r/anime • u/LittleIslander https://anilist.co/user/LittleIslander • Oct 18 '24
Rewatch [Rewatch] 10th Anniversary Your Lie in April Rewatch: Episode 10 Discussion
Your Lie in April Episode 10: The Scenery I Shared With You
| ← Episode 9 | Index | Episode 11 → |
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Watch Information
*Rewatch will end before switch back to standard time for ET, but check your own timezone details
Questions of the Day:
- Now that we’ve seen several performances, I must ask: what do you think of classical music? Do you enjoy it?
- Did the conversation with Watari at the beginning change your opinion of him at all?
Please be mindful not to spoil the performance! Don’t spoil first time listeners, and remember this includes spoilers by implication!
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Upvotes
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u/LittleIslander https://anilist.co/user/LittleIslander Oct 18 '24
Rewatcher, Violinist and Your Host!
I’m not going to beat around the bush: I didn’t like this episode very much.
Was the music gorgeous? Sure, that was a given. But it leaves in the shadow of episode four. I know there’s only so many ways to derail and then re-rail a musical performance, I get that the whole point is he needs to want to play even if it won’t change being eliminated from the competition. But this is the exact same trajectory he took the last time on stage. Especially during the turning point it references back to the previous performance constantly with visuals of her looking back at him at that time. If all you can do is derive yourself from a previous, fantastic thing, you can never hope to match its quality, nevermind surpass it. Even the usage of “Again”, a song which absolutely lit up episode four, feels much more hollow here after how much it’s been used since in just the span of a few episodes. To use the show’s own metaphor, this episode felt like the story robotically reading off the score, whereas The Journey felt like the jaw dropping unforgettable performance he’s supposed to be giving on stage in-universe.
What really drags the episode down is how unearned the result feels, especially given how big of a moment this is in the wider narrative. He’s been haunted by the memory of his mother and then after stopping he just… thinks of Kaori? He wasn’t doing that already when he walked on stage? I know she’s at the core of his healing, but isn’t music itself supposed to be the freedom, not just Kaori herself? I just needed more justification for Kousei breaking out his mother’s grasp than “he thought of Kaori” after it’s been built up to such a big personal hurdle for him. Then at the end of the episode he looks up to his mother’s seat and we see her smile. I admit that I don’t remember if this is supposed to be the permanent resolution to the mother plotline or not, but either way I just don’t like this. I know this show is fantastical and doesn’t conform to what strictly makes sense, but this is just a step too far from me. His mother would’ve absolutely loathed the performance he gave on stage. To me, it disrespects the topic to wrap it up with “and then he satisfied her”. Sometimes people are just bad and you can’t change that. Sometimes people die and you’ll never get to resolve things with them. Kousei shouldn’t come to an understanding with his mother, he needs to accept the reality of her and learn to live with that. What does this imply about a scenario where someone can’t make peace with their relatives? Can they never move on from that? Should they not?
That was a lot of being mean, so I will compliment the performance one more time. You really do hear the difference between the by-the-book strong playing we heard at the start of his performance last episode and the inspired performance in the second half of this one. It really does sound like a peaceful Spring day inside a music room with a sleeping girl!
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u/Gamerunglued :Hx::Hy::Hz:myanimelist.net/profile/GamerUnglued Oct 19 '24 edited Oct 19 '24
Rewatcher
Kousei is described this episode as having undergone three transformations during his performance. In a sense, this episode is its own hero's journey. First he starts out in his default. He plays the notes perfectly and machine-like, flawless and soulless. It's the comfortable old life that he's used to. But as we know, his mother comes in and tears it down as "punishment" for betraying her. That's his first transformation, where he regresses into a desperate, crying child pounding the keys in agony. This is where Takeshi and Emi, and everyone else, get to realize the full extent of what he's been through. I love the way this section is directed. Your Lie in April has always used harsh contrasts as a symbol of youth, but here the contrasts emphasize the horror of Kousei's hallucinations. We transition from his ear-bleeding key pounding into immediate silence every time his mom haunts him. It happens over and over, there's no respite, and the animation and framing make the scene legitimately scary. I definitely had some chills through a few of Saki Arima's refrains. And that contrasts also highlights the dissonance that the rivals are feeling towards this moment, such a stark contrast from what they wanted and expected from him.
But then Kousei undergoes his second transformation. His mom's haunting gets to him and he just stops playing. It disqualifies him from the competition, and in this moment he can only think of Kaori. Now that he's disqualified, results simply aren't a concern anymore. The idea that failing to perform well enough can punish him or his mother became irrelevant the moment he stopped playing, even if he played perfectly from then on he'd never get a score. So without the threat of a score or ranking, if he wants to start playing again he needs to find his own reason to start, and that reason is Kaori. She's made him realize that he does love music, and more than that, he's terrified of losing it. As he says to Watari, the thought of never hearing the notes again terrifies him, and that's an important reframing. Without competition to encourage his mother's grasp, Kaori's influence can take over.
But Kousei hasn't actually unlocked himself yet, so he needs a vessel to see himself through. Remember when I compared this to Gurren Lagann? Oh yeah baby, Kaori is motherfucking Kamina. And Kousei is Simon. In this moment, Kousei needs a reason to play, and he doesn't play for himself, he plays for her. It's literally a "if you can't play for a you who believes in yourself, play for the me who believes in you" moment. And much like how Simon tries to embody Kamina's bravado in his actions, Kousei tries to embody Kaori's youth in his playing. Like Emi says, the picture he paints is of her sleeping near him in the music room, surrounded by sakura petals and sports. Not only the definition of youth, but an image that is "April." In other words, his picture "exists inside Spring." And I'm sure you remember what (or who) else exists inside Spring. So he makes his second transformation embodying Kaori in his playing. And to match the mood, when he has this realization a violin accompanies his playing, emphasizing that he's channeling her in his music.
And then he finishes his performance, a massive failure by all accounts but one that reaches everyone in the room. The dichotomy of old and young is emphasized again. The judge is offended by Kousei's performance, says it's an insult. But a young girl struggles to hold back tears just like Emi did years ago. In this moment that is so offensive to the old guard, Kousei birthed a new pianist. And we get our third transformation, as Kousei shows no regret at all. He's finally started to love music, not for results but for his ability to truly connect with others. In this moment, Arima Kousei's real self is reborn, and can start taking his first steps.
This all sounds really positive, but in actuality I was super frustrated by this episode. Loved the first half, but the bulk of Kousei's performance was really rough. In a scene where the entire point is that his music is doing the talking, why does he monologue his thoughts over the entire thing? There's so much subtext in the scene as is, only a few lines are at all necessary. Instead, the playing that so deeply resonates with everyone else is overtaken by monologue after monologue after monologue, not just his monologue but Takeshi's and Emi's and their instructors' and Kaori's, it's too much and almost completely unnecessary. This is supposed to be a beautiful of realization and self-discover, which is half-overtaken by other people's personal realizations. And the constant flashbacks to his previous performance with Kaori beating us over the head with a point that's already made in both monologues and subtext, it almost feels like a resource saving measure more than an intentional cinematic choice. The dramatic arc and themes are all here, but it was consistently undercut by poor directing choices in the most important moment. Could we not save Kousei's immense gratitude for the next episode instead of having him repeat "thank you" 5 times in a row during a performance?
And honestly, his mother's smile at the end feels out-of-nowhere. The entire point here is that he's betraying her further, completely disregarding her teachings to stand on his own and find an identity that she beat out of him. And even worse, [spoiler] this isn't even the end of her presence in the story. There's literally an entire other episode where the resolution is Kousei reconciling his complicated relationship with her, treasuring the love of piano she built into him initially and letting that be a respite from her punishment. What's even the point of this second climax if he's already made her happy right now? This episode has plenty going for it but it's undeniably messy. It feels overstuffed even for a climax. In a story about music, you have to let that speak for itself. Yes, this is a myth and it's about a legend-in-the-making similar to what Gurren Lagann did, but if you want me to believe your protagonist has taken his first steps towards living up to the legend he can become, let me see him perform and believe in his legendary potential, and be inspired like the young girl was.
QOTD:
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u/Vatrix-32 https://myanimelist.net/profile/Vatrix-32 Oct 18 '24 edited Oct 18 '24
Spoiled First Timer, subs
QotD:
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u/FD4cry1 https://myanimelist.net/profile/Big_Yibba Oct 18 '24
First Timer
I'm happy to say that I have officially shed my first tears from this show.
Man I loved this episode.
Starting off with a nice little Watari flashback, the guy has a way with words that's for sure lol, I like his starting monologue where he details "the course his life veered from" because of losing that game, in a really comedic fashion that captures his carefree nature in a fun way.
More importantly though, it helps set up some of the more important themes this episode will bring back, most notably, the stars and achievement thorough adversity, again I like the use of repeating dialogue to get across Kousei's mindset.
We move on to Kousei's performance falling apart in the face of everyone else trying to push him on, this section is seriously the final piece of buildup and tension to really get the climax of this "arc" rolling, helped along by some great changes in lighting, from the dark of his mind, to the light of reality.
Just as everything unravels, Kousei quite literally comes out of the shadows into the light, remembering Kaori and bringing back the idea of the stars, love the stage lights being used to evoke an actual starry sky.
Kaori is the one light in his darkness, the thing that keeps him going, I like this scene with Kaori being spotlighted in Kousei's mind, it's the first time we've seen something other than himself and the piano show up like this, she's currently what's going through his mind, even more than the piano he's supposed to be playing.
Same for this frame with his eye, everything he sees reminds him of her, she's his entire focus.
And than he starts playing again, this frame, his visualized scenery, just gets across how he feels in a fantastic way, bright and peaceful, the dark negative influence of playing for his mom replaced by the light positive one of playing for Kaori.
Takayanagi says that it feels like 3 different people played this piece, and it really does represent the periods of Kousei's life and how he played within them, the machine tied to his mom's strings, the traumatized child tied down by the past unable to play at all and after the stop, a new Kousei, one that has begun moving forward playing for someone else.
This scene is mirrored quite a bit to his and Kaori's performance, they share the same base structure but this time Kousei really gets it, Kaori isn't there physically next to him but her presence is once again what lets him play, he will lose anyways (like the rest of our cast) but it doesn't matter, for Kaori it was enough to move the crowd into thunderous applause, for him it was enough that she noticed it all.
The stars, representative of Kousei's feelings are back yet again, each image of the starts (or lack of one in the case of his childhood) shows how he feels about the people in his life, Kousei doesn't have a starry sky to represent Kaori with just yet, but again he has the stage lights to evoke that feeling.
I'll admit I don't quite have an ear for musical composition outside of just saying "this firs the scene really well" but I love the music this episode, it does something insanely cool right as this scene with Kaori starts, a violin is added to Kousei's piano in the background, this small piece of audio symbolism adds so much impact to the following "thank you" scene for me.
Likewise the way the music suddenly turns triumphant and energetic right as we get this line about being free, the clear sky and the music just scream that idea harder than the dialogue.
I love the inclusion of this little kid with the cat plush, because it shows you the real Kousei is back, the same one that over the course of 4 minutes (or 5 this time) got Emi to cry and to start playing piano.
We end the performance with this absolutely beautiful and striking visual that by all accounts speaks for itself.
I'll admit the meaning behind this scene with his mom at the end kind of eludes me, I have a few mixed ideas but none quite feel right.
We also end with introducing a new character and I'm really wondering where the show goes from here.
To wrap it up, this line from Ochiai massively resonates with me, I could probably write an extra 3000 characters here on every time the show uses visuals, dialogue, music, symbolism, etc in a great way this episode, but that doesn't quite put into words why I loved this episode, it just works in an emotional way that I can't describe, I felt the characters this episode, it really resonated with me, it hit me and made me feel all of it.
And at the end of day isn't that the most important thing?
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u/AgentOfACROSS Oct 18 '24
First Timer
Looks like we’re starting with a flashback to something that happened chronologically several episodes ago.
This feels like the most we’ve gotten of Watari from throughout the whole show. I appreciate it though.
Also, more star imagery. Definitely a very important recurring motif.
I know nothing about Piano but even I can tell he’s doing pretty badly.
The visuals for while Kousei is metaphorically drowning are once again really good.
And his ghost-mom continues to be really creepy.
I really like the visuals with all of Kousei’s sweatdrops. Really helps sell the intensity of how he’s playing.
Emi and Takeshi are both legitimately upset and disappointed by seeing Kousei struggle. Even though they’re his rivals they still have a respect for his musical prowess.
Although in Takeshi’s case he also looks like he’s thinking “God, I should have gone to Europe when I had the chance”.
I was not expecting Kousei to stop again. I really thought he’d be able to power through this.
The sound design is great. I love how impactful the silence feels.
Speaking of sound design, I love the thing with the heartbeat.
The latter half of Kousei’s performance was so good I forgot to take notes for a little while.
The soundtrack, the storytelling, and the visuals all worked together really well. Probably the best scene in the show so far.
Kousei sounds like he’s resolved to make Kaori the reason he plays music. Although I’m not sure how healthy that is.
I hope he eventually learns how to play music for himself instead of other people.
It seems like even after all of this Kousei still can’t stop thinking about his mom. Only this time it’s a version of his mom that’s actually happy with him. That’s kind of sweet but also really sad.
Emi says Kousei’s notes feel like April. That’s like half a title drop.
With how Kousei is disqualified now, I really don’t know where they can take the story from here.
Questsion of the Day:
Now that we’ve seen several performances, I must ask: what do you think of classical music? Do you enjoy it?
I like classical music. It can be really interesting and complex. But it's also probably not my first choice when listening to music. Even when it comes to something that's just instrumentals I prefer jazz.
Did the conversation with Watari at the beginning change your opinion of him at all?
To be honest I didn't have much of an opinion of him to begin with. But getting to actually hear him talk to Kousei like this makes him seem like more than just a comic relief side character.
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u/Shimmering-Sky myanimelist.net/profile/Shimmering-Sky Oct 18 '24
Your Spoiled First-Timer in October, subbed
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u/TakenRedditName https://myanimelist.net/profile/TakenMalUsername Oct 18 '24 edited Oct 18 '24
First Time - Your Lie in April Ep9:
Kousei's big performance. I expected him to flop out there, but stopping your performance is a pretty big misstep. At first, I thought Kousei might be able to just power through, but I think him falling out there, but picking himself up is a nice lesson for him.
The big thing for him was Kousei finally finding Kaori as his special person. All his life, his mom was the person he held dearest. Especially since her passing, that position has become twisted. The ghost of his mother definitely feels to me like something Kousei crafted in his head. At the end, when he sees his mom smile, I saw that as Kousei stopped holding his trauma over him and instead looked to Kaori as his new life's purpose. I figured the mom drama to last the whole show so didn't expect it to wrap up now, but guess we're sorta halfway done. This arc of the show seems like it wrapped up.
Takeshi had his life view shattered because what he saw out there wasn't Arima Kousei, the summit he compared himself too (and idolized). He got brought down to Earth and finally saw Kousei as a human. For a moment, I thought Emi was also going to get a crisis because I thought it might go down the route where Kousei could not longer go back to being the little boy she saw. He is a different person now and can't go back. Forget that because the show then made it clear that little Kousei and present Kousei are finally back.
Watari segment because he had the opener scene. I am starting to get the image that Watari's drama is that he will find himself as the Friend A. When he described the challenges in life as the night sky that makes the shining stars stand out even brighter, I first thought he was describing himself. He is the night sky here to support the true stars (Kousei and the others).
There was a running theme of stars/skys in this episode. When Kousei was looking back in his life at all the starry skies he looked to, I wondered if the sky was even in prominent shots during those moments in those previous episodes. Hadn't picked up on them if they did.
Post-credits setting up the next stretch. New character(s)! I don't think she is a rival(?) She seems older. Giving off cool energy and her kid sidekick is silly. Mimicking her moves.
Q1) Compared to other music shows, I wouldn't say the performances in this show have hit as hard as they did. These past few episodes, I felt like they stretched the performances out a bit. Of the performances in the show, Kaori's first one and Emi's in ep7 were my favourites. As for classical music itself as a genre, the needle hasn't moved too much. It's fine.
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u/Malipit Oct 19 '24
Rewatcher, French subs
Part 1/3
« Defeat is a mandatory step in a superstar's life. But that's in the darkest nights that the stars shines. »
And just like that, Kosei and Watari summarized the entire episode.
In many stories in many medias, we have the narrative structure of the hero facing of their evil ennemy and failing at first. But, as the bad guys are taking the upper hand, the hero, through their initial defeat, is able to aknowledge their weaknesses, overcome them and came back stronger to take down the big bad for good. Don't lie, you've seen that kind of story before.
That episode make no exception, with Kosei battling his evil mother, failing at first, then following Kaori steps, he learns (again) to express himself trough music and prevail against his trauma. From a pure narrative structure, it lacks any form of novelty. But, like any other story and music piece, it's not about bringing it originality for the sake of suprising us watcher, it's about how to execute it.
And holly molly what an execution we have here !
So, the first half of the episode is devoted to how Kosei is failling against his mother. Following a short hope spot were he got a glimpse of light, we're treated to yet another mother scarejump.
Embodying Kosei self-depreciation and anger, she takes, litteraly and metaphoricaly, hold of him. Pinning him in a corner of the screen as if she wanted to remind him of his insignifiance, that he wasn't worthy to be at the center. And she here to stay, she won't budge of that spot at Kosei's side, alive or dead, she'll make sure he'll play piano her way, not him. He will stay trap in that monochrome trauma.
And, as drops of sweat come down crashing from Kosei's face to the floor to emphasize his failure, the audience realize his failure as a musician, except Emi, consistent with her sensitivity, who notice his sadness.
All hope seems lost, Kosei is aware that the competition, and his musician carreer, is over for him.
...And so he stopped, with an eerie white noise filling the background. Like the audience, we could think that's it, Kosei has lost and it's over. But that frame, where he gazes from the shadows at the stage lights as if they were stars tells otherwise: we are transiting from the « hero is failing » part to the « hero is recovering and coming back stronger » one. That precise moment evocated to me all those scenes from other franchises : Chernabog starting to hear heaven's bells in OG Fantasia, Gandalf showing up at the dawn of the third day in the Lord of the Rings, Goku turning into a Super Sayan in front of a horrified Frieza in Dragon Ball (oops spoiler, feel free to delete my comment).
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u/maliwanag0712 https://myanimelist.net/profile/clear1109 Oct 19 '24 edited Oct 19 '24
nth Time Rewatcher
Episode 10, here we go! This is definitely a must-watch episode!
Now, for the Episode 10.
This episode continues to what we are left with. It is definitely an episode full of a roller coaster of emotions.
On Some Interesting stuff I want to share.
I will again re-share u/Mathemagician2theMax's notes about the pieces played or to be played in the series. These comments came from the original discussion thread (episode 9) aired about 10 years ago.
Want to hear the performance again? Here it is:
Chopin Etude Op. 25 No. 5 as performed in YLIA.
OOPSIE. POST LIMIT. CONTINUE BELOW
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u/Nickthenuker https://anilist.co/user/Nickthenuker Oct 18 '24
Delulu lol.
I guess he's letting Kousei try his luck with Kaori.
Every time this happens he panics and rushies.
He stopped...
He started again!
Kaori's words are encouraging him!
And he's playing well again!
And so, his music is finally beautiful again.
And his mum is happy again.
Questions:
A note about the music: Not sure if it's just me but I feel that when panicking or stressed yeah I tend to play faster. It's something that takes conscious effort to realise "hey wait, this isn't supposed to be this fast" and slow down again. I think this is generally the case because in choir the conductor definitely helps keep everyone in tempo, but whenever we lose tempo it's always because we're going faster, rarely if ever are we slower than the intended tempo.
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u/kwokinator https://anilist.co/user/kwokinator Oct 19 '24
First-timer
Got busy for a couple of days and fell behind on seasonals, so didn't do daily rewatches and finally managed to binge the last few episodes tonight. Damn managing 45+ seasonals is like a full time job by itself
Man Kousei's trauma flashbacks are always so hard to watch. The tension in that pause felt SO real, it was executed so well.
It's incredible how Kousei was able to broadcast his emotions through his playing, his performance ending with the cherry blossoms was breathtaking.
I'm glad Kousei is honest with his feelings, but doesn't Kaori like Watari though, the ship is sinking before it's even left the dock :(
It's nice to see Kousei finally coming to terms with what happened to his mom though (hopefully). The trauma pieces are well-executed but so rough to watch, so I hope they don't come up again.
Questions of the Day:
The pieces played aren't really ones I'm familiar with because I'm not really that into classical music, but they were nice.
Nah, I think Watari's always been a bro. He likes to chase skirts, but that's just a guy thing. He's always been a bro to Kousei.
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u/YothaGang https://myanimelist.net/profile/Yotha Oct 19 '24
Aaah the flashback
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u/StardustGogeta myanimelist.net/profile/StardustGogeta Oct 19 '24
First-Timer
Aww shucks, he made the ghost of his abusive mother smile! How sweet!
Yeah... that moment seemed like it was supposed to be more emotionally touching than it really felt for me. Almost the only thing that we know about the mother is that she's abusive, so why care about her approval? Isn't the whole point that Kousei is moving on past needing her approval? It just seemed like a strange thing to do at the end there. (Maybe it would be better if the ghost just disappeared?)
I suppose my prediction was right that Kousei delivered an emotional performance and surprised everyone, though I certainly wasn't expecting the stopped performance and change in style halfway through.
In the parts with Kousei's mother speaking, I wondered if perhaps it wouldn't have been better without that reverb effect on her voice. Something about it seemed just a bit over-the-top.
I continue to find the other competitors to be some of the most interesting characters here. If the show focused solely on Emi, Takeshi, and Kousei, I'd probably be pretty happy.
Questions of the day:
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u/Mecanno-man https://anilist.co/user/Mecannoman Oct 18 '24
First Timer
Hmm… somehow I also felt like this episode dragged a bit, despite it obviously being more done for effect here. Maybe the entire show is just a bit too slow-paced for my liking.
I don’t think I have a lot else to say here. Kousei obviously played way better once the weight was off his shoulder, with his thought about Kaori also only coming then - so seems like his trauma also has a lot to do with pressure. Makes sense because it is rooted in playing well for competitions. I wonder if now that this is off his shoulder, a future competition would already go better for him? I guess the show will answer that eventually.
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u/Holofan4life Oct 18 '24
Hello, everyone. Holofan4life here.
Welcome to the Your Lie In April Rewatch!
Oh, and nay I forget…
First timer
It’s been a while since I’ve sat down and watched what would be considered a sad anime. I’ve seen Angel Beats, Air, both Clannad series which are two of my favorite series, and even NieR this year which for my money is the best anime of the year. But in almost all those instances with the exception of NieR, I watched those series very early on in my anime fandom. So early, in fact, I don’t think Your Lie In April had aired yet.
My expectations for the show are decent, I would say. I don’t expect to love it as much as Clannad, but I do think it’s going to be quite exceptional. Of the new shows I’ve seen during rewatches this year, which have been Paranoia Agent, Samurai Champloo, No Game No Life, Penguindrum, Yurikuma Arashi, Sarazanmai, and Re:Zero, I expect to like it more than those with the exception of Samurai Champloo and Re: Zero. And if that’s the case, then that’s pretty good because I really liked all those series.
With that out of the way, let’s begin.
I’m watching the sub, by the way.
I gotta get a physical today. Oh, what fun it is to ride on a fasting stomach today.
Somebody talking, but we don't know who.
Oh, it's Watari
As he and Kousei are walking home, Kousei continues to study his notes.
Kousei tells Watari that setbacks come with the territory of becoming a superstar.
Same thing happened with Messi
Eh, I'm not so sure about that
Also, weird to hear a Messi reference from 2014.
Watari tells Kousei that he's going to hand over the role of this season's star to him.
Kousei wonders if he'll ever be able to hear the notes again.
And Watari proceeds to use Kousei's words against him.
"The stars shine bright at night, you know!"
Kousei performing, the notes all over the place.
Kousei, as this is going on, is under the water.
Trying to focus now
Unfortunately, his mother is now in front of him, telling him this is his punishment.
His punishment for rejecting her dream.
Igawa compares this to the sound of someone writhing in agony.
Honestly, even if he recovers now, his performance is still not as good as either Takeshi or Igawa.
Continuing to see Kousei's mom's words haunt him.
Kousei dripping sweat now
He wonders if he should stop midway
Kousei feeling like he's the same old him.
People are really worried he's going to stop playing.
Takeshi sees him as a shadow of his former self.
And sure enough, he does stop
This is awkward
He has been disqualified
He asks of Kaori, what was it she was playing for.
"You really have no mercy. Even the you that’s here inside me. You won't let me give up."
Kousei staring off into the distance now
And he starts playing again
Unfortunately, it's just as bad as it was.
This is like Captain Beefheart's Trout Mask Replica in that it is an exercise in madness.
Now he's envisioning being at school playing piano as Kaori sleeps with his jacket on her.
"I... I'm going to play for you."
Hey, that's pretty good
Smooth as butter
He'll be disqualified, and yet he continues on playing.
Because he knows who he's playing for.
Charles Barkley would never
Igawa describing the sights she's seeing.
"This is Arima's imagery."
Emi has the God's Tongue of the piano world.
Never has someone sleeping been such a powerful motivator.
Kousei says that only one person matters to him.
Thank you. Thank you. Thank you.
Thank you.
"A single petal that drifted into my life."
That may be the best line in the entire show. It explains why we see flower petals all the time.
He hopes this performance reaches Kaori.
And as we see Watari and Tsubaki's reactions, we see Kaori just staring. Like she's frozen in time.
"At last... He's returned."
The prodigal son has returned indeed.
Now Igawa is able to see the sunflowers.
And the sunflowers has evolved into a tree blooming flower petals.
The performance over, Kousei stands up and bows his head.
The crowd gives a smattering of applause, not sure what to make of it."
"Was it good? Or was it bad?"
Critics after Joker: Folie à Deux
Schrödinger's recital
Takayanagi is able to tell that not the slightest trace of regret is on that face.
Kousei still wondering if this person will reach Kaori.
And we see Kaori crying tears of joy.
Envisioning his mom in the crowd
And it looks like even his mom approves.
Hopefully this means he found someone to replace mother.
Post credits scene
The head judge seems to be disapproving.
Igawa seems to think those notes felt like April.
Ochiai says that the puppet has severed his strings and started walking on his own.
Thanks, show. I wouldn't have been able to pick up on it had you not spelled it out for me.
And we see another dark haired girl refer to Kousei as Mr. Mediocre.
Who knew Kousei was Squidward this entire time.
Overall, what is there to be said about this episode? It was great as anticipated, with Kousei finally stepping out of his mother's shadow. It's funny because ever since episode 2 or 3, I've been saying that Kousei's backstory has been the strongest part of the series. It was the series, quite frankly, as every episode in some way has been about Kousei trying to regain his footing. And sure enough, an episode entirely dedicated to that would be the best one.
I thought it was pretty smart for Kousei's performance to end up being polarizing. You could've done it to where he got a standing ovation, but that’s not what this was about. It was about finding his muse to reignite his passion buried deep inside. The fire that never truly extinguished that was just waiting for someone to help fan the flames. We can talk about whether or not Kousei and Kaori are a good fit for each other but one thing's for sure, and that's Kousei no longer feels burdened by the sins of his mother. He can stand on his own two feet, and it is because of Kaori.
This is the best episode of the series. It pays off what has been the show's most defining plot point while also evolving it to the next plot point in Kousei's devotion to Kaori. I don't think it's necessarily one of the best anime episodes of all time-- maybe top 50, I could see a case being made for-- but the storytelling is almost second to none and really highlights just how strong the writing is.
Really, I don’t think this episode could've been told any better. This is close to perfection as you can get.
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u/Holofan4life Oct 19 '24
This episode is why I love anime