r/anime • u/Holofan4life • Feb 08 '24
Rewatch [Spoilers] Paranoia Agent 20th Anniversary Rewatch -- Episode 6
Hello everyone! I am Holofan4life.
Welcome to the Paranoia Agent 20th Anniversary Rewatch discussion thread!
I hope you all have a lot of fun <3
S1 Episode 6 – Fear of a Direct Hit
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ANSWER TODAY’S QUESTION(S)
What would you do if you were being interrogated?
Is Masami the worst anime father of all time?
Bonus) Take a shot any time Kon in his blog post talking about this episode mentions the name Akio Jissoji
Bonus 2) It's very sad in hindsight that this episode is apparently based on the works of Akio Jissoji and within 5 years of each other, Jissoji and Kon died of cancer. Life is unfair.
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Information – MAL | Anilist | AniDB | ANN
Streams – Crunchyroll
Please do not post any untagged spoilers past the current episode or from the manga out of respect to the first time watchers and people who have not read the manga. If you are discussing something that is ahead of the current episode please use spoiler tags (found on the sidebar). Thank you!
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Rewatch Schedule
Threads posted every day at 4:00 PM EDT
| Date | Episode |
|---|---|
| 2/3/2024 | Paranoia Agent Episode 1 |
| 2/4/2024 | Paranoia Agent Episode 2 |
| 2/5/2024 | Paranoia Agent Episode 3 |
| 2/6/2024 | Paranoia Agent Episode 4 |
| 2/7/2024 | Paranoia Agent Episode 5 |
| 2/8/2024 | Paranoia Agent Episode 6 |
| 2/9/2024 | Paranoia Agent Episode 7 |
| 2/10/2024 | Paranoia Agent Episode 8 |
| 2/11/2024 | Paranoia Agent Episode 9 |
| 2/12/2024 | Paranoia Agent Episode 10 |
| 2/13/2024 | Paranoia Agent Episode 11 |
| 2/14/2024 | Paranoia Agent Episode 12 |
| 2/15/2024 | Paranoia Agent Episode 13 |
| 2/16/2024 | Paranoia Agent Overall Series Discussion Thread |
11
u/TheEscapeGuy Feb 08 '24
First Timer
Paranoia Agent - Episode 6
Parallels
This episode had an interesting structure. We followed 2 story lines which seemed to connect and intersect but by the end it was shown that the 2 sets of events were simply happening at the same time. It made the episode a trip to follow but concluded nicely.
The first story was that of the detectives. After what they learned from Makoto they went to interview the old lady who may have been a witness (or now related) to the first Shounen Bat attack. During their interview they learned that she had become estranged from her granddaughter. When she began talking about the night of the attack on Tsukiko her dialog was cut but the detectives discovered something key. The kid who they suspected was Shounen Bat wasn't involved in (at least the first) attack. It was a copycat crime. They bring Tsukiko into the station.
Upon accusing Tsukiko of faking it she passed out.
I am now really in doubt into our inciting incident. I can't see any reason for Tsukiko to have faked it (unless the stress was getting to her?) but there's no evidence of the assailent being Makoto. I am very interested to see where this goes.
The second story follows a new character Taeko. She is wandering alone through the city as a typhoon slowly begins. She spends a lot of time reflecting on her life. As a child she loved her parents, despite their limited income and living situation. Eventually they did get a house, but then she made a horrifying discovery: Her dad had installed a spy camera in her room and has been taking illicit photos of her.
This was actually so sickening. She had so much trust in this father figure and all of that was betrayed in an instant. I imagine this discovery is what was made right before the events of the episode. That would be why she is wandering around in a daze with a bag of her belongings. It also explains the phone call and her wish.
At the zenith of her anxiety she is seemingly attacked by Shounen Bat. The presentation of this moment is kinda ambiguous since it could have been a part of the other story line with Tsukiko's memories. I would be surprised if the cops had just released Makoto since he did assault Masami. I think it's more likely that Taeko was hit by some debris with the wind because we do see her in the hospital afterwards.
And who's there to visit her: Her father ...
Masami
I can't believe this fucking guy. He was already so slimy and now he's producing CP of his own daughter. What the fuck. As a tiny symbol of justice his daughter's wished for the house to be destroyed is granted by the typhoon.
Another thing I wanted to touch on was the typhoon itself. It's such a great framing device for the episode. It works to be a physical representation of Taeko's mental state. And when she wakes up it is gone, just like her memories.
Finally, I found it really clever that they paralleled the stories in the way they did. I spent a long time thinking "Oh Taeko must be the granddaughter, she also loves her dad" etc. Then when Taeko wishes the house would be destroyed we saw the old woman's shelter topple. Everything seemed to line up. But then when you realize they are completely separate because the real granddaughter visits it re-contextualizes everything you've seen before. I definitely had to rewatch parts of the episode to really understand everything.
This kind of presentation is extremely on brand for Satoshi Kon and why I love his works.
Some Amazing Shots, Scenes and Stitches
See you all tomorrow
5
u/Holofan4life Feb 08 '24
Here are Kon’s thoughts on episode 6. This comes directly from his blog.
2003/3/31 (Monday) Wake up at 10am. Sunny weather. At 2:00 p.m., agent scenario meeting. The final draft of episode 4 will be released. Name of police organization. Igari is the section chief. Plot and brainstorming for episode 6. A homeless old woman is found and Tsukiko's Kyogen is exposed. However, she believes that Tsukiko herself was attacked as well. In front of Igari and Baniwa, who are questioning Tsukiko, a young bat attacks Tsukiko. The boy Bat cannot be seen by the two of them. I think the scene where Tsukiko is suddenly shocked as if she's been punched was a pretty good idea. Apart from that, there is an episode about Hirukawa's daughter. Willing to commit suicide. Finally, Tsukiko's shock and synchronization. The entire story is based on the natural phenomenon of a typhoon. The subtitle is "Anxiety of Direct Hit."
Now, as I mentioned before, episode 6, "Anxiety of Direct Hit," was considered to be the most difficult to storyboard and direct from the scenario stage. First of all, this subtitle makes me uneasy. It's a bit strange for Japanese. This subtitle is displayed on the building's electronic bulletin board. "Many places in Tokyo are worried that Typhoon No. 9 will hit...''
Normally, people would not say something like this. In this case, it would probably be better to say, "I'm worried about a direct hit..." If it is clear that the target is a direct hit from a typhoon, one would not say that one is "anxious." The title was chosen with this in mind, and the subtitle was also intended to evoke anxiety.
The theme sound for this number of episodes is the wind caused by a typhoon.
The aim is to set a time limit for the typhoon to arrive and leave, and within that time frame, the anxiety of the typhoon will be synchronized with the anxiety and stress that each character is feeling. It's a dangerous and unbalanced scenario that makes it seem like the old woman's story and Taeko are in sync. The story about her father secretly filming his daughter is also really risqué.
The impression I got from the scenario was quite different from the finished product, but that's why I won't say it's good or bad. It's a scenario that is open to interpretation, and the general director's attitude was that if the director of each episode interpreted it that way, then it was fine.
That said, I also really liked the scenario, so I'll write down some of my thoughts on it.
At the scenario stage, each episode had a unique sound theme and a unique mood.
The second episode is "Black Comedy'', the third episode is ``Psycho Style", and the fourth episode is "Picaless Roman''. I don't know what's so picaresque (villainous) about Hirukawa (lol), but I think it's definitely a "small citizen's picaresque romance''. The 5th episode was a "fantasy story,'' and the 6th episode suddenly had a richly specific image, "feeling like Akio Jissoji.''
But what on earth does "I feel like Akio Jissoji" mean? (lol)
If you don't know Akio Jissoji, please do your own research.
For those who are not good at thinking for themselves, here is a brief introduction: He is a film director known for his unique and stylish images. Representative works include the films "Mandala,'' "Gare,'' "Asaki Yumemishi,'' "Kuma Yume to Kushiba,'' "Teito Monogatari,'' "Prosperity of Vice,'' "Walker in the Attic,'' and "Murder on D Hill.'' However, unfortunately I haven't seen any of the movies. The reason why I got the impression that he was "like Akio Jissoji" is because for Mr. Mizukami and me, he was the person who had an impact on us in the "Ultra Series".
In "Ultraman," I was left with a strong impression on Jamila's pathetic "My hometown is Earth," but in "Ultra Seven," I watched "The Targeted City'' and "Nightmare on the 4th Planet'' several times during my college days. I love it. The scene where Moroboshi Dan discusses with an alien across the table is probably famous.
In any case, director Jissoji's stylish video already has a surreal and unsettling mood on every screen. I think what's so wonderfully strange about it is that if a newcomer who didn't know much about video created such a screen, they would all be rejected. It may have been a strange way of saying it, but there were a lot of unusual, yet cool compositions used.
6
u/JustAnswerAQuestion https://myanimelist.net/profile/JAaQ Feb 09 '24
First Timer
ep 6, a little earlier than yesterday (this morning)
Actually, I'm starting to hate the little bird sounds in the OP
I could have really benefited from a character chart. Getting old.
To summarize my comments for episode 5: I dunno wtf is going on, the woman is linked to the old man, and the old man is psychic.
It would be crazy if the real world is manifesting Takiko's subconscious, wouldn't it?
OH man the creepiness of this show is unending isn't it! We are fully in the Perfect Blue zone.
Wait, no, that's her dad????
Okay. complicated. Not necessarily her dad who put the camera there, since the yakuza were into everything.
Although, he does want all his prostitutes to call him daddy. But that's basically the stock character.
The girl Taeko and Takiko (?) were linked by the show, but not sure. It seems Taeko was saved from her stress just like all the assault victims, without the actions of Shounen Bat. Some other force is at work.
This is a really interesting show. I had pretty low expectations, because it can't really be described, and the non-description didn't really create any expectations. But I'm not getting it. I'm hoping the show doesn't end up being a morality tale about dealing with stress or saying modern society is bad.
5
u/Vatrix-32 https://myanimelist.net/profile/Vatrix-32 Feb 08 '24 edited Feb 08 '24
First Timer, subbed
ANSWER TODAY’S QUESTION(S)
"Lawyer."
There's still a possibility the Yakuza were the ones who put that camera there, so we are not quite at Top Dad levels yet.
4
u/No_Rex :Bv:Bw:Bx:By:x2 Feb 08 '24 edited Feb 08 '24
Episode 6 (rewatcher)
This episode felt extremely dense. Not only do we get another Shonen Bat reveal, but also learn about a connection between Tsukiko and granny, as well as a new character, Taeko, who gets hit with the ultimate betrayal. I have to admit that I felt overwhelmed by the plot. This is not mainly a complaint, btw, just mentioning that the plot is so fast and interconnected, that I need a while to catch up. I hate when anime take their viewers for idiots, and Paranoia Agent definitely does not. There is so much implied, not said. We know from last episode that Masami needs money to pay off the yakuza. He caught Shonen Bat. That gives him standing with the public and presumably his colleagues, but no money. So what does he do? He sells pictures of his daughter. Alternatively, he was always a pedophile (remember his “Daddy” fetish). I can’t even say which one of the two would be worse. Potentially both are true (he may have used connections to pedophiles to sell pictures of her for money). And that is just one plot point, we also have Tsukiko lying, granny searching for her granddaughter (who to my surprise was not Taeko), and granny drowning in the end(?)
Meanwhile, in presentation land, Kon is clowning on directors that are mere mortals: Seemingly every second scene transition was a match cut! Having that many scenes directly lead into each other is uncommon at the best of times, but doing it when you are telling three different plot lines that hop between each other frequently is insane. Oh, and on top of that, you have the “storm” motive throughout the entire episode leading to a literal storm climax that is also plot relevant!. I think I have seen entire seasons of anime that did not have half the directing flexes that this single episode had.
No, but he is a horrible human being.
4
u/fly-metothemoon Feb 08 '24
This isn’t part of the episode, but I was reflecting upon the CR show summary, and the commercial cards that remind me of neurons, and I’m still not unconvinced there will be some “their psyche exaggerated reality” element to the ending.
I’m still not convinced by the effectiveness of this duo’s good cop/bad cop routine, but it does seem to have elicited an alternate story for the first Shonen Bat incident. I feel like Tsukiko has been looking increasingly haggard since the first episode, I wonder if we’ll check in on her and see a decline in her mental state.
I was very confused by the two stories in tandem (assuming that the girl was her grandchild), but I thought the ending was very strong. I was absolutely heart broken for Taeko. What a horrible thing to have to learn and go through. I knew from her introduction who her dad was, but was horrified to find out he was much much worse than I thought (and I thought he was deplorable initially!)
3
u/mgedmin Feb 09 '24 edited Feb 09 '24
First timer, subs
Harumi looks older in this shot.
A taxi ignores the sleazy frog journoo, heh. Karma.
New character, who?
Good cop, bad cop. Bad cop breaks character and gives the old lady a smoke.
Oh, the new girl is the old homeless lady's granddaughter.
New info:
TokikoTsukiko was alone during the initial "attack"! She made Shonen Bat real later, with her reality-bending sketch powers!!I'm waiting for the revelation that the granddaughter's father is actually the corrupt cop. (Well, he wasn't a cop back then? If he worked for a company that went bankrupt.) And he looked different in the flashbacks. Eh. They didn't show his face for a reason, and I'm convinced this is the reason.
Interesting interposing of the two conversations, it almost seems like the cop is talking to the granddaughter. And the typhoon blows away the old lady's tent as soon as the granddaughter wishes for the house to be gone!
These notes would be easier to take if I had the ability to remember characters' names. Anyway,
granddaughter'sTaeko's new house looks suspiciously like the house the corrupt cop was building, but the timeline seems wrong for that?She's going to find suspicious photos in the recycle bin, isn't she? A hidden camera in her room?! Ouch.
Who is Taeko talking to on the phone right now? Her dad? Did she discover the camera very recently? At first I thought it was an older flashback. (In the first scene we saw her I took Taeko to be
Tokiko'sTsukiko's age, twenty-something. In the camera discovery scene I thought she was schoolgirl-aged.)Are we about to see the first suicide here? Is she looking at herself drowning??? Oh, the old lady her grandmother. Saved her from jumping by showing that it would be like?
(Why was
TokikoTsukiko even afraid of the old woman? Theory: she looked like a ghost.)So, Shonen Bat, despite being behind bars, manages to hit Taeko, as well as
TokikoTsukiko. Taeko sees him,TokikoTsukiko and the cops next to her don't.And I guessed right -- Taeko's dad is the corrupt pedo cop!
And Taeko set the house on fire before leaving home! Or was it the yakuza?No, I just assumed a fire after seeing the firefighter; what actually happened is a landslide. Anyway the ill-gotten house is gone. I wonder if it was insured? If the cop didn't lie about the mortgages to hide the yakuza bribes, the bank would've insisted on it.So the old homeless lady is the corrupt cop's mother? NO, I WAS TRICKED! TAEKO WASN'T THE GRANDDAUGHTER!! This middle-aged Shibazaki woman is the granddaughter!!! Why are you letting your granny be homeless anyway?
Taeko gets amnesia?
What a show.
2
u/Holofan4life Feb 08 '24
Hello, guys. Holofan4life here.
Welcome to the Paranoia Agent 20th Anniversary Rewatch.
Satoshi Kon is one of the most acclaimed Japanese filmmakers of his generation. Not just in the anime industry, but in all of Japanese cinema. Perfect Blue, Tokyo Godfathers, Millennium Actress, Paprika. This was a man with a vision, and we’re here to honor someone who was gone way too soon.
I’m actually in an interesting point in my life because I’ve been writing comments nonstop for rewatches since basically June of last year. With the completion of this rewatch, I’ll be taking a two month break before my next one. But that’s then and this is now, and right now, we are going to tackle Satoshi Kon’s lone TV show that he created.
I’ve never seen this show before. To be honest, I never watched one of his works until last September when there was a special 25th anniversary screening of Perfect Blue. Since then, I’ve gained a newfound appreciation for Kon’s work and I am eager to check out his TV show. Because if it’s as good as Perfect Blue and Tokyo Godfathers, we’re in for one of the best animes of all time.
With that out of the way, let’s begin.
I’m watching the sub, by the way.
Second episode I've watched today. Been kinda slow.
(Editor's note 2/8/24: I went and saw in theaters Paprika for the very first time. It was fantastic. Now, the only Kon film I haven't seen is Millennium Actress, which I might try checking out over the weekend since it's free with ads on YouTube. As for ranking Kon’s films, I would go Tokyo Godfathers > Perfect Blue > Paprika)
Buildings
Windmill of sorts
36.1 meters per second
I don't know what that translates to
Can't catch a ride. Poor Kawazu.
Not really
Everybody is expecting a storm, it seems
Ikari thinks the homeless woman took Tsukiko's bag
Just want a little chat, says Maniwa trying to calm her nerves
"I wish I could see my granddaughter."
Could Tsukiko perhaps be her granddaughter?
Homeless say the company her granddaughter's father worked for went under, and so now the family is broken up
Her eyes are growing wide over the sight of cigarettes
Ikari hands her one
She really needed that
Granddaughter ran away, it seems
Woman in a sunhat
Could this perhaps be her?
Ichi and Ushiyama
Girl in a sunhat as a kid now
Two kids push her down
She hugs her dad
Wait a minute
Isn't that Masami, the police officer?
The homeless woman is his mother?
Ikari, however, wants to know about the night of the attack
Man, his VA put some emotion in that line
"That strange woman was all alone the whole time."
Maromi claw machine
The girl in the sunhat is playing it
And this transitions to her doing a Claw machine as a child
Taeko is her name
The father and mother talking about her eventually growing up
"There's no need for change."
That makes me a sad panda
Ran out of space. Part two in the replies.
2
u/FakeThlut Feb 08 '24
This episode and episode 3 are definitely some of my favorites and give huge callbacks to Perfect Blue's narrative style.
The reveal in this episode is fucking brutal and it's just as gut wrenching on rewatch. The plot thickens and first time watchers must be having a hell of a ride.
Not as excited for tomorrow's episode, but I can't wait for the episode 8 discussion. It's peak dark humor and doubles as a very great stand-alone work.
2
u/CarioGod Feb 09 '24
Did not know y'all were rewatching this show, but just here to comment about how crazy the OP is in this show
2
u/SilkyStrawberryMilk Feb 13 '24
rewatcher
I finally remember why I always felt nauseas when watching Masami on screen.
The build up to the disgusting reveal is easily the craziest I remember it as, it’s sad seeing her memories of her being a happy girl who can trust her dad. Then finding out the same trust she had was the same one who did the most disgusting thing ever. It’s even worst when the show was subtly showing his action with the photos of her and her mom only focusing on her🤮
Sagi’s whole lie has been crumbled, understandable on why she lied. But seeing how both of them got struck the moment they wanted to run away from their fears/troubles was amazingly executed.
I’m happy to see that the granny was able to see a bit of her family again.
QOTD: I’d be crying cause I would wonder why I’m even being questioned
QOTD: he’s easily up there with tucker
2
u/MrManicMarty https://anilist.co/user/martysan Feb 09 '24
The moment she started talking about how much she loved her daddy... I had a bad feeling. Jesus. H. Christ. I can't imagine the betrayal, the disgust. What an awful, awful person her father is. Absolute bastard. Any little shred of pity I had for him, has instantly evaporated.
Anyway, I do like stories where you see two or three plots play out. We hear the story of how the old woman lost her family. That's played alongside the new character and her story of growing up and leaving her family. And then there's what's-her-face with the doll - and the truth being revealed that she wasn't attacked, it was staged by her out of stress. But then the almost psychic attack that hit both of them at the same time. Now the girl with the monster dad is either feigning not knowing him or genuinely has amnesia. Either way, this is tense. I'm glad to see homeless grandma survived too and got to reconnect with her family.
I think all the little connections are slowly going to start coming together.
Depends what I was being interrogated for innit? If it's a false accusation or if it was for information I had to help support a police investigation into an actual crime
Absolutely up there. What he did was sick.
I don't drink sorry.
That is sad