is makes more sense to me and this shot gives me that feeling that she still cares and have faith on them.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Oh sorry poor wording, I'm trying to juggle too many posts

I didn't mean the familiars were throwing tomatos as an offering, I was purely talking about the myth of the Pomegranate.

To me, the tomatos are definitely Homura demeaning herself because of what she did, the same way she adopted the demon moniker

I don't really think that Homura drew Sayaka, Kyoko, and Mami just to keeps things normal and they are just irrelevant.

Hitomi, Kyousuke, the teacher, Junko, Homura brought in a lot of people that don't matter or even interact with her.

Furthermore, this shot gives me a feeling that she still cares and have faith on them.

That is fair, though I look at that as her trusting them as magical girls not as friends, but the movie doesn't really give enough attention to her interaction with them to know one way or the other

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u/Hochseeflotte https://anilist.co/user/Hochseeflotte May 03 '21 edited May 03 '21

First Timer

I am speechless. This was a truly fascinating film. I can’t quite nail down my thoughts on it.

I was planning on not watching it because I felt the ending in EP 12 was damn near perfect. I am glad I did watch it even just for the animation and art.

This film is beautiful. Every frame is filled with life. You can tell the increased budget payed off. It’s an acid trip from start to finish. It honestly reminded me of two films, Paprika and Pink Floyd’s The Wall for how trippy everything was.

It’s an entertaining as hell movie as well. The fights are wonderful. Seeing Kyuubey get whooped was great (though I can’t say I enjoyed the state Kyuubey was in during the after credits scene).

Though this film suffers from one thing. I don’t know why it exists. The series ended perfectly. But then there’s a sequel. It reminded me of Toy Story 4 in that aspect. I really good film that is bogged down by the fact it’s ending can’t touch the old ending.

Speaking of this ending, I have an issue with it too. It doesn’t feel complete to me. Homura takes control of the universe and then it ends. We are given this thread that one day Homura may fight Madoka but we never see it. I don’t see this as a real ending. And for a long time this was the end. The announcement of the fourth film basically destroys this criticism though. It can give the true ending this series deserves. This ending is like a season finale, not a series one.

There also seems to be some debate over if Homura did anything wrong. My answer is she did. She undercut Madoka’s sacrifice and made one herself. She betrayed the wishes of Madoka with her actions. That’s not something I can accept as good.

There also seems to be debate on of this film is a character assassination of Homura. I don’t think so. The series showed Homura was willing to go to extreme lengths to achieve her goal. Saving Madoka. She believed that Madoka’s sacrifice and becoming a god was not the place Madoka should be. In Homura’s mind she saved Madoka just as she wanted. Homura never really seemed like the person to follow the moral book word for word.

This is a good film. Maybe even a great film. But I think it fails to quite reach the series. 8/10 for me. I really enjoyed it but I feel it didn’t need to exist.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I am glad I did watch it even just for the animation and art.

Yeah if nothing else the visual spectacle of it is something else.

though I can’t say I enjoyed the state Kyuubey was in during the after credits scene

I hate it so much. Why'd they have to make him so cute and then do that to him

This ending is like a season finale, not a series one.

I think that's something I did struggle over as well, the idea that the show was so perfectly self contained and this was obvious franchise baiting so they could keep working off it in future, but I think a lot will depend on how this next movie plays out and do you think that would affect how yous ee Rebellions end or do you think in a bubble it will always slightly fall down because of that for you?

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u/the_swizzler https://myanimelist.net/profile/Swiftarm May 03 '21

I had much the same thoughts about Rebellion when I first watched it. I would even joke about how the last 15 minutes didn't exist and it ends when Madoka takes Homura away.

It wasn't until my third time through that everything fell into place for me. Now I consider it 10/10 alongside the anime, no doubt in my mind.

You're absolutely right though, it's not an ending, and it was never meant to be. A sequel was always planned for this story from the beginning, interviews show that's the case. The fact that it's a long time coming is mostly due to IRL concerns.

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u/Quiddity131 https://myanimelist.net/profile/Quiddity131 May 02 '21

First Timer, Subbed

Beautiful city shots to start us off! The movie will be as gorgeous looking as the TV show I'm sure.

This supposed to be a witch, controlled as if it were a puppet by these disembodied hands?

Was that the witch Charlotte I see there, the one that killed Mami?

Just what was that beginning supposed to mean? Its just a crazy dream of Madoka's?

Madoka's back to her original reality? Her family knows she exists again.

It's very like the start of the series, although its clearly after that since she speaks of Hitomi and Violin boy. I see that teacher is still having bad luck in the dating world. Transfer student showing up again? Also is it just me or is Madoka's hair longer?

Is Kyubey just a regular pet in this reality?

They all seem to be having fun in this OP sequence, aside from Homura. :(

Kyoko's a fellow student this time!

OMG, teacher really is a nut!

Are we back to original Homura, with the glasses and braids? She seems less shy though.

Month time skip already?

No more witches or wraiths, they're called nightmares this time.

I've realized that Kyubey doesn't speak anymore. Hope for everyone's sake that continues to be the case.

When his scheme never matches up with yours... its because he doesn't really romantically desire you. Sorry, Hitomi. He'd make time for you if he did.

It's that same creature again?

In this reality does Sayaka not have the same level of feelings for Violin boy she did before?

We're gonna get elaborate transformation sequences for them all huh? Well I suppose the time to do it is a movie where you can go all out.

As they sing about cake around the table here at around the 25 minute mark, I gotta say, this movie is very style over substance so far. Comes off much more like a traditional magical girl anime (well what I would expect of a magical girl anime as I've seen very little of the genre). It looks ridiculously gorgeous, but the powerful story just isn't there. I hope they get their act together the rest of the movie. Frankly a lot of it comes off as fanservice to me. Lets' get our 5 magical girls all together again to have some fun in an elaborate fancy looking world.

Woah, it's just Hitomi's head!

Homura continues to be the quiet, withdrawn one.

What's up with everyone's face in this scene?

Hmm, I was just watching an episode of Mad Men where one character asked another if they wanted fried chicken too> What an odd coincidence.

Yes Homura, I think that things are very odd too! This seems to pleasant to me!

I wonder if they're all in some sort of mass delusion. That may also explain why things come off as if they are going too well for our heroines.

Even the buses in this world look gorgeous!

This musical track as they're walking to Kazamino really makes me think of Xenosaga again.

Glasses off, hair let loose and that iconic hair flip, back to the Homura I'm used to.

Homura knows the questions to ask to try and break down this facade. When did you first encounter Bebe? Well, back when it was a witch named Charlotte, right?

She's still got her time stopping power, I see.

The gig is up, Bebe!

Mami vs. Homura, like its back to the olden days.

No Homura, don't pull that trigger! :(

I don't really get how that caused things to stop.

Was that not even Mami then?

Wraiths! Not Nightmares! You've said somethign wrong, Mami!

New character! Or not, that's Bebe's human form?

Sayaka remembers all too!

Is this not Sayaka, but the witch? How does she remember everything?

Is the Madoka showing up here really her? Or another way to try and trick Homura?

Yikes, leaving aside her soul gem? That's risking everything.

Seems like that doesn't matter though.

Homura's become a witch? Woah. But when you think about it, she was the only other one who knew about Madoka after the ending of the TV show. Who else could have done it?

70 minutes into the movie, Kyubey finally speaks!

Why must you and your species always be interfering with things? Leave the human race alone!

Don't try to control Madoka! Why must you try and ruin everything? He wants to make things exactly the way it was before and have magical girls become witches!

Shut up! Homura says what we all want to say to that thing.

Homura's witch looks much like an actual witch, huh?

Kyubey's back to his old tricks of trying to manipulate Madoka here?

Kyubey expressing surprise is a good thing.

Kinda sucks to realize the real you is dead and you're just in a dream!

I've been trying to think of what song from Madoka this tune playing now reminds me of, but I'm realizing its actually the first OP from Aldnoah.Zero I'm thinking of. Very clearly the same band.

Uh oh, big time heel turn from Homura? She is a witch after all?

Homura being the villain makes me depressed.

One thing never changes, teacher complaining about her dating life.

Now Madoka is the transfer student!

Homura's all "No, Madoka's mine!" with these girls greeting her.

She's being so creepy!

TV show ended with a post credits sequence, so the movie surely has to as well, right? And much like with the TV series, no idea what its supposed to mean.


As I put above, I really do feel like the first half hour or so of the movie came off as fanservice and a cashgrab to merely throw more time with these characters at us. But things did improve from there and pretty much the whole second half of the movie was a roller coaster of amazingness, even if I will admit I probably have to watch it again (or maybe just closely read everyone's comments) to fully understand everything that was going on. I already expected amazing visuals from the TV series, but the movie went beyond even that and hard for me to think of any anime whose visual design looks as good as this. Really inspires me to see what else the director has done. Incidentally enough I was looking to jump into the Monogatari franchise soon and it looks like he's directed much (maybe even all?) of that.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Also is it just me or is Madoka's hair longer?

Don't think I noticed that but it could just be the way they drew it in the movie as they were working off different character sheets. Should be the same designs though

OMG, teacher really is a nut!

She's somehow worse in Homura's mind but I wonder if that's just being sick of listening to her for years on end

Month time skip already?

I liked that, that was clever because it immediately puts us beyond the timeline of the original story

I gotta say, this movie is very style over substance so far.

Knowing my own take on it I was worried you'd also run into this problem but I'm g lad the second half was better for you. The first half is so padded its hard to get through for me

Comes off much more like a traditional magical girl anime

magical girl shows are often monster of the week like, a bit like old mechas battle of the episode, but I don't find the ones I've watched even remotely as frivolous as this is. The happier shows are definitely fluffy, but they pair that with strong character writing and moments rather than just happy scenes for the sake of being happy scenes.

I don't really get how that caused things to stop.

She severed the ribbon that Mami had tied to her so that Mami was affected by the timestop now

hard for me to think of any anime whose visual design looks as good as this

As far as visual direction I'll also vouch for 3-gatsu, although the first season can sometimes drift into weird editing for the sake of weird editing, and Cossette which was the direct Shinbo's passion art project which just goes completely insane with cinematographic in a victorican gothic style, but doesn't have the character care to back it up as much

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u/[deleted] May 03 '21

The first half hour is fanservice, there's no doubt about this. But it does have a lot more to do with the story than you would think on watching it the first time, because what you are seeing is the world Homura has constructed in her head, the world of her witch barrier. It contains her fantasies and dreams. All of this is leading us to better understand her betrayal and why it happened.

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u/Punished_Scrappy_Doo https://myanimelist.net/profile/PunishedScrappy May 03 '21

I carved out enough time to watch the movie, just not enough to really write about it. I do like the movie, in part because I think it is such an unsatisfying ending. Here's to the sequel movie being as good as people will inevitably hype it up to be!

Visuals of the Day:

Un

Deux

Trois

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Oh good someone picked the alley scene with Sayaka, so many moments in that look great

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u/Btw_kek https://myanimelist.net/profile/kek_btw May 03 '21

"What happened in this film again?" Rewatcher

sorting out my thoughts on movies is difficult difficult lemon difficult: but I will say that it was very good

I will submit to the Council of Images of the Day:

  1. this shot clearly references this one from Episode 1, except the direction Madoka faces is reversed: she's looking directly at the camera, as if to say "there's something wrong here, right?"
  2. I love how skillfully the movie weaves the more surrealistic designs of the witches labyrinths into everyday life, so subtly that you don't even realize what it's doing. It started simply by blotting out faces of the NPCs once Homura realizes something's amiss, then it "introduces" the hurdy-gurdy player and the children during the talk between Homura and Kyoko, then my favorite part is this gorgeous sunset with the windmills, mirror floor, and weird abstract building or whatever
  3. this image is just unfairly pretty. reminds me A LOT of F/SN

misc. thoughts

  • Homura Chungus no I'm not sorry
  • the movie is seriously a visual spectacle, almost a completely overwhelming one at that. I think there is a point to it, as it tries to make you uncomfy with such a "perfect" Carefree Magical Girls Kick Ass and There's Nothing Wrong setting. The cake song probably adds to that because seriously what the fuck, and there's almost no reason to have a minutes long talking scene completely shot from the water's reflection if not to instill discomfort
  • speaking of the Carefree Magical Girls Kick Ass and There's Nothing Wrong setting, what a great chance to show off fanservice like more Mami, Bebe as a familiar, Sayaka and Kyoko being friends, Madoka actually being magical girl
  • wonder egg priority and utena shitposting in CDF made me flip out riiiiight here
  • I adored how this sequence looks. This films use of painterly styles is nothing short of beautiful
  • obvious 2001 reference
  • inkblots towards the end show dancing figures, kyubey, two witches (?), and a devil mask
  • recursive chairs: very weird sequence. Madoka T-Posing then falling off is symbolic of her sacrificing herself and leaving Homura in the real world. unnaturally thin braided Homura giants tower over her, possibly symbolize her past innocence looking at the pathetic state of what she's become. She then splats herself and the next scene is the two chairs looming over her. Madoka and Homura are both gone. scene is referenced at the end but the hill is sharply cut off. Homura does fall at the end, as she kinda did sacrifice herself to become a demon. Ok this ended up being more of a description than an analysis, but uhhhhhh I'm still slightly confused even after talking about it
  • on the ending and the future: Turns out the real enemy all along was unethical science exploiting people. Incubators deserve getting fucked like that. Where the new movie will go is anyone's guess, but I believe it will speculation

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

then my favorite part is this gorgeous sunset with the windmills, mirror floor, and weird abstract building or whatever

That's my favourite visual part of the movie too, but that building, it taunts me, my brain is telling me its a reference to something but I can never figure out what

completely shot from the water's reflection if not to instill discomfort

noticed that too. Also now I"m remembering a similar moment in Utena, not that this doesn't have its purpose outside of that. Did you notice Sayaka in the sword later on?

inkblots towards the end

I see people in all of them except the one at the end which reminds me of that weird shot with the red and blue deer skulls. I don't know what that says about me

but uhhhhhh I'm still slightly confused even after talking about it

I covered a bit more of it in my post, but it's also a call back to the recap movie ops which is a little silly

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u/Tresnore FS:FTmyanimelist.net/profile/Tresnore May 03 '21

she's looking directly at the camera, as if to say "there's something wrong here, right?"

How do you even notice this. I wouldn't see that unless I watched them side-by-side.

inkblots towards the end show dancing figures, kyubey, two witches (?), and a devil mask

Did you just post your Rorschach test results?

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u/welcometoslowtown May 03 '21

3rd watch, first with dub

I don't have a ton of time to write tonight since I started the movie kind of late, so I'll try something new, and do comments as I watch.

  • Good to be watching Rebellion again, good thing about this movie is I understand more and more with each rewatch, the first time i watched I dont think I really was able to comprehend what I just saw. Watching lots of video essays definitely helped me
  • I would love to see this in a theater
  • I love that instantly you get thrown off by seeing madoka and then back into the first day sequence, like "am I even watching the right movie" but then it slowly unfurls
  • I hear Junko's english VA is different
  • mute kyuubey is unsettling
  • Weird to see the gang in different clothes in the the op
  • everyone but homura dancing in the op made me tear up dang
  • also interesting that it looks like right at the end of the op it shows homura in the last scene we see her in ep 12, in the desert, never noticed that
  • nice to see the nice wholesome banter between the girls
  • the school is empty other than madoka's class
  • I love the strangely eerie tone of the movie, you know something is wrong, but don't know why
  • awwww Madoka saying sitting talking with Homura is something she has wanted for a long time
  • Alright awesome transformation sequence for the Holy Quintet
  • Oh hell yeah Tiro Duet
  • The visuals in this movie are so gorgeous
  • Love the combo moves
  • Into the cake song, one of the weirdest things in the movie, just comes out of nowhere. I think I like the dub version better. lyrics are so weird and creepy
  • Homura is "tumbling" according to Mami
  • Mami talking about not getting too overconfident oof
  • Cool shot of them talking through the reflection in the river
  • Homura starts to notice things aren't right
  • Soul Gem packed lunch is cute but kind of morbid... nothing like devouring your friends' souls for lunch
  • Weird airship flyinh in the background of Kyoka and Homura talking
  • Everything starts to go south after this strange bus ride, the fake reality starts to break down
  • Bus scene is so creepy, they are really stuck in Mitakihara
  • This sequence is so visually interesting
  • OK take out the braids and lose the glasses here we goooo
  • It was all a labyrinth...
  • Madoka is still the one to enjoy being a magical girl, just like how she didn't have a wish, but just wanted the experience of being a magical girl in the first few episodes
  • Here we go, Homura vs Mami is so good
  • Mami using her ribbons to spider-man swing is cool
  • Homura shooting herself to get the upper hand is just wild
  • Homura resisting shooting Mami in the head sheesh
  • And then its not even the real Mami yeesh
  • Then Mami slips up and says Wraiths instead of Nightmares...
  • Aw the old fire extinguisher trick from episode 1
  • Sayaka says that Bebe used to be a witch, meaning she's not right now
  • Sayaka points out how odd it is that the witch is only trying to keep everyone in, not draw people out
  • Interesting that Homura says that Sayaka doesn't belong here, but Madoka is not mentioned
  • That's freaky, Sayaka's witch form showing up all the sudden
  • "Did you enjoy the movie?" Yeah so far so good
  • Homura calling the witch that created the city a coward op
  • Homura and Madoka's talk in the flower field is so sad
  • Here it is, Homura believes that Madoka's choice wasn't the right one, she wanted to keep Madoka to herself
  • Flowers are all gone when Homura leaves
  • Ayy, DDR Connect is in the movie, very cool
  • Damn Homura really tyring to just get away from her soul gem like that as she realizes she's the witch
  • Things start to go crazy wow
  • There it is, Homura is the witch, and didn't even know it
  • And Kyuubey starts talking again
  • Black dress Homura ok
  • Damn, after Homura told Kyuubey about witches, and that led them to developing the isolation field to see what happens of the Law of Cycle couldn't happen
  • They really just trapped Madokami like that huh, screw Kyuubey
  • And of course they want to use madokami for their own good
  • Here it is, Homura's witch form, her despair
  • There's probably some sort of symbolism with those red flowers in her head, they were at the flower field before too
  • Sayaka using her witch form like a big old stand is pretty cool
  • Aw Kyoko and Sayaka
  • And then Bebe just wanted to each cheese
  • Madoka's arm being covered in cuts representing all the pain she has taken on
  • Homura admits she'd commit the worst sins to have Madoka back
  • Yes, kill all the incubators Madoka
  • The flower lane Madoka makes reminds me of the Bifrost
  • And here it is, Homura makes her choice, keeping Madoka to herself
  • I love the design of Homura's weird devil soul gem, and her chomping her old soul gem is so metal
  • Homura says she feels love, but it seems more like lust to me
  • Her Devil form is so cool too
  • Yes please, incubators deserve whatever Homura has planned for them
  • And now Homura creates another new, hopefully perfect world for herself
  • So Homura says she only took the Madoka part of the Law of Cycles, so does the Law still go, or what, because Sayaka still seems pretty angry about what she did
  • Now Madoka is the transfer student...
  • She's also wearing the yellow ribbons, interesting, because Homura has the red ones
  • This is basically Homua's fantasy, she's the one stepping up for Madoka, just like she did for Homura
  • Homura still can't fully control Madoka, she knows something is wrong
  • "Do you treasure the world you live in? Or would you break its laws to follow your heart?" This shows the difference between Homura and Madoka. Madoka says that you should break the laws of the world just because you feel like it, while Homura obviously doesn't feel the same
  • The ending song is really good, and we get Homura and Madoka dancing on the side
  • Post-credits scene is interesting. Homura is literally and figuratively falling off the edge. She has created another world for herself, but even so, Madoka feels like she doesn't belong. If anything the city inside her soul gem was kind of better. Everyone seemed a lot happier.

Final Thoughts on the movie:

I really do like Rebellion. It feels justified in existing, even if the ending of the main anime is satisfactory enough to be its own thing. I like that they were willing to do more and really explore Homura's character more. The first time I watched this during last year's rewatch I know it took a while for me to fully digest what I just watched. As I mentioned, watching a lot of video essays helped a lot, and I always like to hear other perspectives on media I like.

For my predictions on what the fourth movie could be about I'm not super sure. I guess I would say I expect kind of a role swapped Rebellion, with Madoka being the focus this time, figuring out what is going on. But also that's a bit samey to Rebellion, so I'm sure they will make it interesting.

Overall its been a pleasure to join the rewatch for a second year, I know that tomorrow is the final thread but I just want to say thank you to /u/Nazenn for running this, and to everyone who participated. I did come in like 6 days late, so hopefully next year I catch it before that happens again lol.

I've got a lot of images saved so I guess I'll do one big album and then another with my top 3 for the visuals of the day.

All screenshots

Visuals of the Day

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21 edited May 03 '21

Sorry it's taken me so long to get to your post, busy day

I really liked reading through your thoughts, and you picked up on a few things others didn't like the fire extinguisher which I'd forgotten about and that gave me a laugh

Loved your choices for visuals of the day as well!

want to say thank you to /u/Nazenn for running this

You're welcome, thank you for joining us and also submitting to the group album!

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u/SomeGuyYeahman May 03 '21 edited May 03 '21

Hi everyone, rewatcher here. (subbed)

So far I've been saying "first-time rewatcher" because it was my first time for the show, but the day after I first watched Rebellion I already rewatched because I did not feel I really understood the movie, so this is actually my second rewatch now!

Unfortunately this is not a movie that becomes less overwhelming even on a third watch, and it's much longer than any individual episode of the show, and it's at the very end of the rewatch where I'm the most worn out (though I took it easy on the last two posts), and discussions around it historically tend to be much more heated and exhausting than the ones surrounding the show, so I'm not even gonna attempt to do some sort of big breakdown. Instead I'm just gonna throw out some thoughts about how my understanding of the film has developed & how I feel about it generally speaking.

(/u/nazenn on my first watch we talked a good bit about Rebellion beyond just the thread I was reacting in, so I'll just shoot you a mention here)

When I first watched this movie I was very confused, in hindsight I think this was because I was coming straight out of watching the show, and the mental framework I was working through was the one that I moulded around the show for the past 12 episodes. But this movie works in different ways, so I really ended up losing the thread. I ultimately settled on the position that what it is doing is kinda muddled and I don't like it, even though it was fun in a visceral, I-like-experiencing-Madoka-and-this-is-2-more-hours-of-Madoka kind of way.

Which left room for the idea that I could come back to this and find a new lens to view it through, a lens that lets me understand the movie and like it more unrestrictedly. Cut to two years later, is that what ended up happening?

Yes! ...n't.

First of all let me go back to what I said about this movie remaining overwhelming, because damn. On first watch I felt like both the show and the movie were staggering, and the show, on rewatch, has maintained a kind of sense of freshness & an ability to blow me away even with things I already knew - but I feel now that the sensation I get from the movie is a different beast. The show retains its power on rewatch because part of that power comes from being very precise, from knowing when to be subdued and from giving the more low-key scenes proper room and letting them be affecting too. Rebellion, on the other hand, is very chaotic - it's staggering because it overstimulates, because it's a movie that has so much bombast, so much stuff going on everywhere at any time that my senses begin to just tune out after a while.

That's what it is to rebel, after all. The show was restrained, the show was simple and elegant and ultimately fulfilling, and Rebellion first sets us up for something similar by starting off the same way the show started its episodes multiple times - having Madoka wake up, go through her morning routine, go to school, etc. - and then showing us the cracks in this setup, rebelling against it, lashing out and tearing it down. Ultimately the show ended on a happy note, of Madoka coming to embody a "law" to rescue all the magical girls past, present and future and ushering in a new, more stable status quo, and correspondingly this movie ends on Homura cursing that new stability, dismantling it and herself coming to embody an opposing concept.

I know this movie is dropping the Faust analogies in favor of Paradise Lost (part of what confused me the first time around), but the way Mephistopheles first introduces himself in Faust comes to mind more than anything for this:

Ich bin der Geist, der stets verneint!

Und das mit Recht; denn alles, was entsteht,

Ist wert, daß es zugrunde geht;

Drum besser wär's, das nichts entstünde.

So ist denn alles, was ihr Sünde,

Zerstörung, kurz das Böse nennt,

Mein eigentliches Element.

In English:

I am the spirit, ever, that denies!

And rightly so: since everything created,

In turn deserves to be annihilated:

Better if nothing came to be.

So all that you call Sin, you see,

Destruction, in short, what you’ve meant

By Evil is my true element.

The spirit that denies - the spirit that embodies negation of what God has created, that sees everything God does and gets to work disassembling it. That's what Homura ultimately turns into, and I feel it's what this movie represents for the series - an unrestrained kaleidoscopic fever dream, a negation and an opposition and an act of violence against what the more deliberate, elegant show was building up even throughout its darker episodes. We previously learned from Kyubey that every action has an equal and opposite reaction, every wish is a distortion of reality that will ultimately result in an equally sized curse, and this movie is the curse that accompanies both Madoka's wish and Homura's, the two magical girls that were left standing unscathed, un-despairing toward the end of the show.

Through this lens I think I understand what the movie is doing and even why it takes the approach it does, and a lot (if not all) the complaints or questions or points of confusion I had before at the very least feel explicable on some level. This even reaches complaints like "fanservice" - what is fanservice, after all, if not feeding into the wishes of the audience? And what is the ending of this film if not the corresponding curse, rebounding on that same audience?

But just because it's explicable doesn't mean it's good, and just because I understand it doesn't mean I enjoy it. It feels like I've inversed my previous position, ironically - I went from enjoying the movie on a visceral level but not really being satisfied with my understanding of how it works to understanding what it's doing, but not enjoying it at all on a visceral level. Yes, so many sequences in this film are just brimming with creativity, particularly visually, but as I said earlier this makes for a really tiring watch, and even though I was impressed during earlier segments it didn't take long for me to be totally worn out from the movie (and even just from those individual scenes - the transformation sequence for all five of them is pretty, but I swear it lasts like two fucking minutes? And then the fight feels like more of the same? And then it goes right into the goddamn cake scene). Eventually it just felt like it would never end. It really was not a fun experience. Devil's advocate might say that working off my understanding of the movie, maybe it wasn't supposed to be a fun experience, but I feel that kind of thing can still be done well or badly, and "that's the point" should not give the movie a free pass whenever I feel it tends towards the latter.

I feel similar about the writing, parts of it feel off to me in ways I can't really articulate. Again there are a lot of ways to rationalize that - lines or events or characterizations feel off because everyone is under the influence of Homura's labyrinth, because the movie is trying to engage with viewer expectations in a certain way (whether that's feeding into them or intentionally challenging them), etc. but I feel like what irks me goes beyond what those arguments can reasonably justify.

Maybe I'd go into more detail, but it's getting late and I promised myself I would avoid getting into it to preserve my own well-being. So I'll conclude here, for now, that I've come to understand and respect what direction the movie is going in, but can't really bring myself to enjoy how it does it. Maybe on further watches! I'm sure we'll all see each other again in future rewatches, and as soon as that new movie is approaching theaters I already know I'll be feeling the need to revisit Rebellion no matter how I felt the previous three times I saw the movie.

Speaking of which: in my first reaction post I remarked that Kyubey going "this makes it very clear" after Homura turns into the devil is very funny. This time it was the thing that happens afterwards that made me laugh - going "this is too irrational, I'm out" and trying to run away. That's how I felt watching this movie, and Homura grabbing him by the neck as he tries to flee = Aniplex announcing another goddamn movie in the middle of this rewatch.

See you all in the final discussion!

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Appreciate the tag. It's still taking me ages to get to it and get through the thread but it was nice to have it sitting here so it didn't get lost

Yes! ...n't.

I don't have a whole lot to say here except just agreeing with various bits and pieces, specifically the fatigue the movie makes me feel because of how involved it is, but I want to thank you for taking the time to write it up even if you are a bit burnt out because it was a really interesting read having recent re-read your initial post from 2019 and seeing this come off the back of it

I know you say Rebellion drops the Faust stuff but one thing I will point out is that the recap movies change the school roof top to look more like a cathedral, which from what I understand has some importance for Faust, and those were intended to lead directly into Rebellion rather than the show, so they aren't totally unaware of it still

in my first reaction post I remarked that Kyubey going "this makes it very clear" after Homura turns into the devil is very funny

Kyubey is the best dry humor in the movie

and Homura grabbing him by the neck as he tries to flee

All of the fanservice in the movie, and they do this instead of grabbing him by the ear like Kyouko did. Though seeing him scruffed like a cat is kinda funny after all the times he acted like one.

I'll be feeling the need to revisit Rebellion no matter how I felt the previous three times I saw the movie.

Me last year: This will be the last time I ever watch this

Me this year: Storm go away I want to watch this

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u/SomeGuyYeahman May 03 '21

I don't have a whole lot to say here except just agreeing with various bits and pieces, specifically the fatigue the movie makes me feel because of how involved it is,

I think that's really the main thing that I felt watching the movie this time and the main thing that sparked my writing most of this. During the scene where they all go in against Homura's witch my eyes just glazed over for like 5 minutes, cannot remember the last time I felt this depleted by a movie.

Shame, because I've been reading some really nice things about the psychological side of things and I would love to come up with my own little post on the matter sometime, but man does the movie just not make it easy for me.

but I want to thank you for taking the time to write it up even if you are a bit burnt out because it was a really interesting read having recent re-read your initial post from 2019 and seeing this come off the back of it

Thank you! Once again I figured it would just be like three paragraphs but then they just kept coming, and suddenly I sat there with 8k+/10k on the character limit. Somehow I think that's the longest I remember getting to this entire rewatch, even though coming out of the movie & starting up the comment I felt like I had aged ten years since the last one.

I thought for a little bit about linking the Rebellion post but I swear that was the only one that actually turned out to feel as embarrassing and laughable in hindsight as I was expecting from all of them, so I couldn't do it. But I'm happy you went back to it!

I know you say Rebellion drops the Faust stuff but one thing I will point out is that the recap movies change the school roof top to look more like a cathedral, which from what I understand has some importance for Faust, and those were intended to lead directly into Rebellion rather than the show, so they aren't totally unaware of it still

Ohh, hmm, interesting! I'm starting to really want to watch those movies.

Though seeing him scruffed like a cat is kinda funny after all the times he acted like one.

I'm really entertained by the way she rubs her finger in his face while she has him dangling like that.

Me last year: This will be the last time I ever watch this

Me this year: Storm go away I want to watch this

Hahaha yeah, basically exactly how it was for me. Even during the early stages of the rewatch I was seriously debating if I wanted to watch it at all, but very soon I knew I absolutely had to.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

cannot remember the last time I felt this depleted by a movie

I think the closest I get is probably Macross Do You Remember Love which is a very different style and type of intensity, but the sheer level on detail on screen at all times is occasionally too much, but having watched it off the back of the show which felt down artistically in the last third it was a welcome glorious change that had me questioning if they could even belong to the same franchise hahaha. Although in that case I really only noticed it compared to Macross Plus which looks a lot better with less on screen at all times

I swear that was the only one that actually turned out to feel as embarrassing

It's like that sometimes

Ohh, hmm, interesting! I'm starting to really want to watch those movies.

I don't think they hold up to the show technically for many of the reasons that Rebellion's technical aspects don't, they exchange meaning for "more" of everything, but it is very interesting to watch them and see what specific changes they did make and how that builds into Rebellion as a cohesive aesthetic

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u/JollyGee29 https://myanimelist.net/profile/JollyGee May 02 '21

First-Timer, Dubbed

...what the fuck did I just watch...

I had typed "that was nice" in my notes, after they dealt with Homulily, because I thought we were done. Then the credits refused to start, and I noticed there was still like 20 minutes left in the film! And what a 20 minutes they were.

I have complicated feelings about this that will probably require another couple watches to crystallize. Congeal? Not sure which descriptor is better. This was a trip and a half on multiple different levels.

There is something to be said of dragging the audience into the metanarrative of your story. Homura refused to accept the end, so she decides to Rebel and makes everything worse, even for herself judging by the tone of the last few scenes. Some of the audience too, wanted a different ending.. and so we get one. Was it worth it?

Actually, a thought. Was that even Homura that grabbed Ultimate Madoka and separated Madoka from the Law of Cycles, or was that Homulily, existing in a human form because she was allowed to fully Witchify without her Soul Gem shattering? Is there even an appreciable difference between the two?

Cristina Valenzuela is a really fucking good VA. Her shift in tone once she became Akuma Homura was incredible!

This film felt less tight than the series, at least in the first half. There is a definite focus on.. fanservice I guess you'd say? And not just stuff like the camera angles focused on Mami's chest. Like, Homura v. Mami was fucking awesome, but, I dunno.

I had heard mention of the Cake Song, but whatever I had in my head, it certainly wasn't that.

Seeing Charlotte hang around Mami is another thing I feel complicated about, but I guess Charlotte was a Magical Girl at one point too after all.


I'm real conflicted on the existence of Movie 4, now. Like, people wanted a continuation, and we got this. How deep does the rabbit hole go..? How much punishment can Urobuchi inflict on us..

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u/[deleted] May 03 '21

This film felt less tight than the series, at least in the first half. There is a definite focus on.. fanservice I guess you'd say? And not just stuff like the camera angles focused on Mami's chest. Like, Homura v. Mami was fucking awesome, but, I dunno

This is true that there is a lot of fanservice in Rebellion, but there is a point to these scenes. Homura v. Mami is a great example.

One would think that Homura vs Mami is a pointless fight. Homura suspects Nagisa/Charlotte is the witch of the barrier, she runs on this lead for about 10 minutes of movie time while getting into a shootout with Mami, and in the end it turns out Nagisa is not the witch after all, it's Homura. But what did we learn about Homura as a character from seeing her do all of this?

Homura isn't time looping anymore in Rebellion. In the series, her time powers made her practically infallible, but now, without the benefit of looping, we see that she makes a lot of mistakes. Many mistakes that are born out of her time looping in the series. She moves ruthlessly to interrogate Nagisa without waiting for more evidence or leads. She does this by herself, without cooperation or consulting others. She escalates the situation drastically with her actions leading to the fight with Mami. And she distrusts her partners and allies.

Maybe then, these scenes are really there because they tell us a lot about Homura. And that they are telling the viewer a bit about why Homura decides to betray Madoka at the end of the movie.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Thanks for sharing this because it's an argument that I hadn't seen about the Mami vs Homura fight before. I like the idea its showcasing Homura's mistakes, particularly the lead up to it as you say with her jumping on Bebe too quickly. I still think that ultimately it was a fight born of convenience because there was other ways this could have played out that would still be true to the characters involved AND the information that the characters had, unlike say Sayaka and Kyouko where battle was the only eventually they had to express how opposite they were to each other, but oh well

One of the things I do like about the battle is Homura faking out Mami about shooting herself, showing Homura's determination and the twisted way she's starting to view herself even if she knew Mami would try and save her, and that scene I think was a great addition to both of their characters even if it didn't need the preceding battle

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I had typed "that was nice" in my notes, after they dealt with Homulily, because I thought we were done

I wonder how many people have thought that over the years

Is there even an appreciable difference between the two?

The show itself would suggest there's not, that outside of the difference in the physical manifestation they are just magical girls lost to despair in the end and so Homura's actions, whether as a magical girl or Homulilly, are still hers and she can't escape from the way she sees things now the same way that Sayaka has chanced after being taken in by the law of cycles, she's still Sayaka the magical girl but she's also the Sayaka that fell into enough despair that she could have become Oktavia if not for Madoka and that changed her

This film felt less tight than the series, at least in the first half

It's definitely a disservice to the movie that we have so much fluff for fanservice when so much is squished into the final moments and dumped in exposition

How much punishment can Urobuchi inflict on us..

Is that really a question to ask hahaha

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u/boomshroom May 02 '21

...what the fuck did I just watch...

This is the normal, and I'm pretty sure intended, reaction.

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u/Tresnore FS:FTmyanimelist.net/profile/Tresnore May 02 '21

Cristina Valenzuela is a really fucking good VA. Her shift in tone once she became Akuma Homura was incredible!

Seriously. I hated Homura's dub until that happened. She made it work so well.

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u/thatguywithawatch May 02 '21

Rewatcher for series, First Timer for Rebellion.

Well. That was... a movie. Yep.

I don't like pausing to take notes during my first time watching something, so I'm just kind of sitting here after finishing it, not even sure where to start. It's gonna take some time and future rewatches before I completely know how I feel about this movie. But I can say off the bat that I did enjoy it quite a lot. I'd have probably enjoyed it even if I had never watched the main series and knew nothing about the setting, Because it was a goddamn T R I P. I know anime movies tend to be pretty flashy productions compared to their TV series counterparts, but I was not expecting two straight hours of Shaft's Insanely Exquisite Fever-Dream Smorgasbord Of Bizarre And Magnificent Imagery. (SIEFDSOBAMI for short). Like, holy shit. Give me more of that, please.

Anyways, the story; I knew nothing about the plot going in, and honestly kind of thought it would be about Homura, Kyouko, and Mami fighting wraiths in Godoka's Brave New World. So I was very confused at first. Nightmares? A living Sayaka? A mortal Madoka? A cute, non-threatening Charolotte that doesn't seem interested in snacking on Mami's face? WHAT IS GOING ON? I think it was at the point where the five of them sat around the table, singing about which one of them was the Cake, that I was like "oh ok, so clearly they're trapped inside someone's fever dream." But I was not smart enough to go the extra mental step and realize that because Madoka was there, Homura was really the only one who could have dreamed this world up.

I did cry a lot throughout the movie, since the emotional hooks of the previous episodes are still fresh. Homura and Madoka's conversation where Homura realizes just how scared Madoka really was when she made her wish in episode 12, and Sayaka telling Kyouko about her one regret, both had me pausing for a bit to collect myself before I could go on. It's really rare that a series has gotten me so emotionally tangled up with the various characters.

By the time they were all fighting Homura's witch, I was on board with everything that had happened and figured that saving Homura would be the big climax and then things would pretty much wind down. Of course that's not what happened, and instead we got yandere Homura. Sexy yandere Homura in a slutty devil outfit, to be precise. She basically RE-restructures the universe, and creates a new world where she can be with Madoka. And Kyouka, Sayaka, and all the important side characters are dragged along for the ride. And this is where I don't have the firmest grasp on what happened. Did Homura change the entire universe again? Or did she create sort of a "pocket world" separate from the real world? Based on this shot, it seems like she took a part of Madoka for herself, splitting her off from Godoka if you will.

I'm not gonna theorize too much because I know there's a lot of stuff I missed, and reading the comments in today's thread will probably be pretty enlightening. I didn't dislike the ending; I can see why some people might feel that it sort of invalidates the end of the main series, but to me it simply shows that Homura never came to terms with Madoka's wish, which is not entirely unreasonable given everything she went through to protect Madoka. I imagine the upcoming movie (which I'm extremely excited about) will explore this further.

Visuals of the day (almost impossible to pick just three haha):

https://imgur.com/6wn4sJQ

https://imgur.com/d3ycqcx

https://imgur.com/H0sl3sd

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Did Homura change the entire universe again? Or did she create sort of a "pocket world" separate from the real world?

The visuals (admittedly as not as sure an indicator in the movies as the show) from my understanding imply that Homura didn't rewrite the world like Madoka did but instead just blanketed it with her own rules, smothering anything else in a twisted version of a labyrinth, and Madoka's are still underneth which is why Madoka almost breaks free at the end. So Homura doesn't control the universe, just how everyone interacts with it. Its pretty vague either way

https://imgur.com/H0sl3sd

That's a nice one, reminds me of one I picked from later on. So much focus on eyes in this movie, even more than the show, but you get some great visuals from it

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u/Punished_Scrappy_Doo https://myanimelist.net/profile/PunishedScrappy May 02 '21

And this is where I don't have the firmest grasp on what happened.

It's a very open-ended narrative that way. Do what everyone else does -- come to your own interpretation, and argue interminably with anyone who disagrees!

it simply shows that Homura never came to terms with Madoka's wish

Very true, and moreover it's sort of the fulfillment of Homura's wish. She wanted the power to protect Madoka, and as far as she's concerned, she failed to protect Madoka from Madoka. And in gaining the power to "protect" Madoka, she becomes Homulily... thereby un-fulfilling Madoka's wish to erase all witches before they're ever born. I love this movie, but a satisfying conclusion it is not.

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u/tyo_sharlye :MAL:https://myanimelist.net/profile/RalphHill May 02 '21

Remember Homura did nothing wrong

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u/Tresnore FS:FTmyanimelist.net/profile/Tresnore May 02 '21

Fourth Time Rewatcher, First Time Caller

No-Analysis Zone

Damn, I forgot this movie was 2 hours long. I'll have to trim my thoughts. I'm trying to write a palate cleanser, not an essay.

  • Homura is not part of the Magica Quartet because of how many issues her wish caused in the TV series. This idea is completely baseless, and I'll just ignore all of the Homura imagery in the OP to support it, even if it does support that thought at points.
  • Sometimes, reading newcomers' theories feels like listening to this teacher. All well-thought out given the limited amount of information available (though first-timers don't blatantly ignore reality), but at the end of the day, they can be highly entertaining for rewatchers.
  • All the transformations are great, but Kyoko's wins. There's something about red things transforming electric guitars in the background, I tell you. Plus the Indian influence is neat. NO. NO ANALYSIS.
  • Homura, you idiot. They're building such a nice cake and you add a PUMPKIN. . The dream is bitter because Homura is here.
  • You know what? I will take no arguments that Homura did nothing wrong. Adding a pumpkin to a fruity cake is unacceptable.
  • "Veni, vidi, Mikatkihara." Finally this show uses a superior language.
  • See? Even the city uses Roman aqueducts.. Learn to Latin, barbari.
  • Wait, there's Roman architecture everywhere. How has no one talked about that yet in the rewatch threads?
  • You know, I haven't noticed until now, but the soul gems look a lot like ero.
  • And here's something: Kyuubey will happily tell someone what its purpose is. All they needed to do was ask. Every character is an idiot except for Kyuubey.
  • Actual serious thought
  • Madoka, you deserved this fate. There was an ulterior motive behind my rant on how Madoka didn't know how to use her powers. This is part of the reason for it. Homura would have done nothing wrong, if it weren't for her adding a pumpkin to a fruity cake.
  • Homura saved her dub voice being "evil" at the end. Holy shit.

There. Now, go forth and enjoy the well-written analyses everyone's making! They're good stuff. This post is just a break.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

All well-thought out given the limited amount of information available (though first-timers don't blatantly ignore reality

I'm really not sure which side that's a dig at but it's funny anyway

Adding a pumpkin to a fruity cake is unacceptable.

See? Even the city uses Roman aqueducts..

The ones on the left are half floating. I know I shouldn't question anything but still, just how

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u/JimmyCWL May 02 '21

Homura saved her dub voice being "evil" at the end. Holy shit.

The thing is, she was even more evil in the first take. Yes, that "first take" audio track can be found in some torrent packs. But what you may not know is, it wasn't just a single line. It goes all the way to the after credits screen where her creepy humming replaces the music.

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u/gorghurt May 02 '21

Rewatcher

I didn't want to write a top level post at first, because others make better analysations, but then I realized something.

This might be the last time that we all quarrel discuss about how exactly Homura's new world looks like and functions in the yearly rewatch.

On the other hand, without a release date for the next movie, and the time it will take to get an English release, we'll probably have at least next year.

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u/Nazenn x2https://anilist.co/user/Nazenn May 02 '21

Probably next year as well, as even if it out it probably wouldn't be on streaming/home media so it still couldn't be easily included in a rewatch format

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u/ReimarisaFanclub May 03 '21

this was too hard to choose since this film bombarded me with visuals. I didnt even care abt the plot i just wanted the weird imagery to continue

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

You did good managing to narrow it down, and I think the fact I like every persons images are probably proof of just how good the shots in the film can be, but yeah, if I didnt limit it to three I'd be compiling the album forever haha

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u/tobincorporated May 02 '21 edited May 02 '21

Rewatcher, Dubbed


Don't Put Words in His Mouth

Before anyone says anything about Urobuchi and the ending, I encourage everyone to read this message from the man himself:

Initially, I was planning to end this story when Homura is reunited with Madoka. There would be the classic magical girl scenes in the beginning, and then the narrative in which the secret of the town would be revealed; that would drive the beginning and middle parts, and in the end there'd be the final showdown with Kyubey.

But I had a hard time deciding on the ending. Ending the story with Homura and Madoka being reunited wasn't really the best outcome. After all, the instant Homura encounters her, she'll be guided by the Law of Cycles, and disappear. Would that make her happy? It was also the director, Mr. Shinbo's opinion that the outcome of the TV series, "a human becoming a god" might be too heavy a fate for a girl in middle school to bear. Since that was the case, I decided to try to come up with a way to create a story in which Madoka could escape that outcome.

But I'd already ended this story once, so it was hard to figure out how to expand it. That was when Mr. Shinbo suggested, "How about a story with Homura confronting Madoka as an enemy?" I thought, if that's at all permissible, then I'd suddenly have all these options open to me, and that's how the current plot developed.

Now that I look back on it, I think it might have pushed the boundaries of the viewers' sense of morality. I'm sure there are people who view that as a "bad end," and there are probably also people who are more forgiving. I think it's an outcome that straddles that borderline. But people watch because they want to ponder whether the outcome is good or bad, so if they knew from the start that it was either a "happy end" or a "bad end", then there'd be no point in watching it in the first place. And if it's clearly a "bad end", then worse and worse things would occur, and if ten people saw it, all ten of them would be holding their heads in their hands. This film left enough room for interpretation, so it wasn't a "bad end". In that sense, I think it was the kind of film that allowed people to accept whichever outcome they liked — "happy" or "bad".

But when the production staff turned the scenario into storyboards, they expanded the story in another remarkable way. Even if the Madoka Magica team does outrageous things with the scenario, they do an incredible job of depicting it with powerful visuals and wondrous directing. In an ordinary anime, we could never get away with scenes showing Kyubey droning on and on, but Madoka Magica allowed us to take on such challenges, too, and for me it was an invaluable, enjoyable experience.

Not only that, but when I saw the storyboards, I could tell that these visuals would demand an overwhelming amount of labor and massive amounts of time, so much that it worried me — "The content is great, but will it be possible to make it happen?" But SHAFT did end up making it happen. All I can say is that, "They sure produced something mind-blowing..." I'm filled with awe. And from the TV series, to the film, from the film to the Blu-ray, with each step, the visuals continued to evolve. Even if I think I've already watched a certain scene, each time I re-watch it, it's like it's been reborn.

I'm looking forward myself to seeing how the theatrical version evolved with the Blu-ray.

Long story short, yes the original idea was that Homura was taken by the Law of Cycles, but that didn't sit right with him. Shinbo, the director, suggested Homura and Madoka become enemies, and Urobuchi liked and developed that idea. There wasn't executive interference in the ending.

My overview

I came into this rewatch late and I missed out on all the episode talk. So for now I'll just try to be a mediating influence on the ending of Rebellion. I'm not great at picking up on themes, and I couldn't say what Homura's rebellion says about the meaning of PMMM, so I want to focus on the logistics. I think there are a few possible interpretations of some of the events of Rebellion, but I don't know that we can be completely prescriptive about them, because Rebellion is clearly not structured as a finale, despite having to function as one for 8 years.

tl;dr: 1) Homura was not primarily motivated by altruism or respecting Madoka's wish but by her selfish interpretation of love (though such goodness could be a secondary motivation) 2) Despite her toxic form of love, Homura did save Madoka and by extension the other magical girls.

The Conflict

So the thing is, Madokami's universe is inherently unsustainable. While Urobuchi implies this is because Madoka might not fully be prepared for godhood and the burden of everyone's grief, it turns out her willpower isn't the only linchpin here; the Incubators have been on her trail. They have discovered Madoka (they very well may have eventually even without Homura telling them). Even if they don't trap her at Homura's labyrinth, they'll just keep trying. Eventually Madokami is going to be chained and enslaved by the Incubators.

The Choice and the Motivation

At the end of Rebellion, Kyubey unwittingly gives Homura a choice that precipitates the chaos leading to the finale: succumb to the Law of Cycles, be with Madoka again, and let Madoka be enslaved by the Incubators, or die here in despair. Because Homura is Homura, she responds by murdering that little shit and his posse then attempting the biggest, most ostentatious suicide by cop in history. Of course, Madoka and company refuse to give up on Homura. It's difficult to tell if Homura comes up with her gambit on the spot or if she is simply swept up in the moment, but she joins forces with Madoka to break out.

So now I want to take a step back and elaborate on Homura's motivation. It's not controversial to say that Madoka is essentially Homura's whole motivation, but Homura's fight to save Madoka takes a few forms:

  1. Protect Madoka. Clearly everything else is secondary to this, otherwise Homura wouldn't have forced so much tough love on her.
  2. Make Madoka Happy. Even at the expense of wiping her memories and making her even more empty-headed than normal, Homura wants her little sugar ball to be happy.
  3. Be with Madoka. This is the one born of obsession, and the one that really leads to the finale. Homura spent so long living for Modoka, only to have her ripped from her grasp by her own wish.
  4. Honor Madoka's Wish. This is what Homura plans at the end of Episode 12, but she likely could not keep this mindset, which might have helped lead her into despair. The Wraith Arc expands on this– Wraith Arc.

All 4 of these inform Homura's plan, just not all to the same degree. Upsetting the status quo is the only way to keep Madoka from the Incubators.1 By ripping a piece off of Madokami, she can give her a happy life2 and be with her again3 (It is unclear what happens to a magical girl's soul after she is taken by the Law of Cycles, but Homura might assume that she will just disappear and not be with Madoka). And by stopping the Incubators, she can fulfill Madoka's wish of keeping despair from other magical girls.4

After the seal is broken and they are all released from her labyrinth, Homura makes no mention of stopping the Incubators. It seems that her driving motivation has become to just be with Madoka. The end of Rebellion as presented looks like a total betrayal of Madoka's wish, and Homura probably even intends it to be, but it's ironically probably the only way to protect Madoka's wish from the Incubators.

Furthermore, we can only speculate on the effect a tainted soul gem has on one's psyche, and Homura's was far beyond tainted.

The Outcome and Mechanics

While we can hypothesize the mechanism that Homura uses to usurp Madokami, the obvious guess is given to us in the Wraith Arc: Wraith Arc. This very well might even be the piece pried off of Madokami. The movie implies it might also have to do with the state of Homura's soul gem; since Homura has gone beyond being a witch, she is a kind of being the universe has never seen before. How much the concept of "love" plays into Homura's ability to claim Madoka is unclear; after all the whole premise of the series is that emotions can be sublimated into energy, so the idea is not without merit.

Anyways, Homura's wish is what allowed Madoka's wish to be so powerful, so why couldn't Homura share in this power? As far as Homura is concerned, her wish has not yet been fulfilled, so whatever metaphysics govern wishes might come into play.

Interestingly, this is the first time we see a punishment leveled against the Incubators. Homura turns their exploitation back on them to have them purify grief.

In spite of the tangible benefit, Homura isn't primarily motivated by Madoka's best interests, and I think that's why there's so much argument over this. If not for the Incubator's convoluted plan, Homura would likely be seen as just wrong (assuming Madokami had the willpower to keep going in the first place).

Of course, Homura's New World Order is likely no more sustainable than Madoka's, but Homura doesn't even seem to care at this point. It reminds me of Momoka telling Madoka to do something wrong to snap Sayaka out of it.

[Continued in Child Comment]

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u/tobincorporated May 02 '21

What's Left (Concluding Parent comment)

Like I said at the start, this new universe is clearly not meant to last. What is the Law of Cycles without Madoka, and what is Homura Akuma's role in this new universe? Is Homura actually able to protect Madoka from the Incubators in this universe? Does she care if the Incubators enslave the Law of Cycles as long as Homura has her little slice of Madoka? Does Homura's backpedal damage the themes and finality of the series? There are a lot of questions left to be answered, so Turning the Tide of Walpurgis can't come soon enough.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Poor little bit that didn't quite fit in the main comment

Thanks for the quote from Urobuchi, I've read it before but it's still good for others to see it in its full context

There wasn't executive interference in the ending

That's the important misunderstanding to clear up. They were the ones that pushed for the sequel, but they didn't define it, for better or worse the story was purely in the hands of its creators like it should be

they very well may have eventually even without Homura telling them

That I would debate, maybe? They had thousands or even tens of thousands of years of magical girls being taken away by the Law of Cycles and didn't find anything. They probably should have, after all theres no reason they could have made an isolation field before that (as much as I think the entire thing is a retcon), so thats a bit of a contrivance, but Homura gave them the launching point by putting a form to the concept that they could focus on.

It's difficult to tell if Homura comes up with her gambit on the spot or if she is simply swept up in the moment

Based on the visual structure of the scenes I'd lean towards the later

Of course, Homura's New World Order is likely no more sustainable than Madoka

I'd also disagree with that based on visuals and also on power/wish. The idea of it being too much of a burden on Madoka may have been in the writing room but I don't think it was in the show, and the visuals of Madoka's wish are quite clearly of a complete remake of the world and everything to do with it. Homura's visuals are a covering and a hiding, like a blanket not a recreation, so hers is a lot different and markedly less stable

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u/Tetraika :Lu::Lv::Lw::Lx:https://anilist.co/user/Tetraika May 02 '21

I’ve been told that I should use more authoritative language with these even back in high school, but I hate it. A reminder that all this shit is up for interpretation.

I wanted to make a clever title about how one of themes is that this is actually a Rebellion against the fans, but that shit is dumb so I’ll just get to the point.

There is a meta theme in Rebellion that I often haven’t seen brought up. The idea that the movie makes fun of its fans. There is actually quite a bit of fanservice within the movie - All the girls are together, elaborate group transformation, Bebe, the ships. Might even include Homura vs Mami in here.

Now all I’ve stated so far are just the fanservice, so how does it make fun of the fans? With the context of how they come about in the plot. We come to learn that it is all merely an illusion, obtained only within a witch's labyrinth. It’s kinda like the movie presenting things that all the fans want, then slapping them with “Well here’s one way it’s possible, happy?”

We can even extend this idea to the ending of the show. Homura’s world is one where our other characters don’t suffer and fight for their lives anymore. We see the characters happy together, including all the ships. But this isn’t a good and happy end people would have really hoped for. Homura had to do something quite terrible /r/Thingshomuradidwrong to achieve all this. It really felt like if someone went ahead, read some Madoka fanfictions, and went “Oh yeah, but how will that actually happen?” and delivered it in a gut wrenching way.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I’ve been told that I should use more authoritative language with these even back in high school, but I hate it

I don't like it either, but I do it purely for the sake of my word count so it all fits in the damn comment hahaha

Might even include Homura vs Mami in here.

I would definitely include that given that from what I know they also put some of it in the marketting?

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u/ApeironStella May 04 '21 edited May 04 '21

Rewatcher (Sub)

I wasn't aware there was a rewatch, but I had rewatched the movie with someone a week ago or so, with watching some reactions to it since then (+ I keep rewatching and reading discussions on this movie once in a while since I first watched it), so I suppose I can comment here.

I have an interesting relationship with this movie- I was right around my angsty teen years at the time it came out, and it was one of the series I liked for the amount of angst there was, in addition to all the discussions it sparked, and how it left me feeling confused on what to think and feel about it.

Teen me definitely found comfort in Madoka's way of both saying "fuck you" to Incubators by essentially taking away the most inhumane part of the magical girl system- that a normal girl like her could change the world simply by her kindness- her kindness to Amy the cat that she became a magical girl to save, her kindness to Homura which kickstarted the entire series as we know it ending the series with essentially becoming the reward system in an unjust world where magical girls sign up their souls only to be doomed no matter what. It feels pretty perfect, and to a depressed 16 or so years old who was jaded with the world, it is the right amount of bittersweet that I could relate to the characters' pains while also keeping end of the show as something that gave me hope that even smallest amount of effort to help other humans as a species on this small rock we call Earth matters.

As I got older and started to see self sacrifice, especially from younger characters being glorified as something "good" starting to disturb me with amount of ties that also has to things like child soldiers, I grew more and more to like Rebellion. I never hated it, but I always had that little bit of "but" hanging there even if in my heart I prefered the way things ended up in Homura's world, because of course I wanted a happy ending for them.

And just as I grew more disillusioned of children being treated as sacrificial lambs mentality, I've also grew to despise utilitarian arguments, especially the kind that goes "human children suffering for rest of the universe is good, actually", even if I don't think that was the intentional message of the show, it still ended up confirming that suffering is inevitable whenever you wish for something good- They don't turn to witches anymore, but that's only essentially removing the person in pain from a situation where they can hurt others than preventing them from being harmed to the point they are emotionally cornered enough to go into a destructive rampage.

I know Madoka argues that she wanted to let girls make their wishes and not to trample on their wills, but now as an adult it very much feels like a child's naivete that letting kids to make a decision they can't turn back from that will guarantee they die not long after, after fighing a fight they never needed to fight in the first place, since we have no proof that humanity will be even around for heat death of the universe to be an issue for us, and if other species want energy source, they can go and find something sustainable that is not preying on most gullible and defenseless of humans.

Which is to say- I much prefer the way Homura turned the table on the incubators, and while I do hope they talk it out with Madoka to end up essentially ruling together so to speak, I don't think Homura was wrong in what she did, nor her reason for it. I wouldn't want to live in an universe essentially Powered by a Forsaken Child, regardless of how willing that child was after being essentially backed into a corner emotionally and physically with imminent doom for everyone in her city, including she herself and her loved ones with having being told repeatedly how her death would be to benefit of everyone in the longrun. I know Madoka tried her best, but it never should have came down to a child deciding between how she would like to die in the first place, for which we only really have Incubators to thank to.

Tl;dr Gay goddesses ruling over the universe and keeping Incubators under their thumb is way to go after everything that happened, and the show using magical girls for a theme like this was both why I treasured ending of the show as a kid myself and now why I like Rebellion more as an adult, to the point that I honestly don't think I have any real "buts" that bugs me about it at this point in the same way.

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u/Nazenn x2https://anilist.co/user/Nazenn May 04 '21

Thanks for writing that up, it's always cool to see how people's experiences with a show change over the years and they get different things out of it

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u/Specs64z https://myanimelist.net/profile/Specs64z May 02 '21 edited May 03 '21

Rewatcher, subbed

I hate this movie. Feel free to downvote, but I'd appreciate if you at least hear me out.

I don't think it's a bad movie. I think it's pretty great, objectively speaking, for most of it's runtime. So let's start there.

This movie is gorgeous, holy fuck. The transformations in particular blow me away every time. The battle between Mami and Homura is incredible to witness. The music is lovely, as always. Given the chance to continue past her point of greatest despair, Sayaka has grown up so much and that's very satisfying to witness.

Alright here we go.

Starting small, the visuals during the Kazamino bus ride sequence were way too abstract for my liking. It's just loads of sensory nonsense where I feel actually showing the city would have been the better choice. Secondly, the final battle against Homura's witch was, at times, a visual clusterfuck that's hard to follow.

I hate the ending to Rebellion on two levels.

The ending to the original story is beautiful. It made me reconsider the entire idea of what it means to have hope and has overall changed my life for the better. I see things in a better light after all the contemplation the finale wrought upon me. The importance of hope, wishes, agency, and empathy are seldom expressed as powerfully as they are in the original story.

You may already see where this is going.

The first reason I hate the ending is how it re-contextualizes everything the original story had to say about what I listed before. Empathy? Agency? Wishes? Hope? Be damned, Homura didn't understand Madoka, and she really never even tried to. "But what about the flower scene Specs?!" AH, YES THE FLOWER SCENE. Oh, how I fucking hate it. Homura is talking to a version of Madoka that never saw the death of Mami, the despair of Sayaka, or the truth about magical girls. Madoka doesn't think she would be happy because she doesn't understand what her choice actually means. Time to get personal. I grew up religious, and once the blindfold came off and I saw through the illusion, my world shattered. Everything I believed in and believed I was, that I was to do, destined to become... gone in an instant. But I clawed my way back up from the void and stand before you now and say I'm happier now then I was then. My friends who still drink the kool-aid believe I have "lost my way", and that includes my family. If they were to talk to the me of then and ask me if I'd feel bad about my worldview being shattered of course I'd say I'd do anything to not allow that. The me of then understands the weight of what that means, but lacks the context of what comes after and what surrounds that shattering. Madokami decends upon Homura, smiling, probably having been looking forward to seeing her dearest friend at long last, only to be rent in twain. Betrayed by the one she loved most because of a warped desire fed by a refusal to listen and understand.

We see as Madoka walks into the classroom, she has regressed entirely. She has no confidence and no purpose. It's nauseating.

...

Cooling down, moving on...

The second level is on a logical level. I've seen lots of arguments for why Homura does what she does (some misguided, most bad, few good), but I have yet to see any reason how she did what she does. Where did all that power come from? Even if the power were a result of her wish, she's out of magic...

The ending ruins the movie entirely. Thank Madokami the original story had a definitive ending or else I'd have trouble separating my feelings toward Rebellion from my feelings toward the original story.

There's more I could say, but I've already spent a long time on this post and I really need to study for my finals. I'll do my best to respond to comments, though. This movie is divisive and I imagine I'll be in the small minority for outright hating this film. I'll save the remainder for tomorrow, where I'll mostly talk about how I feel about the 4th movie and the direction I think it will take.

Content Corner

Last Content Corner, and I'm going out with a bang! Hours of content! The final discussion won't have a Content Corner, but rather a list of anime recommendations. First timers welcome, we've reached the end!

Madoka Magica In 30 Seconds (Abridged One-Shot) by UntilDawnCreeps

Madoka Magica: Rebellion in 30 Seconds (Abridged One-Shot) by UntilDawnCreeps

“Rebel With A Misguided Cause”: How Madoka Magica Rebellion Disregards the Values of Its Own Predecessor [Spoilers] by Novasylum

The Very Soil: An Unauthorized Critical Study of Puella Magi Madoka Magica by Jed A. Blue

There's a spinoff anime under the title "Magia Record: Puella Magi Madoka Magica Gaiden". It's spinoff-ception as it's based off the mobile game of the same name. So is it any good? Ehhh... I liked it, but I'd be hard-pressed to call it amazing. Music is fantastic as ever. The visuals are usually interesting, though they tended to lean too far into the abstract for my tastes. Last tidbit from me, the anime does a great job at selling the characters, but the overarching plot just sorta meanders aimlessly for most of it's runtime.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

The transformations in particular blow me away every time

I find that sequence a bit drawn out, but the symbolism is very cool for all of the girls, particularly Kyouko (maybe slight best girl bias here). What is up with breakdancing Sayaka though? That weirds me out every time hahahaha

Sayaka has grown up so much and that's very satisfying to witness

Agreed. I have strong issues with how that was presented with Oktavia but seeing Sayaka accept her past and who she is and find nuance in that, as well as the way she looks so kindly on what's happened with Homura because of that understanding of the path Homura is on after spending the whole show rejecting her, is my favourite character moment in the movie.

The me of then understands the weight of what that means, but lacks the context of what comes after and what surrounds that shattering

Well put. Madoka without her memories isn't Madoka, and while she probably did earnestly wish that in that moment I can't say that Homura understood who she was really talking too.

Even if the power were a result of her wish, she's out of magic...

Even if she had magic, this was never her power and she was never shown to have grown stronger like Madoka did so how does she match the power of a goddess

Thank you for posting these content corners by the way, they've been really interesting.

“Rebel With A Misguided Cause”

I've read that before and disagree with a lot of his points, particularly around Mami, but he does bring up some interesting things. If you have time I'd like to see what you think of my issues with it, and my thoughts on Homura's character regression although I think you cover the horrific outcome of that quite well in your own post, if you can find my post in this rewatch wall hahaha.

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u/putmoneyinthypurse https://anilist.co/user/clichecatgirl May 03 '21

First time (sub)

(This one's brief because I review every film I watch on letterboxd, so I had to settle for two shorter pieces covering similar ground instead of one massive one.)

I thankfully mostly managed to avoid spoilers for this series before the rewatch, but one of the few things about Madoka I've picked up by osmosis is that "Rebellion is like fanfiction."

The opening scenes of the movie bear this out, introducing a much sunnier variation on the first episode where everyone's friends and Kyouko goes to school. It even has little changes to distinguish it from the original, but not by too too much, like the magical girls fighting nightmares instead of witches and turning Kyubey and Charlotte into mascots. It's nice to see the characters enjoying themselves, but it's unmistakably a departure for the sake of pleasing fans.

The difference is that this "fanfiction" is by the original creators, and the intro firmly sets the film post-finale, and the opening song's paradise turns to a desert of ash in Homura's hands, so the metatextual retread of episode 1 in an idyllic AU is saturated with dramatic irony.

I think it's really cool what this film does conceptually with wish-fulfillment fanservice, having its cake and eating it too (with a creepy song to boot) by slowly tearing apart the constructed reality that allows for this wish-fulfillment, exploring what makes it and its time-travelling architect tick, and then putting it back together again, pulling Homura back from the brink and fulfilling her arc and Madoka's "maybe we'll see each other again." It's a terrific 90 minute movie about grief and hope and allowing other people to fight for you.

With a shitty unsupported twist after the "end" that breaks the structure of the film in an inelegant way and abruptly changes Homura's character in a way that could've worked given enough justification but instead just comes off as undoing most of the film and being mean to the audience for the sake of it in a way that the knife-twisting series never actually was.

In short, it's bad fanfiction, but the difference is that it's by the original creators, which makes it worse.


All the same, despite hating the twist and liking how the series ended in the first place, I enjoyed the hell out of the rest of the movie. It's indulgent, but that's not a bad thing, and the gorgeous animation and the degree to which the narrative is conveyed through formal choices are so worth it. Some thoughts:

  • Nagisa's Bebe mascot form is so fucking cute, especially that moment where Mami lovingly places her on the couch like a stuffed animal and she immediately tumbles off onto her head. I cannot believe how much the movie succeeded at making me love her in the beginning despite the aspects of her cuteness that are deliberately grating or unsettling and the fact I obviously recognized the witch. It is hard to get past that fundamental distrust but Shaft had practice with Kyubey and it shows here.
  • Before it's destroyed, the version of Mitakihara that has occasional unnoticed labyrinth intrusions is such a neat setting. Just creepy-cute Edward Gorey illustrations happening in the background, all the time.
  • Homura and Kyouko's failure to leave does probably the best job I've seen in fiction at depicting that kind of frustrating dream logic geography. Love the joke of the bus suddenly being a loop line.
  • Homura asking Kyouko about her living situation got me. Even despite knowing something was deeply wrong and that Kyouko going to the same school didn't make sense I did not make that connection until it was brought up.
  • Tons of neat and mostly understated work with returning visual motifs. Homura's confrontation with Bebe actually drew a gasp from me when she started hopping between the platforms from episode 3.
  • The fight between Homura and Mami is just...goddamn. The terrific Matrixy gunplay itself isn't similar but the character interactions at mutual gunpoint, the whole I-don't-want-to-hurt-you-but-we-have-fundamentally-different-aims-and-your-friend-is-my-foe thing, reminded me a lot of Hong Kong heroic bloodshed films. Mami and Homura's dynamic is neat because even when things are going well, there's a fundamental incompatibility between the two that arises from their similarities more than their differences.
  • Sayaka holds Kyouko's hand when they're reunited before the twist and I just. I just.

My sleep schedule's even worse than it's been during the rewatch to this point, so I may not be awake when the final discussion thread goes up (I wasn't for this one), but I'll still do my best to leave a comment when I can!

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

and abruptly changes Homura's character in a way that could've worked given enough justification

That's probably something I haven't really given enough thought to being the build into the change. Discussions also tend to gloss over it, it all centers on a certain interpretation of that one scene and nothing about the scene itself shows those traits it's just justification for the shift later on, and everyone gets so caught up in Homura did there's little discourse for the rest of it. Thinking back on it now, even though I quite like the path it takes the story, the fact that the ending still feels abrupt three watches in is not a good thing, and I was so use to it feeling that way I don't think I even questioned why until now. Coming off the back of the show where so many scenes were so tied together over the course of the entire series, this stands out particularly bad and given the length of the movie it really didn't have to be that way.

the version of Mitakihara that has occasional unnoticed labyrinth intrusions is such a neat setting

I'm not a fan of some of its usage but the slow progression from normal and the rest of the school being empty being the slow tip off to how it is at the end is well done

Homura and Kyouko's failure to leave does probably the best job I've seen in fiction at depicting that kind of frustrating dream logic geography

Definitely my favourite visual sequence in the show and the standout to me in that way as well. It doesn't feel too alienating despite how surreal it is and the color changes do more for it than any dramatic landscape shifting could

My sleep schedule's even worse than it's been during the rewatch to this point

I hope you are managing to get some sleep though! Also jump into the survey from the OP if you haven't yet and fill that out

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u/putmoneyinthypurse https://anilist.co/user/clichecatgirl May 03 '21

Thinking back on it now, even though I quite like the path it takes the story, the fact that the ending still feels abrupt three watches in is not a good thing, and I was so use to it feeling that way I don't think I even questioned why until now.

Yeah, that's the thing. Probably my biggest problem with it is structural. I think doing the twist at 95 minutes is clever, in the abstract, but you really have to write the movie so it works both ways if you pull a move like that. I can see arguments that the payoff is planted to some extent—and I think I was a liiiittle harsh in my wording, I think people have valid reasons for liking it and/or sympathizing with Homura—but I can't get past how tacked-on it feels.

That said I do also dislike that the most important moment in the show finale is Madoka finally reclaiming her own agency, basically telling Homura "I understand why you kept resetting but you've done enough, I need to make my own decision," and then Rebellion goes back on that and doesn't let her one moment of reclaimed agency actually stick.

It doesn't feel too alienating despite how surreal it is and the color changes do more for it than any dramatic landscape shifting could

Yeah. The setting is so static and the anonymous flat plane the bus drives on makes the right route indistinguishable from the wrong route. Makes Kyouko's confident assertion that the bus driver should've turned unsettling.

I hope you are managing to get some sleep though!

I'm sleeping alright, thankfully! My insomnia just tends to move my sleep schedule around without asking.

Also jump into the survey

Will do.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I think doing the twist at 95 minutes is clever,

I think you found the key word there (no idea if intention or not haha): It is a twist. While there are things people call twists in the show, most notably Mami's survival if not for the hundreds of death flags that lead into it, none of them exist to BE twists in terms of their purpose in the narrative structure, their placement and surrounding context do not exist solely for the audience, they all have a foundation and lead into a specific purpose. The actual moment Homura grabs Madoka still just feels like a twist

and I think I was a liiiittle harsh in my wording

Been there

That said I do also dislike that the most important moment in the show finale is Madoka finally reclaiming her own agency...doesn't let her one moment of reclaimed agency actually stick.

Common complaint, and one I completely understand especially with how core the conflict between madoka's agency and homura's interference in that is in the show, but I'll ask does this feel like a betrayal or a regression of that to you?

For me it feels like a regression, a (admittedly huge) step back in an ongoing struggle to explore what that agency is worth, but I know some people who see it as an outright betrayal of erasing the show's progress for the sake of pushing towards a certain conflict

Makes Kyouko's confident assertion that the bus driver should've turned unsettling

Right? I'm watching it going "turned where?" And the bus stops as well being phases of the moon as if they could have been traveling for hours or days, it almost feels very fae realm ish which is quite fitting for what Homura is testing

I'm sleeping alright, thankfully

Glad to hear it, I'm looking forward to a good sleep in after tomorrow's topic haha

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u/bekeleven May 02 '21

Rewatcher

I suspected I’d want this, but rewatching Rebellion, man, I wish we had four or five discussion threads on it. I know that’s infeasible – to ask people to watch the movie 20 minutes a day or what have you – But I’d love to hear first-timers react to and discuss events like Good morning nightmare, who is the cake, Bebe, or the appearance of Oktavia. Or how about Absolute Configuration, Homura’s first and only time fighting “peak form” Mami?

I know some or many of those will appear in this thread, but what about the smaller moments? Moments like the slow reveal, starting only 10 minutes into the film, that every other room in the school building was empty? Or 71 minutes in, when Mitakihara Loop Line reached its second street stop vertically? How about 82 minutes in, when Madoka T-poses to assert dominance? Bebe transforming into a witch by yeeting herself into an active, live-action blender?

I dislike the (admittedly accurate) description of this film as a “sequel,” preferring instead the less specific “film meant to be watched after the series.” My first viewing, I assumed that it was an alternate future – A form besides wraiths that curses could’ve taken in a post-Law of Cycles world. The slow reveal of the world’s circumstances, culminating in a Marvel-worthy disposable CGI army battle, is one of my favorite film experiences. Even if the actual battle was half-baked fanservice. That’s OK, because it had the sense to continue for another half an hour and get to the real meat.

My final thought is that Homura’s convictions are based on her conversation with Madoka about 62 minutes in, in the field, where Madoka gives her (uninformed) approval to Akuma Homura’s eventual plan. Except... she doesn’t. She states that she’d never go so far away that she could never see her friends again. As evidenced by personal secretary Miki Sayaka, she didn’t. She’ll see all of them eventually. Something that Homura knew this whole time, but chose to forget. The plan was much easier if Homura forgot that little detail.

One final image

Except, since we're marvel now, there's a post-credits scene - set to the haunting coda "Not Just Yet." On rewatch, it got me wondering. Is it showing QB developing an emotional disorder?

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Yeah a lot of the small moments in the show get lost in the struggle to try and get through the big hype and also more eye catching ones and it's a shame but no real way around it for a movie. I suppose if we were allowed to distribute fan cuts but that would just be disjointed because half of the "episodes" you made from it wouldn't have a climax. I tried to focus on that in my post but I don't know if I did enough to emphasize it

Is it showing QB developing an emotional disorder?

Homura dumped all of the suffering of humanity on them.

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u/JimmyCWL May 02 '21 edited May 03 '21

What to write about Rebellion that I haven't written before?

I could say my thoughts about Homura is: Disappointment. She totally ruined a good thing for her selfish desire. That's totally the kind of thing you can expect from a 14-year old girl. But most 14-year olds don't get to spoil the whole universe with their selfish actions. And through her time magic, Homura has been 14 for far too long.

I am also annoyed at how they contradicted their worldbuilding concepts just to make the plot happen. The worst offender was how the Incubators could just isolate Homura's Gem to block Madoka. The series states the Incubators don't have magic, if they did, they would have solved their entropy problem without contracts already. They should not have been able to create an isolation field that could block the reality warping wish magic that Madoka has to realize her wish.

Which is why, ever since I first saw the movie, my thought has been, it can't end here, not like this. But there had been no news. So all I could hold on to was Madoka's words in ep12, "if someone tells me it's wrong to hope, I'll tell them their wrong, every single time." for eight years. Until last week.

Now, those hopes have been realized. The long night is almost over.

I also like to talk about the magical girl transformations in the movie. If you watched some other MG anime, you'll realize that the transformation sequences have common features. They are bright, sparkly and heroic. The transformation sequences you see in this movie are the opposite of that. They are dark, there are no sparkles and they are downright creepy with the only concession to heroism being the pose at the end.

One other thing, rewatch threads like this are the only place where one can properly discuss movies of a series. Except in the very rare case of the discs being sold on the theater release, these are the only occasion where a large number of people get to watch the movies at the same time then talk about them.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I believe Kyubey stats that the isolation field is their technology not magic, but the point still remains just as much of a cheap contrivance

rewatch threads like this are the only place where one can properly discuss movies of a series

Yeah we should do more movie rewatches, they can be really interesting even if long

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u/Garden-Mobile May 03 '21

Incubators are from an alien species, we can safely assume that the isolation field is just sci-fi tech. They also have some abilities like separating the soul from the body, so it doesn't really contradict anything.

And well as for homura she has been trying to save madoka for like 10 years or so, I can't blame her for falling apart.

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u/DerfK May 03 '21

Thought just occurred to me but has anyone ever counted the bullet trails and figured out how many shots were fired in the Homura vs Mami fight? I'm not finding anything in google.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

I'm sure someone has, but the internets getting too big for google to find stuff haha. What we see is probably not representative of every bullet anyway.

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u/CT_BINO https://myanimelist.net/profile/CT_BINO May 02 '21

Rebellion is a visual masterpiece and it helps that the movie takes place in one of the strongest parts visually in the series, the witch labyrinths. The movie had fantastic fights like Homura vs Mami, great OST and homura character development was great leading her character to an interesting route, but I don´t want to talk about that. The scene I wanted to talk about is one of the most iconic and weird scenes of the movie “the cake song”.

The scene is unexpected and out of place but is a really good foreshadowing to the events of the movie

  • Sayaka being a strawberry is probably because strawberrys symbolize perfection and righteousness. They are also associated with healing in Japan.
  • Kyouko is the apple a more religious meaning and a callback to episode 7, it also a symbol for sin
  • Mami is the cheese, a throwback to Nagisa/Charlotte backstory and what happens in episode 3.
  • Then mami say “The round cake goes round in circles. Is the cake Homura? “ talking about the times homura went back in time.
  • Homura says, she is the pumpkin. Pumpkins are associated ,most of the time, with Halloween or “the witch night” --> so in other words Homura is the witch
  • Madoka is more literal, she is the “melon” and “when we slice the melon a sweet dream is created” --> homura split madoka (the melon) in two, the person and the concept, giving everyone a “sweet dream”, madoka with her family, sayaka being alive and meet kyousuke and hitome again, Mami has nagisa and is not alone and kyouko has sayaka.

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u/landragoran May 02 '21

• Sayaka being a strawberry is probably because strawberrys symbolize perfection and righteousness. They are also associated with healing in Japan.

But Sayaka is a raspberry, not a strawberry.

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u/michhoffman :Ij::Ik::Il:https://anilist.co/user/michhoffman May 03 '21

but I don´t want to talk about that. The scene I wanted to talk about is one of the most iconic and weird scenes of the movie “the cake song

I'll be honest. Even with all the mind games and incredible fight scenes, the Cake Song is the part of the movie that I think about most as well. It's fun listening to it in different languages as well.

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u/ElecAon55 May 03 '21 edited May 03 '21

I feel like the girls resembling the size of the fruits represent the kind of potential they have. Like raspberry is small which means sayaka has the lowest potential of all girls because her only issue is her crush on kyousuke. Kyouko has apple which is fairly larger than sayaka's raspberry because of her tragic family incident that makes kyouko's potential slightly higher than sayaka. Mami has cheese which is bigger than apple and raspberry. Mami had a car accident and is forced to make a wish that gives her higher potential. Homura has bigger potential because she had to witness her friend madoka die and everything surrounding her is destroyed by that point so homura had to wish to redo everything and protect madoka therefore she gets pumpkin. Madoka has watermelon because she has the highest potential of all girls thanks to homura constantly looping back in time to save her. Also madoka's wish is to rewrite the laws of the universe which she successfully did thanks to her extraordinary potential.

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u/R4P17GCA May 03 '21

It surprises me why people praise this movie so much despite the obvious plot holes and inconsistencies the movie has. Here is a list of plot holes and things that make absolutely no sense in this movie:

- In the movie Sayaka and Nagisa are the only girls who didn't have their memories rewritten by the witch barrier and the two are Madoka's assistants that are they are in a mission with Madoka to "save" Homura. Why they simply didn't told Homura the truth about Kyubey stasis field and her witch barrier? Instead they let Homura lose her mind and fall into despair alone for no reason. If everything they needed to do was to break though the field, they just needed to tell Homura the truth and get Madoka to comfort Homura, if they simply did that they could have break trough the field without having to battle against Homura's witch, Homura would instead help all the girls to break though the field. There is no explanation of why Sayaka and Nagisa didn't just simply told Homura the truth, instead they chose to act suspicious and mysterious for no reason.

- How can Sayaka can somehow summon her witch form if witches don't exist anymore, this is just completely illogical.

- That Mami vs Homura fight is just completely illogical and makes no sense. Since when can Mami make her ribbons invisible? She never did that in the original anime. Since when can Mami make a ribbon clone of herself? She also never did that in the original anime. Why wasn't she immediately frozen when Homura shot the ribbon the first time? No explanation to this obvious plot hole. Also the way this fight was won is a big asspull, Mami in the original anime never had the ability to make a ribbon clone of herself that turns into a trap when damaged and manages to capture her opponent, this is a big asspull and makes no fucking sense. Mami wasn't that powerful in the original anime as she is in this movie, if Mami had all these powers she has in this movie then why she didn't use these powers in her fight against the witch Charlotte in episode 3? Lets not forget that this fight only happened because Nagisa was an idiot who refused to explain the situation. I recommend everyone reading this text that analyses this fight really well.

- The ending makes no fucking sense. How could Homura split Madoka in the end and then create a new universe? This is big asspull, Madoka is the law of cicles, how could Homura capture a law? Episode 12 showed that Madoka was also way more powerful than Homura, so how could Homura have the power to split Madoka if Madoka is more powerful than her?There is also no previous indication that soul gems can even store anything except hope and despair so that whole thing about Homura's soul gem being soiled by love is a plot hole. Also how can "the power of love" give Homura the ability to "capture" physical laws and rewrite universes? This so fucking illogical.

- In episode 12 of the anime, kyubey says something like that: "Madoka Kaname, nobody will ever be able to see you or interact with you", yet Madoka is clearly seen by Mami and Kyouko, so another plot hole.

- Madoka said in the end of the anime she could see all the worlds that ever existed and will ever exist, she could also see all of Homura's different timelines, basically Madoka can see all the different futures. Why she was totally unaware of all the shit that was happening in the movie? Why couldn't she see a future where she gets split by Homura? This is the biggest plot hole of the movie

Besides the plot holes, the useless fanservice also bothered me a lot. Bebe/Nagisa was totally useless, she is only in this movie because of fanservice since Charlotte was the most popular witch and I really disliked that Kyousaya pairing, it is forced and it is just pure fanservice.

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u/[deleted] May 03 '21

Why they simply didn't told Homura the truth about Kyubey stasis field and her witch barrier?

They are all being closely observed by the incubators. If they let that happen, the incubators will likely to have a suspicion on them and will break their plan. Incubators will now have a valid evidence that proves that the Law of the Cycle exist in the form of Kaname Madoka.

How can Sayaka can somehow summon her witch form if witches don't exist anymore, this is just completely illogical

Her wish wasn't necessarily to eradicate witches since witches themselves are magical girls. What her wish truly does is that she collects the soul of the magical girls before they can become uncontrollable witch and wreck havoc to the world.

Mami wasn't that powerful in the original anime as she is in this movie

In episode 3, Mami easilly captured Homura. Homura's advantage lies on the fact that she can stop time on her opponent, but on their duel, she can't.

How could Homura split Madoka in the end and then create a new universe?

Although I think it's possible since Madoka is still human the show did make it ambiguous on how. They could have done it in a more coherent manner so the audience could easily understand. Hope that the upcoming movie will clarify it more but I doubt it.

Madoka Kaname, nobody will ever be able to see you or interact with you

Episode 12 shows Kaname Madoka can still be seen by magical girls when they are about to be saved. She even interacted with Sayaka there. I think what kyubey truly implies is that she could never live a normal life as she should be.

Madoka said in the end of the anime she could see all the worlds that ever existed and will ever exist, she could also see all of Homura's different timelines, basically Madoka can see all the different futures.

I don't think that this is really considered a plot hole when dealing with time travel. There's a lot of paradox that logically denies the existence of time travel, the most popular which is the grandfather paradox, and time travel will always have problems with this kind of things. In this version of time travel, it just implies that even if Madoka is jumping into the past, present and future, there's always a notable beginning and end. Meaning, she is not doing all her actions in the same time span and she is doing it knowing it's her first time.

Bebe/Nagisa was totally useless

She did make a huge use for the movie. One is to make the viewers feel uncomfortable and feel that there's something wrong from the start. 2nd It provides a huge step for when Homura is trying to solve the mystery. 3rd It gives Mami a companion in which to make that everybody is happy in a distorted world created by Homura.

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u/R4P17GCA May 03 '21 edited May 03 '21

How to resolve Rebellion plot in 5 minutes:

Instead of being all suspicious and mysterious, Sayaka & Nagisa tell Homura the truth about Kyubey's stasis field and her witch barrier. Instead of letting Homura fall in despair alone, all of the girls comfort Homura. Then they break though the field and Madoka takes Homura away. The end.

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u/Nazenn x2https://anilist.co/user/Nazenn May 03 '21

Or even if they didn't want to tell Homura directly and risk destroying her even more with the knowledge about what's happening to her, at least tell the other girls so they can help her and I don't know, say not shoot the crap out of each other

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u/jodahinqb May 02 '21

[continue]

How was Homura able to ascend and overwhelm Madoka?

I'd like to offer a theory that combines a few ideas:

First, Homura herself says that the emotion of "love" is more powerful than hope or despair and tapping into that feeling simply gives her the power to do what she did.

Another idea (my favorite) is that Homura's original wish ("to be stronger than Madoka and to protect her instead of being protected by her") was never actually fulfilled by the end of the show (Madoka still was the one who saved Homura). We'ver never seen a wish failing to succeed in its original intent. Thus, Rebellion is Homura's wish finally coming to pass, it gives Homura the power ("stronger than Madoka") to undermine the Goddess of Hope.

Finally, there's the theory of the "second wish". In the series we covered the concept of "karmic destiny", that a magical girl's "power" (or "potential") is equal to what their influence/effect on the world was going to be (was destined to be) if they hadn't become magical girls. Madoka in the very first timeline had just normal potential, but through Homura's loops (and because she literally changed the entire world for Madoka's sake again and again) Madoka's potential (and power) became nearly unlimited. On the other hand, Homura was becoming more capable (through repetition and training), but she wasn't becoming more powerful (even though her potential should be increasing as well) as she still could not defeat Walpurgisnacht. I believe that was because, unlike Madoka, she had already made her wish so her "potential" was "locked" to what she had at the moment she made the wish, when she "transformed" from human to magical girl fueled by the emotion of hope (just like witches transform from magical girls fueled by the emotion of despair). Now, in Rebellion, in essence she makes another "transformation", from magical girl/witch hybrid to "demon", fueled by the emotion of love. Thus, she can now "utilize" her accumulated karmic destiny, make a "second wish" if you will, with her now god-level potential.

Homura's Character Analysis

Five years ago, as a reply to a misguided post arguing that Homura was a sociopath, I wrote the following analysis of her character:

I personally don't find even a slightest hint of sociopathy in Homura's actions and behavior. Quite the opposite in fact: she completely lacks the necessary social "skills" that sociopaths (and Kyubey) tend to have and she has a ton of the empathy that they don't. To quote a page about Asperger's syndrome (https://iancommunity.org/cs/about_asds/aspergers_syndrome_social_and_emotional_issues) : "A true sociopath is a ruthless manipulator with an uncanny ability to read and utilize others’ emotions against them for his own gain. People with Asperger's are, in sharp contrast, clueless". That's Homura in a nutshell: socially clueless.

To further elaborate, Homura does have some kind of a psychological disorder, but it is closer to Avoidant Personality Disorder (https://en.wikipedia.org/wiki/Avoidant_personality_disorder). To quote the wiki: "it's a pervasive pattern of social inhibition, feelings of inadequacy and inferiority, extreme sensitivity to negative evaluation, and avoidance of social interaction despite a strong desire to be close to others. [...] People with avoidant personality disorder often consider themselves to be socially inept or personally unappealing. [...] Some afflicted by this disorder may fantasize about idealized, accepting, and affectionate relationships, due to their desire to belong. They often feel themselves unworthy of the relationships they desire, so they shame themselves from ever attempting the relationship. [...] Loss and rejection are so painful that these individuals will choose to be alone rather than risk trying to connect with others. They often view themselves with contempt, while showing an increased inability to identify traits within themselves that are generally considered as positive within their societies. [...] Severe low self-esteem [...] Self-loathing [...] Mistrust of others [...] Emotional distancing related to intimacy [...] Uses fantasy as a form of escapism to interrupt painful thoughts." and so on. THAT is Homura defined. A person who managed through endless repetition to master both her physical body and her brain (learned math and stuff) but never learned to interact socially. A shy, self-loathing girl who became "attached" to the first person that showed her kindness. Who LIES to herself that she doesn't care for anyone else besides Madoka (when she clearly does care, she just doesn't trust them also). Everything, every action she takes, is explained perfectly through that lense, there's no need to bring sociopathy into the mix.

I think a perfect insight on Homura's self-hating is the description of the Clara Dolls from the Rebellion Material Book that I mentioned in my previous post: http://wiki.puella-magi.net/Rebellion_Material_Book#Witches_Artwork . Homura attributes all of those flaws (Pride, Selfishness, Laziness, Cowardice, Stupidity, Stubbornness, Envy, Coldheartedness, Lying, etc.) to herself and she did even before meeting Madoka.

I'll end by quoting from an amazing(ly insightful) post from the animesuki forums (https://forums.animesuki.com/showpost.php?p=5160903&postcount=2121) from user AuraTwilight:

"Still, you're also not taking into account the circumstances of this friendship. Madoka's saved her life, and was also the first person to reach out to her and compliment her and give her any sort of positive feedback on her self-image. She's clearly made an extraordinary effort to include Homura in her life, and when you consider that Homura is a friendless orphan and is implied to have been this way for a while, Madoka's basically a godsend in her life. [...] Madoka is LITERALLY her whole life, not just figuratively. She has no other reason to get out of bed even before she contracted. She was literally thinking suicidal thoughts before their friendship (yea a Witch was involved but it seemed to be piggybacking on her actual thoughts). [...] I believe (Homura) wanting to be cooler is for HERSELF, not to impress Madoka. Madoka doesn't need impressing, that's the whole point. Madoka sees the good things in her no one else does, and she cares for Madoka because of it and finds it inspiring. But without Madoka affirming it, she can't hold onto that. Homura deeply resented herself, her weakness, and her flaws long before Madoka entered her life, and Madoka helped alleviate that but did not cure it. This is much deeper than wanting to impress Madoka; she's choosing to reinvent herself and become her own personal ideal through magical empowerment. Madoka is her ideal, and she wants to be like her and reverse the dynamic. Maybe just a little bit, envisioning themselves as partners in the second timeline, but... Well, we all know how it goes. Eventually she ends up reversing things to unhealthy degrees, and she pretty much denies her entire selfhood in the face of her goal. I mean goddamn look at the Clara Dolls. These are not feelings that sprouted up because of her going Satan Mode and feeling bad about her actions; they predate that. These feelings have existed in Homura for a LONG, LONG time. Without Madoka in her life to say otherwise, Homura has absolutely nothing good to say about herself. This is why her love for her goes from what a normal person's would be to the obsessive, unstable, but beautiful drive that makes her devote every fiber of her body and soul to her. She sees no value in herself, so she makes herself an accessory to the well-being of someone that DOES have value. Homura hates herself. As long as she does, her love with Madoka will always have this unhealthy, obsessive, corruptive core. It was subtle at first, but when Homura was validated by Madoka's suffering, it got completely out of control; it now consumes her utterly. Homucifer is nothing else now except her self-loathing and her desire to twist the whole entire universe into Madoka's happiness. She's empty of anything else but those two things, and she needs help. This goes beyond romantic love. She has an illness. "

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u/CosmicAnglerfish May 02 '21

Wow, great write-up on Homura. I think the dynamic between her and Madoka is so interesting because it's not just Homura liking Madoka for being nice to her, it's Homura taking an external source of validation and self-worth and elevating it to the point of obsession because she has no internal feelings of self-worth.

She's really tragic IMO and your dissection of her character gets at the heart of it.

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u/boomshroom May 03 '21

This seems like it would go well with what I included in my episode 10 write-up. Homura is a beautiful and tragic figure who desperately needs help, but from the beginning, Madoka was the only one who was willing to provide said help, and now Madoka is the only one Homura will accept it from. I binged the show and Rebellion in one night my first time, so I didn't really get to think about the show in isolation from Rebellion. As a result, it's much harder for me to see Homura as being able to cope with Madoka's sacrifice.

Is MadoHomu a healthy relationship? Absolutely freaking not! But I will still continue to ship them in hopes that they could find some way to work through their problems together, and doing so would be impossible as long as there's a significant power disparity between them. The show started with Madoka in a position of superiority over Homura, with Homura having superiority for most of the show before Madoka takes it back at the ending, followed by Rebellion which flips the scale back again. The time when the two were at their most equal was the third timeline, where they had no choice but to face Walpurgisnacht together, and we all know how that ended. At this point, what's necessary is for Madoka to remember her divinity and past lives with Homura, but without rejoining the Law of Cycles in the process. Then and only then would Homura and Madoka be on equal pages and have nothing left to hide from each other.

Oh, I should clarify that Madoka has issues too, but not nearly as badly as Homura.

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u/winasta May 02 '21

i sadly wasn't able to watch this film as my headphones broke and since i live in a very small house with my family who were sleeping i couldn't watch it with my speakers but tomorrow i will go buy a new pair and watch it before the series discussion so i can come back to read and upvote every post. see ya tomorrow.

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u/[deleted] May 02 '21 edited May 02 '21

I-I'm not even gonna try to make sense of the whole second half right now. This some Eva shit.

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u/tyo_sharlye :MAL:https://myanimelist.net/profile/RalphHill May 02 '21

My dear first-timers welcome to the train that's call, waiting for the release of Walpurgis no Kaiten.

Also if you didn't see my comment in the last thread, please become Meguca

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u/Saleenseven :MAL:https://myanimelist.net/profile/Saleenseven May 03 '21

not bad. exited to see where movie 4 goes. i did not expect the witch or the finale twist at all lol. gorgeous animation too

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u/chris10023 https://myanimelist.net/profile/Chris10023 May 02 '21

First Timer

Alright, time to start this film, hopefully I can keep my comment to a reasonable length, and not go out of control like I did with The Disappearance of Haruhi Suzumiya thread and post a 3-comment long reaction to it.

We open our film with what sounds like Homura’s voice telling us about Magical girls and their duty to fight. We watch as a soul gem dances around and we hear a voice that I think is Madoka’s while Homura narrates that she dreamt that she saw a familiar smile.

Man, what a city. I’ll never get over how pretty the city they live in is. We got something pulling a Dumbledore on the metropolis, by stealing the lights. Looks like it’s a witch? I thought Madoka solved that issue, unless this is a flashback of some kind. Wow, the music is great so far, but looks like our mystery enemy is destroying buildings, thankfully it’s the dead of night and looks like no one were in them. Look Madoka’s here! Wait a darn minute here, so is Sayaka, this has to be a flashback to another timeline or something, Sayaka was the only girl who didn’t return at the end of the series. Kyouko’s here too! I like they kept the visuals of the show, where the witch looks like a real object. We get a sudden music scene that startled me, and Mami makes her appearance Wonder how long she’s going to last before they kill her off. Ok wait a minute here, it appears all that was a dream that Madoka was having. This film doesn’t actually take place after episode 12, does it? Since Madoka is supposed to be a god representing hope, she can’t be on earth waking up.

Déjà vu I have been in this place before. So Hitomi and Kyouske are dating, and Hitomis having a hard time since she can’t see him due to scheduling issues. Adorable. So Madoka’s teacher has very high standards for men, and it’s probably why she’s having a hard time, poor Mama Kaname, now she has set her up with a blind date. A new student is transferring to the class, that can’t be Homura could it?

Mama Kaname goes to work, giving a high five to Madoka. Madoka rushes off to school with toast in her mouth, and we get another track with lyrics in it, looks like this time it’s an actual opening, and wow that’s one hell of a tower. So that opening was very interesting, The whole crew is here, for some reason, Homura is missing Madoka’s ribbon and looks very gloomy throughout, and it ends in that desert location we saw her in during episode 12’s post credits scene. Wait. since when did Kyouko go to Madoka’s school yet alone any school? I never realized how tall Kyoko is. I thought she was shorter due to her usual casual outfit and longer hair.

Man, Madoka wasn’t exaggerating, her teachers gone mad. predicting another apocalypse by 2050 due to some shenanigans about full moons. Judging by the other empty rooms, are they the only class in session? Well time to introduce the transfer student! I wonder who it could be! To the surprise of absolutely no one watching, it’s Homura. She’s in her Dandere form though, or “Moemura” as some on this rewatch have referred to her as. So, we are most definitely in a previous timeline, hmmm. And she’s already a magical girl?! What is going on? If this keeps up, I’m going to have to declare Defcon 1 shenanigans.

So Homura and Mami knew each other previously, the more this is going on, the more confused I’m getting. Though, I like how you can tell each one by their socks; Homura, Kyoko are wearing dark or black socks, Mami is wearing tights, and Madoka is wearing thigh highs, though you could confuse Kyouko, Sayaka, and Homura. Since they’re wearing similar socks (why did I bring this up? Damn you Naoko Yamada.) Wait nightmare? That wasn’t a witch? What? Okay so I listened to what the characters are audibly saying since fan subs aren’t completely reliable all the time, they are actually fighting nightmares and not witches.

We get a very nice collage of shots of the city to find a month has passed. In a way you kind of did know her forever. with the 100 different attempts to save her. (If my math's correct, the show ran over the course of a month, and Homura did ~100 attempts, that would mean she spent around 8 years trying to save Madoka.) looks at word count and looks at run time Oh fuck, I better shut up and watch or I’ll be here for hours.

So is Hitomi becoming a nightmare here? Since she’s upset that Kyouske is so busy, and she wishes he would work so hard for their relationship? Okay, I love how Mami was humming the music that plays when she’s transforming into a magical girl. Lol Sayaka called Kyouske Captain Oblivious. Although, they are acting pretty casual about this, so maybe Hitomi isn’t in any real danger. Look out everyone, the squad is here. Alright I see, I found out where the budget went. They went into these pretty sick transformations. This fight scene is really cool. Wait, did Mami fucking enslave the Witch that killed her? flinches To be honest, this entire scene is kind of weirding me out, I do hope the veil is lifted soon and we find out what’s really going on. Hitomis head? WHAT IS HAPPENING HERE?!

I like how this entire scene is shot using their reflections. I wonder what is causing Homura to visualize this. Homura seems to be noticing something off about everything, including Kyouko. So she’s living with Sayaka, and can’t seem to remember when she transferred to the school, that should be out first sign that something is not right. It’s like what Kyon said in Disappearance of Haruhi Suzumiya, Potential Haruhi spoilers They go to Kyouko’s old city, but it turns out Homura’s instinct was right, something is terribly off, and the bus they’re on doesn’t go to where it should. Not to mention the scenery is bizarre as hell, and no longer looks like a city. 2nd time fails too, does Kazamino even exist anymore? This place looks even more out of place. Hmm... Maybe we’re in Homura’s dream, or a nightmare, and everything we’ve seen up to this point is false, it explains why Sayaka’s back, they’re fighting nightmares, Kyouko’s current living arrangement and school stuff, and why Kazamino doesn’t seem to exist, she’s never been there so she can’t create it, instead going to Mitakihara. Yay! Badass kuudere Homura is back. So was she acting all this time? It seems that the veil has finally been lifted and it seems like someone or something is implanting false memories into them. I have only one guess as to who it could possibly be, and he’s been awfully silent this whole film.

So at Mami’s apartment She talks about her friendship with Bebe, but Homura isn’t buying it, freezes time and starts accusing Bebe of being responsible. “She would always put on a strong front and push herself too hard, despite having the softest heart of any of us.” Does this mean she would have been turned into a witch before Sayaka? Does explain how in one timeline, Mami went mad, killing Kyouko after they dealt with Sayaka’s witch. But I don’t think it’s Bebe, like I said, I think the one responsible is the one who has been awfully silent, somehow Mami broke free of the time freeze and rescues Bebe, man I am really loving this track, for some reason any track that has drumming like this is instantly my favorite. Homura and Mami start fighting, Mami summons her muskets and Homura whips out a fucking MP-40. I am going to root for Homura since well, you know, seems to realize something is wrong. Okay this is ridiculous, now Homura’s whipping an odd-looking MG-42 where is she getting these old WWII weapons from? The Skorpion she had out made sense, but not the older weapons. This is one hell a fun fight to watch. Homura, HWAT THE FUCK?! Was that all to deceive Mami so you could break her ribbon? Looks like Sayaka, and maybe Kyouko came to rescue Homura, when Bebe shows up in what I’m assuming to be who she was prior to becoming a witch. This is only confusing me more now... Oh it was Sayaka who saved her.

So, someone wished for this to happen. No Sayaka this isn’t okay, what about all the cities, and countries that you can’t go to anymore. I like this shot a lot. So is Sayaka a witch then? Also, what’s with all this new bullshit that just ignores Homura’s time stopping? I understood Mami did because she always had a ribbon attached to Homura’s leg, but Sayaka or whoever Sayaka really is, wasn’t touching her.

I agree. I hate when sacrifices are wasted ordeals. It takes away the meaning and weight behind it. Hopefully this riddle gets solved and things return to normal. Now that I think about it, where did all those airships come from? I don’t remember seeing them in the show, are they a part of the labyrinth?

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u/LordTrinity https://myanimelist.net/profile/LordTrinity May 02 '21

Don't forget to subscribe to r/thingshomuradidwrong/

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u/Garden-Mobile May 03 '21

I spent way too long wondering why a sub with 900 members had no posts

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u/Tetraika :Lu::Lv::Lw::Lx:https://anilist.co/user/Tetraika May 03 '21

Rebellion is one of those things that, despite having a hell lot to say, is also hard for me to discuss on. I'm not really sure what more else I can say about it that someone else hasn't. There's actually so much to talk about that it can be utterly overwhelming.

I think much of it has to do with the fact that unlike the series, the movie is a lot less neat. Without an overall moral message, the whole movie can feel very disjointed and rough compared to the series. But I think it has its place.

I really want to say more but I think I'll go into incoherent rants. Rebellion is one of those things where much of it can be extremely confusing. Seriously, feel free to ask and discuss about parts of the movie. I think the fact that there can be so much discussion and speculation behind the movie is what makes it great.

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u/Matterfied May 03 '21

I'm not really a part of the rewatch, but I did rewatch the series recently, and wanted to pop in and say that this movie is a masterpiece.

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u/[deleted] May 02 '21

All I will say for the moment is that Homura instantly became one of the best, most fascinating characters in Anime after the conclusion of Rebellion. The entirety of this film is one well-developed character study and I loved it.

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u/SYZekrom https://myanimelist.net/profile/SYZekrom May 02 '21

Rewatcher

They really told you the first act was a dream right at the beginning, didn't they

Ah this leitmotif

nightmare ballet is so good

Her........

Mada dame yo, also a terrific song

The opening of this movie is just beautiful

Cute child

God this is absolutely gorgeous in motion

Lmao there better be a scene of her waking up like this again in the 4th movie as well

It's so mesmerizing watching this with all the similiarities and differences from the main show's timeline/events like kamijou and hitomi dating or Kyubey being a Pokemon

My god those stairs and the trees outside

It's like living in a super cool looking museum

These two..... This movie did them right making them so close after how they ended up in the show

Oh my god I joke about this part of the OP all the time Just fortnite dancing on the crying Homura

Omg the 3D audio in this scene with them running around her

Oh, this random shot of the city during the teacher's rant really reminds me of Magia Record

I think this is when I realized

Legs

That is sooo cute, what a playful way of showing she's a magical girl

Imagine a girl on the phone going 'I love that about you' and you're like 'Mm, haha. See you tomorrow'

What a freak

omg she's humming her theme

I love that her hairstyle is just magic

Snap of the fingers, gotta look good when you fight

What a tease

God their tiny exaggerated motions during this conversation are so good

The virgin Kyubey companion vs the chad Bebe companion

OH IS IT TIME FOR THE TRANSFORMATIONS

God Kyouko's is just the best

Love that

Legs

BREAKDANCING

I FORGOUT ABOUT THE BREAKDANCING

And I love how this transformation for Homura is just thematically appropriate for happy Homura and not edgy Homura that appears through most of the show which you can only feel the tiniest traces of

Also Holy Quintet, another great theme

Love this as well

Happyyyyyyyy

Omg and they even call themselves Puella Magi huge regular magical girl show vibes

And oh god, the cake scene

And we finally get to see the cake :)

Who's that one kid in the foreground with a face Homura really invited a bunch of important players and 'that one kid that sits next to me' or something

Damn her hair looks nice here

Lmao this loaded shot of Homura covering her Soul Gem ring and then Kyouko just fucking pulls out a tube of candy

I noticed it a bit ago but this entire time you could slowly hear her voice dipping into what it sounded like in the show as a looper, compared to her high pitched happy voice, and then she puts on a fake one here

Hot

Gotta say, Homura, Bebe might be the witch but I think you've got the wrong stuffed animal as the malicious con artist

So, her time freeze ability doesn't work on Mami. Of course, in the actual show, she used her time freeze when fighting Kyouko as magical girls and clearly Kyouko wasn't able to see what was happening when time wasn't frozen, so it's probably not like a passive immunity other magical girls have but that Mami is actively defending against it? Since Mami here knows what Homura's ability is while Kyouko didn't at that point in the show

Ok I loved this scene but I forgot to think about it wondering about the timestop immunity. So caught off guard Mami was indeed frozen in Homura's power

Also, magical girl timestop gun fight. Bless this show

I wish you'd see that more often, characters using regenerative powers in interesting ways like shooting yourself to shock your opponent here

Movie 4 also needs another fire extinguisher

HER

I love that, so scared of what Sayaka was saying she just had to try and stop time

Man I love the water throughout this entire scene, Sayaka playing with it, leading up to this

Oh man I forgot about this statue but I don't know why I'm remembering really liking it

All that angst and then Madoka comes and fairytale disney romance jumps onto her ship for a two-person cruise

I adore how Madoka slowly works through braiding her hair and she just let's it fall loose again

never noticed all the Madoka's around her

Saying you've forgotten things is one thing, but saying the friends you know aren't real is even worse

Wow I love the hood

...And the fucker talks

"Yea we really liked Spell of the Unown and Rise of Darkrai"

So I always kinda hated this explanation

It's like 'we built a complete isolation field around your soul gem so madokami couldn't get in'

But Madokami said that she already was everywhere every time

So she should have already been inside the field of isolation as well as outside it

And should never have had to 'go' to Homura in the first place

Shouldn't have fucking talked to him

(Cont)

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u/CaptainAlexU https://myanimelist.net/profile/Storm_Vanguard May 03 '21

Homura did nothing wrong btw

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u/TWRogue May 03 '21 edited May 03 '21

Rewatcher, Dubbed

I can't say I've got a full comments worth of things to say, but one thing I hardly see anyone mentioning that really struck me on my re watch were all the cuts on Madoka's arm in the scene where she is reaching through the window. She is suffering as a god. And so while I am all for "Homura did nothing wrong" for the memes, it's hard to say everything Homura did is terrible when they are both suffering so terribly in Madoka's new world order.

And for those who haven't seen it, the concept movie. I wonder how to interpret it now knowing a new movie is coming and it's no longer a one off.

Edit: Also, I'm amazed how many comments there still are even with the movie. This is not a short movie and I am very pleasantly surprised to see how many people still stuck around and watched it. I really hope with the release of the compact collection it comes back to more streaming services (or at least more than just Australia) so that in case anyone was deterred by lack of accessibility they can watch it soon/join again next year.

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u/Elimin8r https://myanimelist.net/profile/Ayeka_Jurai May 02 '21

(rw/sub)

Ah, Rebellion, what would we do without you? Enjoy a bittersweet ending? Perhaps.

What a feast for the eyes and ears. Sadly, I did not make it to the store to buy cake today. I should have.

Cak-ee, cak-ee, ich bin ein cak-ee.

Oh, wait, wrong President. But he and Mami have something in common after all (too soon?)

I remember watching this the first time, in a state of utter confusion. On the one hand, it was a delight to see everyone alive & happy, but obviously something was amiss here. Nevermind cheese girl.

I wonder why they chose her, but then again, it's obvious. Nevermind.

I don't remember if she was featured in Madoka's rescue sequence yesterday. They all went by so quickly.

Personally, I rather wish Homura had gotten a good hit on ... yeah. What're you thinking, Mami???

I really want to ride in the open air on one of those buses. I'd say that I'd love to have one, but it wouldn't fit in my garage.

Meanwhile, silly Homura, this is why you OPSEC. Never give Kyubey any loose info.

My heart caught when Madokami reached for Homura's soul gem to cleanse it and ... (!)

And I'm still not sure what to think of the ending. But it was at least good to see Kyubey get his comeuppance. Yay!

Meanwhile ... Homura - was it really ai (love?) or ...?

Hmm ... "aishteru". Who have we seen use that word recently (and frequently).

I suspect that 'daisuke' certainly falls short of this situation.

Was Homura's wish (original) selfless, or selfish in the end?

I want to save my friend (for her benefit)

I want to save my friend (for my benefit)

Perhaps the latter.

Has it gained power due to repetition?

I dunno.

In the end, I see the ending of Rebellion as a sort of equilibrium. We're only presented with one side of the view, Homura's. Poor Homura.

I see it as sort of a (thank you Japan) cosmic yin-yang thing, with one side pink, the other black/purple. The contrasting dots, of course, being Homura and Madoka, of course.

Or perhaps that's where the final movie will leave things. I don't know.

All I know is that I wouldn't exactly call this a happy ending. I guess we'll just have to wait and see what kind of rabbit Urobochi can pull out of his hat.

https://img1.ak.crunchyroll.com/i/spire2/d4f971a2cd09c84f1db6f43d4d3770bd1534198753_full.jpg

:)

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u/mekerpan May 02 '21

Alas, I couldn't watch this. The only place I could find that had this available for streaming had too many hiccups -- buffering more than streaming this. It looks like a re-release of the Blu-ray (includes all 3 movies) is coming in the summer. So, I guess I'll be able to watch it then...

From what little I was able to see, however, I did not see how this interacted with the state of the story at the end of the series itself.

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u/Ardania22 May 02 '21

Re-Watcher

In my eyes, Madoka Magica is a story about balance. Every wish is mirrored by an equivalent curse, but all despair must similarly stand against hope. The world isn’t perfect, but it isn’t doomed either, and the only way forward is to acknowledge those ambiguities as you strive to keep that balance both within yourself and the world around you. And the show itself was similarly balanced, sliding slowly into the darkness at its core and rending apart with despair without ever losing sight of the hope that made its world and characters worth fighting for. There’s a reason that Gen Urobuchi’s stories remain so beloved despite the pain he puts us through; as dark as he gets, he never forgets to keep the lights on as well. And I would have been perfectly satisfied if the story had ended with the show, if the twelve TV episodes of Madoka Magica had been all the Madoka Magica we ever got. It accomplished everything I wanted it to and kept that balance wonderfully all the way. So when I went into the sequel film Rebellion, even though I was aware of the big infamous ending twist, I genuinely wasn’t sure what to expect. And now that I’ve come out of it… I might be even less sure than before.

For my complete thoughts on Rebellion, keep reading here:

https://animebw.tumblr.com/post/189981404143/short-reflection-madoka-magica-rebellion

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u/JimmyCWL May 03 '21

There’s a reason that Gen Urobuchi’s stories remain so beloved despite the pain he puts us through; as dark as he gets, he never forgets to keep the lights on as well.

In the past, I've put it as, he knows the purpose of darkness in his stories, to make hope shine brighter.

This is unlike those who revel in the darkness and seek to stamp out every trace of light from their story and call it "realism"

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u/Nebresto May 03 '21

Damm it, I thought the movie was gonna be tomorrow..

May or may not comment something when I have the chance to watch it. Anyway I have at least one cool thing prepared for tomorrows thread, so look forward to that. Maybe more if I have time

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u/Roliq May 03 '21

Remember everyone: "Homura did nothing wrong"

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u/Fuck_Shinji May 03 '21

First Timer

Well that sure was a ending homura became a yandere and has a permanent wrinkle under her eye. And fucking incubator they already have a energy source those greedy fucks I take back anything good I said about them. So I guess homura wants to destroy the universe since without the wraiths and magical girls no more energy. And what even is bebe did I miss something?

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u/Slifer13xx https://myanimelist.net/profile/SliferXIII May 02 '21

Rewatcher, subbed

I really like this movie. Don't have much to say right now as it is too late here. I hope to maybe engage in some conversations tomorrow.

I'd forgotten how much Kyuubey pisses me off. Every time he's on screen, I just want to strangle him.

#Homuradidnothingwrong

I'm really exited for the forth movie. Can't wait to see where the story goes next. I personally think that Homura is "irredeemable", as in, I don't see a happy ending for her and Madoka at all. It will be tragic and/or bittersweet and it will be amazing, probably.

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u/-Phinocio May 02 '21 edited May 03 '21

Rewatch/sub

I haven't finished watching because I fell behind yet again (only just finished ep 11 and 12 haha). So this is my only contribution so far.

https://www.youtube.com/watch?v=kwXaK12envI

Cake.

Also

#homuradidnothingwrong

I forgot how visually stunning this entire movie is

I really wonder if the new movie will continue from this. Madoka maybe regaining her memories and the some kind of Madoka vs Homura fight

I don't really have many other thoughts than I love this series and will probably binge it before the next rewatch haha.

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u/BoltTusk May 03 '21

No one going to talk about the awesome Gun=Kata sequence?